Unbelievable, Chapter Three


from the ABC set Unbelievable - The Novel! (2009)

Chapter Three: Awakening

By the end of the week, I was solidly ensconced in my group of ‘sciencey’ friends. It was almost becoming enjoyable; I was almost living. Change of scene… yes, it really had worked its magic. At least I had been right; I felt justified now, plotting my break for freedom, all those dark, cold days lurking like a ghost in the corridors of my old school, while pretending to still inhabit my old life. Even before Mum had checked herself out with a ticket to ride all the way to…never mind - I’m not sure it’s the time.

Elyssa had imprinted herself even more indelibly on my conscious by practically breaking the wrist of a cheeky Year Eleven boy who had grabbed her bottom in the corridor, hissing ‘Think you can touch me? You think I let boys like you touch me?’ Yes, I was in awe of her. Partly because she looked so fragile but was clearly quite a lot stronger; partly because nobody would think to bother touching me, mousy-brown and quiet as I was, wrapped, genderless, inside the folds of my hoodie, crushed inside my fitted new coat. Maggie was determined to drag me shopping on Saturday to ‘dress me appropriately, or at least with some sort of ‘nod to fashion’. I dreaded it, hence the need to seek out alternative entertainment, provided by my newfound friends and/or acquaintances.

I listened attentively to every conversation, in case the word ‘weekend’ appeared. Where could I tag along, where could I slide myself in, unobtrusively? I had started to slowly work out where everybody stood in relation to everyone else, figure out the social nuances of the group. I had been a loner, isolating myself, and now it was as if I was learning how to interact as a human teenager again, almost as if I was an alien infiltrating another planet’s culture.

Eric and Josh were best mates and had been since they met in primary school. Shannon attempted to be ‘one of the boys’, but it was clear she was secretly storing up the courage to ask out Josh. Tom was the geekiest, and quite obviously smitten with Tienna, who would eat him alive if she could be bothered. Tienna was the social butterfly, flitting easily between different groups, refusing to be rooted anywhere. And who was I?

Elyssa drifted in and out of school as if she owned the place. She always vanished after English lessons, reappearing for the next session as if she had never been gone. Occasionally I’d see her in the corridors on the way to class, but at lunch she was invisible, and at the end of the day just not there. Friday was what I was waiting for; English was last lesson, so theoretically she would be traceable…

The blond boy had not been back. Frankenstein progressed without him, and I absorbed myself in Victor’s tortured, irresponsible psyche, aligning my sympathies with the ‘monster’ of his creation, the social outcast echoed in the book I held before me. Yes, I knew how he felt, learning how to interact, testing it out.

I was lost in the monster’s narrative as I waited for the class to begin, early, having cut lunch short. I had two options now: lunch and cinema with the girls, Tienna and her mates, a giggling gaggle of mostly blondes whose names I could neither remember or keep straight, or study group with ‘the boys’, a group in which Shannon’s femininity was lost, much to her chagrin. I hoped they thought of me as somehow sexless, as it was clear the blondies did; the looks they had scanned me with had left me with no doubt on that score: not femininely pretty enough to worry about and not masculine enough to fancy.

‘Humans cannot get past aesthetics, it’s why they will never be truly happy,’ intoned a droll voice, and the tall, silent blond one slid into the seat beside me.

I glanced around, but the classroom was empty. He slung a too-familiar hand across the back of my chair, and I felt uneasy, trapped; he had positioned himself between me and the door.

‘But don’t you think that looks play a part in choosing friends and sexual partners?’ I shot back, defensively.

He grinned, slyly. ‘But looks can be so deceiving, can’t they?’ He reached a languid finger out and traced it down my face.

I flinched back from his cool touch, slightly aghast that he had dared to touch me. If only I was Elyssa, capable of breaking his finger off if he tried it again.

Unperturbed by my reaction, he spoke again, leaning his face towards mine so that he spoke softly, almost whispering in my ear.

‘How long has it been since you bothered with makeup, for instance?’

The question was like a slap in the face. My jaw dropped. I gathered myself.

‘And what makes you think I’ve ever worn makeup?’ I demanded, leaning away from him.

‘You’re a seventeen-year-old-girl,’ he smiled, drawing away. ‘Of course you’ve worn makeup.’

‘Isn’t that a bit of a gender stereotype?’ I snorted, derisively.

‘Not really, in this day and age. I have.’ And that grin again, teasing me.

‘Books and covers,’ I muttered.

‘And your cover is particularly interesting, isn’t it, Neona?’ he bit his lip, as if debating whether to continue. Cold blue eyes met mine. Blue into blue, we stared, locked together, trance-like. If I had hackles, they would be rising.

‘My cover?’ I played it cool, holding the gaze.

‘This,’ he plucked at my hoodie, ‘and these’, he indicated the baggily-cut jeans. ‘Your hair, your face…’

This was becoming creepy. My hair? Yes, I had let it grow over the past months, no longer bothering with the hairdresser and her bangs and layers, her subtle golden highlights to alleviate the mousiness. My makeup bag sat, mustering mouldily in a drawer, unpacked and still unused, untouched. But how did he know that I used to be…

‘Different?’

His voice stopped the blood flowing in my veins.

‘What do you want?’ I hissed, longing for the bell to save me, like it did n films and television shows. I had been earlier than I anticipated, or time had slowed, I wasn’t sure which.

‘To know what you’re running from. To understand you. Neona is the rarest name…I know who you are, you know.’ And he leant back with a satisfied smirk, mission accomplished.

‘And what of it?’ I sniffed, refusing to break.

‘How did you do it?’ He leapt forwards, suddenly, pinning me back against the chair with a long, pale arm, shirt cuff pushed up to reveal blond hair and freckles. ‘You should be dead, you know that?’

‘I know,’ I choked on the words, catching my breath. ‘I know what should be, but I don’t know why it is; I only know that it is, that I’m not dead.’

He frowned, disbelievingly, but the spell was broken as the bell screamed across my consciousness like a cold, welcome wind, and he released me from his hold with a regretful last sigh.

‘He speaks to strangers!’ exclaimed Elyssa, appearing through the door in her whirlwind fashion, skittling across the still-empty classroom and landing heavily on the other side of me. ‘What did you do, offer him sweets?’ she laughed, pulling a face at… I still did not know his name.

I turned to him, but he was flicking through his folder, searching for his homework, his arm no longer across the back of my chair, his body posture indicating that touching me was the furthest thing from his mind, with no hint that seconds before, we had been having an intense, mystifying conversation.

How did he know who I was? Did he really, or was he just pushing me into telling him, cleverly playing with my mind? He really didn’t look the type – but then, he really didn’t look like any type…

I was halfway through the essay the teacher had set us for the lesson, when a piece of folded paper was slid under my hand. I glanced to my right, under my grown-out fringe, but his face was impassive, his hand retracting as I studied him, my nameless tormentor. Curiously, I unfolded the paper.

‘Miracle girl escapes unhurt from fatal collision’ rang the familiar headline, searing across my eyes like a bright light, like headlights cutting through the darkness.

And there it was; the full-colour evidence that I had once looked quite different. It was my school photograph, the one where I was smiling happily in Year Eleven, before the studying and the exams and the post-exam parties and the endless summer that had stretched, lively and happy and full, right up until the end of August…

My fringe was short, my hair lightened, my eyes heavily ringed with eyeliner, my cheeks carefully tinted: a normal seventeen-year-old-girl trying too hard to be pretty as a picture. The caption captivated me, as it always had done: ‘Neona White, the only survivor of the wreckage’.

And there is was, the image that haunted me, palely hovering on the edge of every dream, suppressed and locked away, smothered with the emotion I couldn’t quite connect with: twisted red metal, blackened and burnt. After they had removed the bodies, of course: it really wouldn’t do to upset the sensibilities of the readers of the local rag by showing them the car wreck while the burnt, unrecognisable corpses still inhabited it.

The sun had burned through the windscreen, showing the dust particles as we sang, sang along to the Killers of all things. Mr Brightside. ‘It started out with a kiss, how did it end up like this? It was only a kiss, it was only a kiss,’ I whispered, tracing the photograph, tracing the shape of his car. ‘I just can’t look, it’s killing me…’ I choked, as the three in the back swayed in time to the music, and he swerved the wheel slightly from side to side, rocking us backwards and forwards across the deserted road in time to the music. At the top of our lungs, we belted out the familiar words, as the summer roared in through the open windows and blew our hair across our faces.

He turned to grin at me, and I caught his smile, infectious, spreading. I reached out to touch his lips, and then Phoebe screamed, breaking the moment, as the tractor came round the corner. His hands gripped the wheel, ghostlike, a precedent, and the sunlight blinded me as we shot off the road into the ditch, flipping over, obliterating ourselves against the tree.

And there I was, crawling out of the wreckage, disoriented and unaware, the weight of death rising to meet me, pressing me down into the road. Hot tarmac against my cheek, as the hiss and snarl of the engine catching and the heavy silence beyond it that crushed me. It must have been the farmer that pulled me to safety, out of reach of the explosion that followed, the explosion that would have killed my boyfriend, his sister, my best friend and her brother, if they hadn’t been dead already. I did not know for sure; they wouldn’t tell me the details. Protection misguided but well intentioned.

‘Neona!’ finally, Elyssa broke across my consciousness. I did not know that I had started to scream. The room erupted around me, and as I slipped into and out of blackness, Friday afternoon became Saturday morning, sedated in a hospital bed, shaking as the emotion racked through me. Like seaweed caught in a rolling swell, I drifted and plunged, drifted and plunged through the highs and lows, as wave after wave crashed over me.

Maggie sat there and watched me, unobtrusive, a stab of shocking blood-red colour inside the whiteness of the room. She did not try to speak, just guarded, like a restful angel, a faint smile playing about her lips as I tried to focus in between the dips. By evening, I was able to sit up and speak, and they dialled back the drugs enough to let me eat something. I swallowed buttery toast, what felt like one crumb at a time. It was difficult not to choke on it, for every time I swallowed, new tears blocked my throat, rising to encompass me.

They released me on Sunday, tottering out into the world like an invalid, once more ensconced in my familiar hoodie and jeans. The hospital robe had not been becoming. I felt like a newborn foal, teetering on unsteady legs, gripping Maggie’s arm as a crutch. She took me home and fed me soup and tea, understanding in the way the nurses hadn’t that liquids were all that I could manage. I sat in the kitchen, fingers entwined around a cup, watching her make her concoctions, lovingly handwriting the labels for the products she sold personally.

It was a relief. I felt as if I was inhabiting my body properly for the first time in months; had it only been five? February was almost upon us. Pain drew razor blades across the surface of my heart and brain. I had prescription drugs to numb it, but I refused to take them. In truth, I was almost enjoying my new power to connect heart and brain and soul and body. Grief, yes: overwhelming grief, but I was finally free to experience it. I was becoming human once more, and I welcomed it.

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Comments

threeleafshamrock | March 17, 2009 - 19:27

Is Chapter 4 finished yet? When will you have it up? I personally like the pace of this story and want to understand the 'heroine'. Is the blonde guy, hero or villain (or both)? Will I empathise with him or want him dead? Lots of characters, lots of possibilities. Expecting the next chapter to be revelation time - think it has to be, for at least one character. If I had the book, I'd be looking for a shocker in the next chapter. Keep it going; enjoying it!

Chris XX

jennifer | March 17, 2009 - 22:15

The pace hots up, I promise. I am going for a process of discovery to reflect the protagonist - Neona's process of discovery. Chapter Four will be up soon, I don't want to inundate the site with vast amounts of prose...I have actually reached Chapter Nine, hit 16000+ words this evening...so it will be appearing in due course...need to keep you on the edge of your seat and all that!

Thank you for the support and comments, am glad I have hooked one reader at least!

J x

threeleafshamrock | March 17, 2009 - 22:50

16000 words; WOW! Your on your way girl. If the rest is as good as the start, I want a signed copy and an invite to the boat party on publishing day.

Chris XX

P.S. Not that keen on champagne but partial to a drop of Guinness from time to time. ;)

Ewan | March 18, 2009 - 07:30

'Even before Mum had checked herself out with a ticket to ride all the way to…never mind - I’m not sure it’s the time.'

This is a perfect example of what the CW gurus call a 'hook', to draw the reader in, make them read on.

If the rest of your excursion into prose is as good as this, you will do fine. Get it finished and get it out there.

My dictionary has no noun entry for 'conscious', is it 'consciousness'?
Ewan
x

jennifer | March 18, 2009 - 08:29

Wow, thanks guys, high praise indeed!

Yes, conscious/consciousness is one of those 'black spots' of language where I stumble, thank you!

I am working on it, will keep posting and would appreciate any crit anyone can offer, this is sooo scary when I am used to the poetry medium!

Hopefully the 'hook' will keep you hooked!

J x

threeleafshamrock | March 19, 2009 - 12:27

STOP TALKING; WRITE! ;)

Chris X

NO_1 | March 19, 2009 - 15:34

I have to say, I still have a strong sense that it is Jennifer telling me this story rather than Neona. That I am being fed pieces of information by the author, who knows what is going to happen, rather than experiencing the unfolding of a life in the words of a teenage girl who has undergone a traumatic experience.

A few random thoughts: Would 'ensconced' form a natural part of her vocabulary?

Does the brief mention of Elyssa and the cheeky 11th year boy deserve more of a scene of its own? This is another 'show not tell' thing, where we could learn a lot about Elyssa and Neona by watching what they do and say in this situation, rather than baldly stating 'Yes, I was in awe of her'.

The fourth paragraph is a big infodump of names and character sketches. Can't we find out about Neona's sense of alienation in more telling ways, by actually witnessing her eavesdropping at the edge of things?

I wasn't convinced by some of the conversation with the blond boy. I know that teenagers can sometimes talk in deliberately mannered ways. Is this part of his character? I know nothing dates a story more quickly than the use of fashionable argot - but even so, it sounds more civilised than conversations I recall from the 6th form common room in my old grammar school!

Don't be afraid to allow the story to burn slowly and evolve at its own pace. If the characters are strong enough, they will hold the readers' interest - and it will be all the more effective when things start to happen to people to whom we have grown an emotional attachment.

Perhaps, back at the very beginning of your story, you could have a visceral action scene to whet our appetites and get our adrenalin going - without giving anything away. Either something terrible that has happened (or will happen) to Neona, ending on a cliffhanger. Or a glimpse of whatever forces are arrayed against her. Then, you can take your time and ratchet up the tension.

One thing I have noticed about your prose style is that you often use quite long, meandering sentences with lots of subordinate clauses. All perfectly grammatical, if a bit breathless. Again, is it part of your characterisation? Is it appropriate for your target readers?

Ewan | March 20, 2009 - 04:28

NO_1 makes some very good points. However, I suspect that what is being posted here is a 1st or 2nd draft. Jennifer is aware of an occasional tendency to tell rather than show, I know. I don't doubt that a final version will reflect some changes in that area.

I agree that, possibly, some of the dialogue between Neona and the blond boy is a little cultured for the average teenager. However, we already know that Neona is purporting to be something she is not (and younger too?). Furthermore - at that age - (don't say it :-)) I myself was something like the pretentious prig the blond may well turn out to be. That said, some contrasting - more typically teenage (?) - exchanges would emphasise the otherness of these two characters even more. Those which take place in chapter two do this, I feel. Perhaps these exchanges could be closer in the narrative to those of Neona and the blond.

'you often use quite long, meandering sentences with lots of subordinate clauses. Again, is it part of your characterisation? Is it appropriate for your target readers?'

Hmmm. I expect that Jennifer will have to accept that readers in their late teens probably don't have the attention span for a sentence with a colon in it: pity that, really.

jennifer | March 20, 2009 - 10:58

NO_1 & Ewan:

Firstly, yes I do 'tell' not 'show' - NO_1 you offer some carefully considered advice and I shall be taking it on board in the redraft, thank you very much! I do really need someone to bring me up on that!

Now, to this:

'you often use quite long, meandering sentences with lots of subordinate clauses. Again, is it part of your characterisation? Is it appropriate for your target readers?'

Is it so terrible to offer a novel for a teenage audience that uses sophisticated vocabulary and correct grammar?

I would rather that the ones who find it difficult to read used a dictionary when they got stuck, as I did as a child (and still do, actually!).

I used to work in a book shop and grew so tired of 'teen-lit' that is badly written, full of teenage slang conversations and not grammatically sound. In my opinion, reading that stuff is detrimental to what I am trying to do on a daily basis as an English teacher. This may also be because I grew up on a diet of Just William, Austen, the Brontes, Grisham, Shakespeare, Pullein-Thompson and Jilly Cooper. Plus I was taught to speak properly.

Yes, the two main protagonists, Neona and Arun, are very well spoken and, as Ewan suggests, there are reasons. The first issue is that I don't want my characters to speak slangily and badly like many teenagers today, the second is that many teenagers do actually speak like that (clever, well-read and articulate) and thirdly, they both are purporting to be 'normal human teenagers' which may not be the case and, as Ewan deduced, Arun's a wee bit smugly superior in attitude.

Plus, that's just how I write. However, it is a first draft - I am literally running it off and posting it up, just like I do with my poems.

Very thought provoking comments - just want to point out that I am smiling as I write this and I haven't gone all stuck up, just wanted to put forward my honest arguments in response to the crit, which I am so flattered you have both taken the time to consider so carefully.

J x

Ewan | March 20, 2009 - 11:20

I agree with you, Jen, certainly to a point. However, as a teacher, I'm sure you hear the full gamut of teenage self-expression and by extension, the same will pertain in your fictitious school.

I definitely believe that dialogue really is an anything goes area, as speech is for many in daily life. No doubt your narrator's voice will contain aspects of your younger self, and this is no bad thing. Provided the voice is credible, and by that I mean that there are reasons for the above average gifts of self-expression, I really don't see a problem in treating a teenager to some complex constructions and difficult vocabulary.

But then I'm an old fart.

Good luck

Ewan
X

tcook | March 20, 2009 - 15:12

One of my oldest friends is Mal Peat - who won the Carnegie Prize last year for his teenage fiction. He realised that when he stopped 'writing for teenagers' and started just writing stories that he had the correct formula. Don't patronise your audience whatever you do - and you're not.

This is exactly what this needed - a corking kick up the backside - and now I am completely hooked!

jennifer | March 24, 2009 - 13:14

Thank you, Ewan and Tony!

I shall let go of the teenagers and just write the story as it evolves - the time for revision is when you have something whole to revise!

I am going to stick with my 'voice' - I don't think it would work if I tried to be something I'm not and it would sound patronising (something I am guilty of in real life, hehe!) - I will have to hope the readers can 'come up' to the writing, rather than 'going down' to them...

J x