A Toll Tale of Terrible Secrets

Frankenstein is not the monster everybody thinks it is.

Frankenstein is the runaway ego that created the monster that everybody thinks is Frankenstein even though Frankenstein the creator may be the real monster and the monster just another Adam with perfect teeth.

Furthermore, Frankenstein of the runaway ego created by Mary Shelley is Victor rather than the  James Whale created Henry of the movies.

I've never been able to understand why they switched names when they made the movie until today.

Also, believe it or not there is no Igor in the book or the movie. In the movie, the character who we think of as Igor is really Fritz the dwarf. In the book, Victor is flying solo.

After creating the monster in the book, Victor immediately is so overcome by horror that he does his first  of his several swoons rather than the jumping around "it's alive Henry" of the movie. While Victor swoons, the "monster" horrifed by the horror of his creator runs away and hides in profound shame and otherworldly confusion.

Upon his awakening, Victor does what many of us do, he tries to forget what he has created and pretends that it never happened. Thus begins the toll of terrible secrets with which many of us are also familiar.

The rest of the book is schizophrenic thus equally divided between the viewpoints of the "monster" and Victor. Victor's terrible secret does to Victor what terrible secrets do to all of us. He covers it up until all of a sudden it becomes too much and he retreats into swoonland dreading reckoning.

The monster, meanwhile, tries his best to cope but it's kind of hard to cope when your first memory is that of your creator/God/father freaking out in horror at your revolting existence. It's as if before throwing Adam out of the garden God vomited on the roses before there was any tree of knowledge much less an Eve. Adam gets the message and blunders out of Eden like a teenager leaving the living room after a cataclysmic rejection and slamming the bedroom door before hurling himself on the bed.  Adam, in this case, is not a man is not even a teenager but is less than ten minutes old and is a botched up version of God's image that even nauseates God. And there is no bedroom nor bed.

The learning curve is steep.

Eventually there are confrontations as the monster becomes articulate, literate and thus cunning.

Not only does he speak, he speaks with sensitive, assertive articulation which of course further horrifies and infuriates Victor on the rare occasions when they meet face to face.

The story goes on and on and along the way everybody who knows about Victor's terrible secret is destroyed by the secret.

Victor is pissed now and is determined to destroy the secret, meanwhile the secret is leading Victor on a wild goose chase up into the Antarctic. The secret is much more suited to this pursuit than is the Victor with the secret.

How ironic is the name Victor.

Maybe that's why James Whale changed the name to Henry although in the movie Henry does emerge as more of a victor than Victor does in the book. Henry in the sequel actually creates a Bride for the monster who takes one look at him and though she is only seconds old she is old enough to reject the monster in her own awkward inarticulate immolating emasculating way.

All of this is part of the story and the inconsistencies in the plot point to the reality that the tale is  true but has been filtered so many times in the telling, in the effort to protect the innocent that blips have occurred along the way.

Here's a couple of them.

In reality there was a Frankenstein and there was an Igor.

Frankenstein's real name was James Dipschwitz and Igor was his special cousin Fritz Dipschwitz who went by the name of Dipshit.