I remember it vividly. I wanted to wear my cherry jumper because it would look nice in the pictures. The eye-popping blue of the sky shouting summer off the page, the golden yellow gorse smiling brightly, then me, star of the show in bright red, tacking across the grass to send my kite soaring. Perfect. Auntie Alice hardly ever came to stay and I was adamant that she needed something to remember the week by. To remember how pretty I was.
Dad had agreed, although I’d known he wasn’t really looking and Auntie Alice stroked my hair and told me I’d look like a princess in anything. But Mum had refused. I’d boil she'd tutted, handing me a rejected orange t-shirt that I’d begged her to buy.
It was the first time I’d hated my Mum a little, as I pulled that fluoro t-shirt over my head - wishing I lived with Auntie Alice who’d probably let me wear whatever I wanted.
It didn’t last. The itch of rebellion dissolved the moment I twitched my toes onto the peeling paint of the doorstep. So hot. I turned back into the suddenly pitch hallway with a sheepish smile as a sort of apology. Mum had vanished though – the sharp clip of the back door a firm reminder that that spring I was a second best to her azaleas.
It had felt like the ban hit her the hardest. I don’t recall seeing her sit down once that month, or the next – always outside, always muttering. She started collecting used water; carefully salvaging soapy sink suds, ladling out the dregs of our short, shallow baths and teetering with slopping buckets down the stairs.
Dad had explained it away with a smile, her Pride of the Town title is hanging in the balance, he’d whisper to me as I watched her tenderly cupping petals and soaking the soil underneath. I couldn’t understand how flowers could be so important. Funny, now.
The morning was fast evaporating and Auntie Alice was restless. I think her flight back to London was that same day and she wasn’t keen on the plan of a trip out, but Dad had insisted. It was our first time heading up there that year and he obviously thought she’d like to join us, to feel part of a proper family. She squeezed past me into the sunshine, flipping her sunglasses from head to nose with a perfectly manicured forefinger. ‘Come on Ellie, life doesn’t favour dawdlers.’ A classic Alice phrase. She sailed the steps to the drive and opened the passenger door in one graceful movement. To me, back then, she seemed so sophisticated, so city sure, so brilliant. I’d wanted to be like her I think, when I was that young.
Dad had wanted to get going too, jangling the keys and giving me the wink which meant Luke was my job. Crouched behind the car, Luke was squishing gravel into the melting tarmac, setting toothy-grinned faces in the road. His feet were tucked up under him so he teetered on the curb and all it took was a light push to topple him forward, splaying his handful of stones scattergun – carefully placed artworks muddled away into a random pattern which no one would be able to decipher. He started to grimace until I scooped him up, telling him we’d make faces later, together. That now we were off to the moon.
Luke loved the moon, as he called it, its wide open spaces the perfect playground for townbound children, prisoners in a preened garden with brightly coloured borders barring us on all sides. And I did too. The air felt different on the moor, like it had travelled further so tasted more. It had the scent of life in it, sweet manure, heady gorse coconut, dry grass. Promise and mystery in fresh gulpfuls.
Dad would always start it, whenever we went up there. First thing he’d do was kneel down, put his arms around our shoulders and breathe. In through his nose until his chest was double the size – his nostrils flaring comically for effect, then out through his mouth in a hot, tickling breath. ‘Boy, that’s the stuff’, he’d mutter, before walking around to the boot to unpack whatever we’d brought to do that day. Then we’d copy him – noses too and word for word. It was special to us, that air, one of those family things you never forget.
The car couldn’t travel fast enough for me. I was restless and uncomfortable, desperate for a cooling breeze to blow the sweat out of my hair, dry the nooks of my arms and knees. The backseat was sticky hot, making my legs slide as we turned corners, weaving left and right down winding lanes. They felt like forever, those short journeys, but that day especially dragged unbearably, because Auntie Alice hadn’t wanted the windows down as it would mess up her hair.
Luke was tugging my t-shirt sleeve – eager to play the game where we held our faces out of the car to dry our tongues then wince as we made each other touch them, shocked every time at how alien they felt. I wanted to play too, but I also wanted Auntie Alice to have me up to stay with her and I knew bad hair would ruin my chances. So I squeezed Luke’s sweaty little fingers and gently pushed his tongue back in, making a silent promise to play the whole journey next time, once she had gone home.
Nearly there, Dad had beamed through the rear view mirror, sensing the frustration as I fidgeted nudges and kicks into the back of his seat. Your kite must be itching for a flight, he winked at me, cooped up all winter? Dad always seemed to get it. I had smiled and nodded, pleased he understood me.
It’s hard to imagine how I’d really felt that morning, now, looking back in retrospect. I think I was happy, hot but happy before we pulled into the car park. There was no sense of dread, nightmares weren’t a factor then; nothing really worried me. But it’s almost impossible to tease out the emotions - before and after - from the knotted mess of memories that sit, bundled up in my brain. The particulars of the incident itself are crystal clear, but how I dealt with it, how I changed because of it, I’m not sure I’ll ever be able to decipher.
The earth had cracked under the tyres as we trundled into our usual spot, dusty plumes billowing around the doors. Auntie Alice’s mouth turned down as she pouffed her hair at the nape of her neck and rolled her eyes at Dad. My feet had tingled as I reached out from car to ground, heat sizzling instantly on skin.
Long dried out puddles stretched across the ochre dirt and cracks split wide and deep as I put my weight down, as if just tiptoeing across the surface would be too much for it to take. Dad’s door had popped before mine and Luke ran round to our side, expectantly, so we were both there, ready. Dad didn’t move. He just stood there, a wound down clockwork toy, arms limp; face static. There was no kneeling, no nostrils flaring, no familiar phrase.
The air was dead. No grassiness, no coconut. No sound or movement even. Just suffocating blue and suffocated brown. I heard Alice’s feet fatally crunch crevasses as she stomped around the bonnet to join us, followed by a gasp, hoarse and hollow, then a whimper.
That’s when I saw it.
Right in front of us, maybe 10 feet away, a pony. Collapsed in the dirt. Its side was ribbed with bones, a rattling cage rising slowly then falling as if the air was too heavy for it to push through. Deep wells pitted its body, craters and peaks at sharp angles pulling its skin taut and simultaneously leaving it loose, like a tarpaulin stretched the wrong way across a cheap tent frame. Its mane sat matted and brittle, dulled with dust, while its fur mirrored the moor that held it, a worn through carpet; patchy and desperate.
From where I had stood I could see its eyes – which was the worst. They weren’t looking anywhere, sort of closed but sort of open, a crust clumped in its lashes, the whites visible and dark rivulets running down its cheeks. I thought it was crying.
That was the moment for me, right there. I’ll never forget those horse tears, begging for life, or death, on the unforgiving moor. I wanted it to disappear so we could get back to breathing deep and kite flying and playtime. The sun fell hot on my face, cursing me, us, all of us, refusing to let us go. And I hated it, then, its heat and its pain and what it was doing.
I remember looking up and pleading the sky for rain, rain for days and days. I wanted the rain to carry the horse back to healthy, to turn the dust back to soil, to bring the life back to the air. The sky just stared back at me deep blue and deadly, refusing to even respond. Not one cloud brewed on the horizon.
Alice had turned away, burying her face in her arm and Luke’s eyes were clamped tight shut. A slow pitched whine started to build in his throat and Dad had moved swiftly, dropping down, hand out, drawing him in to his chest, to safety. When his voice came it was shallow and empty, “Mr Horse is just tired Luke, he’s just resting.”
But I knew he wasn’t. We all knew.

Comments
celticman | June 26, 2011 - 11:30
This is not a story. This is like getting immersed in time. Image and picture perfect. Easily story of the week.
In saying that I'd delete this bit because it sounds like commentary and although it acts as a plateau for what is to come later, in a way it lessens the dramatic impact by warning the reader something bad is going to happen:'There was no sense of dread, nightmares weren’t a factor then; nothing really worried me. But it’s almost impossible to tease out the emotions - before and after - from the knotted mess of memories that sit, bundled up in my brain. The particulars of the incident itself are crystal clear, but how I dealt with it, how I changed because of it, I’m not sure I’ll ever be able to decipher.'
Wonderful story telling. If you write the rest of your autobiography I'll buy.
alphabet floozy | June 26, 2011 - 12:30
Thanks Celticman, your comments means a lot - especially as I worked hard to make the imagery believable. As a fictitious story I wanted it to feel as grounded and authentic as possible.
I am really glad for the feedback on the commentary para too, I think I felt that way about it as well so great to have another pair of eyes confirming it. You are right, it detracts from the dramatic flow and development - almost sets the reader up to expect something bad so takes away impact when it happens. Will address it.
I am reading this story out at the Eden Sessions this Friday so really value your input.
And thanks abc tales for the cherry!
SundaysChild | June 26, 2011 - 13:39
Brilliant piece. Good luck with your reading.
insertponceyfre... | June 26, 2011 - 20:34
yes - wonderful. I really enjoyed it, and like celticman got totally immersed.
One thing: " I turned back into the suddenly pitch hallway" - can you just say pitch? don't you have to add dark or black afterwards?
David Maidment | June 27, 2011 - 07:09
Wonderfully evocative - "prisoners in a preened garden with brightly coloured borders barring us on all sides". It conjured up my careful playing in a garden where the border begonias were at risk from my forbidden cricket shots.
I was enjoying this when the shock of the ending overtook - I'm not sure about the previous advice re taking out the signpost of something bad about to happen. It prepared me for the change of mood, but the actual event was still totally unexpected and moving.
Silver Spun Sand | June 28, 2011 - 10:01
Lost for words; choked in fact. (Thanks to blighter's for flagging it up on the forum;-) Wouldn't have missed this one for the world.
Good luck with the reading, alphabet...she says with a lump in her throat.
Tina
andrea | June 28, 2011 - 21:18
Loved this. Your alliteration is brilliant. I love alliteration :) A few grammatical errors, but nothing serious.
May I suggest submitting to Gold Dust Magazine? http://www.golddustmagazine.co.uk/
(and no, I have no ulterior motive)
http://www.ukauthors.com
http://www.ukapress.com
tcook | June 29, 2011 - 15:32
This is our Facebook and Twitter pick of the day.
Join us on Facebook at ABCtales.com
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Get a great reading recommendation most days.
Cavalcaderl | June 29, 2011 - 22:11
new alphabet floozy
Just read this amazing interesting story,
really believed it was true,the beginning middle and end. The different levels it takes over, I knew the horse had to come in somewhere maybe, from the Title.
Suspense at the end and sad.Well deserved cherry! and POW. good luck with the reading.
julie
RachelPatricia | June 30, 2011 - 08:46
Yes, thanks indeed to blighters - this is absolutely brilliant. I read this last night and then went on a bit of a floozy-binge - everything you write is excellently executed and your style is very alluring to me as a reader, as I imagine it is to everyone else. I agree with David about the mood you created with that certain paragraph - to be honest, I thought the bomb-shell moment was going to have something to do with Alice and Dad, as so much attention was spent on developing these characters, and even with the giveaway title, I still didn't see the pony coming.
'Deep wells pitted its body, craters and peaks at sharp angles pulling its skin taut and simultaneously leaving it loose, like a tarpaulin stretched the wrong way across a cheap tent frame.'
- such powerful, graphic imagery, think this is going to haunt me for quite some time, and I mean that in a good way :)
SOW for me, too - one of the best reads I've ever had on here, cheers... and long may your talent continue ;)
rjnewlyn | July 1, 2011 - 23:10
Yes, I agree absolutely. Phenomenally good and officially Story of the Week now.
Rob
Geoffrey | July 2, 2011 - 15:38
You're the second person to make me get all emotional this morning. As one of the above comments says, we get all tied up with the family problems and then the horse. Beautifully written and very readable. Thank God for simple paragraphs!
barryj1 | July 3, 2011 - 13:33
Several posts up Blighters Rock noted:
"Halfway through reading this, I got that thought which only comes once in a bluey. The thought was 'I bet this is from a publisher to gauge people's unbiased opinion' because a story this good just can't not be published."
Those were my exact sentiments by the time I was halfway through. Talk about professional - the writing is topnotch, absolutely the best! And you saved the best for last. This is a stunning bit of prose. I will be keeping an eye out for everything you post from here on out.
alphabet floozy | July 4, 2011 - 18:01
Thanks so much for all your kind comments everyone, it really means a lot.
The story went down well with the audience when I performed at the Eden Project on Friday and they seemed very happy with it (it was a commission for Eden and Cape Farewell to look at the themes of climate change, environment, people and place).
Your feedback and input gave me the confidence to read it out with gusto so I am very grateful to everyone who has taken the time to read it and share their thoughts.
And thanks too abc tales for picking Horse Tears as Story of the Week. I'm really chuffed.
alphabet floozy | July 4, 2011 - 18:01
Thanks so much for all your kind comments everyone, it really means a lot.
The story went down well with the audience when I performed at the Eden Project on Friday and they seemed very happy with it (it was a commission for Eden and Cape Farewell to look at the themes of climate change, environment, people and place).
Your feedback and input gave me the confidence to read it out with gusto so I am very grateful to everyone who has taken the time to read it and share their thoughts.
And thanks too abc tales for picking Horse Tears as Story of the Week. I'm really chuffed.
barryj1 | July 4, 2011 - 19:17
One final observation... There are certain writers that you read with two sets of eyes - one for the plot, the other for the lush language. Think of George Elliot in the opening to Silas Marner where the weaver is returning home in the late evening or some of Edith Wharton's magnificent narrative describing the New England countryside.
This piece, Horse Tears, produces that same effect. The writing is so original that I found myself going back repeatedly to savor certain phrases. You are a consumate wordsmith.
maggyvaneijk | July 18, 2011 - 14:31
This is so good, I can't say much more than the above comments but you are talented as hell. Your descriptions are from another world, like this one:
Luke loved the moon, as he called it, its wide open spaces the perfect playground for townbound children, prisoners in a preened garden with brightly coloured borders barring us on all sides.