Sadie (from "Ribbentrop's Chair")



By Sim
- 5110 reads
Sadie
As most married couples grow older and lust slips away, they learn to cling to each other like life rafts adrift on the ocean. Sadie and Marcus were different - theirs wasn’t a relationship, it was a syndrome, but despite their mutual antipathy they still shared a bedroom.
Who knows what nightmares raged through Marcus’s sleep every night? In the long hours of darkness he rotated slowly like a turkey on a spit, and over time his night sweats produced black blossoms that spread slowly across the walls.
The heavy onyx pen holder could be brought down on his head while he was sleeping and he would never know. He already had a big dent in his shiny hairless pate; evidence of God knows what fistfight in his youth.
Sadie and Marcus’s bedroom was the colour of the Somme after the battle. The walnut beds, mahogany desk with its dark green writing set and stained blotter, the 1.8 meter high stack of fading paperback murder mysteries and the heavy velvet curtains which were never opened, together created a dark den of seething frustration and a sense that the earth was trying to close over one’s head.
She dreamed about killing him in so many different ways. She liked to imagine the look of surprise on his face as he succumbed to the poison racing through his veins; or the point of the kitchen knife puncturing his lung with a bubbling wheeze; the starry night engulfing him as he smothered under the weight of a pressed pillow.
Highly intelligent and mathematically minded (she was entrusted when very young with her father’s book keeping), my Grandma Sadie was a gifted raconteuse and her milky-blue eyes would gaze into the distance as she recounted stories of pre-war France and the romantic Frenchman who had betrayed her trust.
Sadie resented Marcus, and one of the reasons was because she had a strong feeling - true, as it turned out – that he would outlive her.
It was fairly clear what she thought of him, sharpening her knives, looking daggers at the narcissist she should never have married. She cursed him in Yiddish. She haunted the public library and the second hand bookshops, amassing crime novels; adding to her arsenal of ingenious murder methods.
However I doubt that Marcus ever really considered what was going on in Sadie’s head as she hovered belligerently like a fly in the corner of his eye - on the periphery of his vast personal universe.
Mostly they muddled along, but every so often their relationship turned, like milk, and the sight of him made her sick. Every time you say hello I die a little.
"Grandma, why did you want to kill Grandpa?"
“For dragging me to Paris. I hated Paris.”
“You loved Paris."
"He made me cook for Coco Chanel - that imperious bitch. She hardly touched a thing. It
was excruciating. I’ve never felt so small.
“For squandering all our money during the war with profligate pleasure.
“For having the time of his life here in England while we were having just the opposite in France.
"For not having to hide for six years in a dark, damp crypt with of a rabble of terrified children.
“For remaining detached from the harsh reality of the world while I had my face rubbed in it.
“For sleeping with other women.
“But Grandma, Grandpa told Marcia he never succumbed to temptation during the war. He said ‘God gave me eyes to look – but I never touched’ “
(However he told Brian “If I wanted a woman, I bought a woman”. So although Sadie may have been right, Marcus felt that he was simply dealing with his bodily appetites in a perfunctory manner).
“For never having loved me.
"For playing the piano better than me.”
“You don’t have a piano” “I got rid of it”.
“Because I heard his jokes a thousand times and they weren’t funny the first time.
Because I saw myself reflected in his eyes”.
I imagine sex stopped after the war
Before the war Sadie, never pretty, was at least polished – as was expected of her. After the war her revenge was to decline into squalor while Marcus kept up appearances: forever the Flaneur of Piccadilly and St. Denis. My grandmother in her eighties had uncombed hair and rheumy eyes, and lived in a greasy apron. Her most lethal weapon was her self- neglect. With this she attacked her husband’s fastidiousness and taste for Saville Row suits. (In this respect she was echoing the behaviour of her mother Martha).
I have considered Sadie’s dereliction. I think the real reason it happened was because she felt unloved – she had no one to be pretty for any more.
Only when very old did her husband allow himself the luxury of scruffiness. One day Grandpa emerged from the bedroom wearing his striped pyjamas, velvet slippers, camel hair dressing gown and beige beret. He lived like that for the rest of his life and never got dressed again.
Sadie gave me two antique table cloths when I got married – both purchased when she married. One was pale blue silk brocade, the other hand-embroidered linen with a cross-stitch pattern. As she gave them to me she whispered “don’t tell Grandpa”. I still have them both and will pass them on to my daughter, whom I hope will pass them on to her daughter.
In our teens Jackie and I would regularly catch three buses to go and visit our grandparents – sometimes together and sometimes alone. And not just out of a sense of duty. For some perverse reason (nobody else understood this) I was drawn to my grandmother. I acquired a taste for her cynicism and vitriolic wit, although the conversation was always one-way.
Sadie became overweight, with the largest breasts I had ever seen. She was mildly diabetic but had a sweet tooth, so Jackie and I took her gifts of diabetic chocolate and jars of jam hunted down in various chemists (not great places for confectionary). She became obsessed with her health and treated us to a regularly updated gazette of her pathologies, from head to toe, on every visit. I found it all fascinating.
In her old age Sadie erected such a dark filter around herself that you had to climb over her in order to get a clearer picture of the world. I don’t even want to begin to imagine what it must be like to lose one’s child, and I suppose the death of her devoted but unappreciated son must have dealt her a colossal blow.
One day she said to me "I’m tired and I don’t want to be alive any more”, and within two weeks she wasn’t.
Dear Grandma,
Although no doubt you would comprehend, I doubt whether you would appreciate my saying that it was these very plagues: the chilblains, the varicose veins, the piles, the backache from hauling your vast bosom around, the headaches caused by repressed marital resentment, together with all your other woes and - it has to be said - your stories of pre-war France, your divine culinary skills and the fact that you always smelled of chicken soup - which enrich my memory and carry me back to my childhood.
I visited Grandma’s grave a few years ago and was surprised and delighted when she leapt almost fully fleshed out of her grave and said hello to me and for a moment I could hear, touch, smell and love her again.
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Comments
.. and you've taken that
.. and you've taken that fully fleshed ghost and put her straight onto this page - well done! Do go through this when you have a minute and edit out the repetitions, typos and some formatting problems as they detract from the quality of the writing
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There's a tab above the piece
There's a tab above the piece marked Edit
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no problem - it can be a bit
no problem - it can be a bit confusing to start with!
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Loved reading about Sadie,
Loved reading about Sadie, she sounded like a real character.
Jenny.
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Sadie and Marcus
Well you certainly can write - there are countless wonderfully constructed sentences and images.
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My Goodness .....Sadie it is.
My Goodness .....Sadie it is.... You have painted her back, in all her memory and purpose.
i am in her room, sensing all of her, the vivid memory returning....more than a visitation...a resurrection
And indeed, you are a writer....please please continue. You inspire.
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Story of the Week
This rings with truth and it adds to our understanding of the human condition. It's finely written as well as being acutely observed and that's why it's our Story of the Week.
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Enjoyed this immensely. The
Enjoyed this immensely. The immersion heater of relational dysfunction clunks and jolts in its irreparably stricken state. Generational curses are so brittle it would be natutral to assume their power may desist as we grow, but not so. They're the toughest to break but that's why they make such striking prose, because we all suffer from identification through the past crimes of familial attachment, though how could we be without it?
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I've deleted the repeats for
I've deleted the repeats for you. There should be a This is Great Feedback button underneath Blighters' comment. I think there's a daily limit for them, so perhaps if it's nto there today, try tomorrow?
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great work SIm, v immersive.
great work SIm, v immersive. lovely writing throughout. lovely touches dotted around ' night sweats produced black blossoms'. generous thoughtful and absorbing character study
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I got as much from the
I got as much from the exchange as you
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Sadie erected such a dark
Sadie erected such a dark filter around herself that you had to climb over her in order to get a clearer picture of the world.' This is such a good line. I wish I'd written it. Among so many others it does not lose its lustre, but glows sharper. Wonderful story telling.
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This is our Story of the
This is our Story of the Month - Congratulations!
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When you write that grandma
When you write that grandma wished to murder grandpa. That is of course is just in your vivid imagination only. Like you, I remember her with real love and affection
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I have read all the comments
I have read all the comments already placed and can add nothing extra that will be of help to you. I was so engrossed in the story I didn't notice any errors You have a flair for making the reader think they are part of your world. This is essential in a good writer.
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