XXX Breeding the Demon Lord XXX A Play

HIS MAJESTY SATAN - NATURAL SELECTION BREEDING THE DEMON LORD
A stage play for performance

AMPITHEATRE SLAVE FIVE
AMPITHEATRE SLAVE FOUR
AMPITHEATRE SLAVE ONE
AMPITHEATRE SLAVE THREE
AMPITHEATRE SLAVE TWO
AMPITHEATRE SOLIDER ONE
ANROE
AUNT OF KETRIN
CAROTLE
CHIEF REPORTER
COMPERE
CORRIDOR GUARD ONE
CROWD PERSON
CURSLE
EBRIE
EMTSY
EUNUCH
HARON
HIS MAJESTY SATAN
KETRIN
LORD CHARTOUR
LORD FIRER
LORD SIR TEREFORE
MAID
MAID TWO
MAN IN STREET ONE
NARRATOR
NUCLEAR BABE ONE
NUCLEAR BABE THREE
NUCLEAR BABE TWO
OLD WOMAN
PADOUR
PALACE GUARD ONE
PALACE GUARD TWO
POLICEMAN
PRISON GUARD ONE
PRISON GUARD THREE
PRISON GUARD TWO
PSYCIATRIST
RADIO COMMENTATOR
RADIO PRESENTER
SALO
SIR IRKY HOLE
SOLDIER ONE
SOLDIER TWO
Three HAMLET WIDOWS
Three HAREM EXTRAS
Three MAID EXTRAS
Three SKULL CHAMBER GUARDS
Three SOLDIERS EXTRAS FOR HAMLET BURNING
Three THUG EXTRAS
THUG ONE
TOGDEF
TV CAMERAMAN
Two CORRIDOR GUARD EXTRAS
Two Gladiators
Two MALE POETRY READING DIGNATRY EXTRAS
Two MEN IN STREET EXTRAS
Two PALACE GUARD EXTRAS
Two PALACE GUARD EXTRAS
UNCLE OF KETRIN
URIOP
WER IPOL
WIFE ONE

Scene 1 Amphitheatre

A gladiatorial amphitheatre. A crowd watch adoringly Two GLADIATORS who
kill to win mates. Crowd cheer the men as real men. Two Gladiators
fight to death. One gladiator is killed, the crowd cheer as the
gladiator dies in agony. The crowd worship the gladiator who won. A
ceremony takes place where the man is betroved to WIFE ONE.

Scene 2 Psychiatrist Office

Inside the PSYCHIATRIST's office, lies a broken down trodden man, he
talks in a broken voice. His name is KETRIN. KETRIN is a good man who
lives in a world, where men are meant to be evil. He is ill from the
logic of this. He lies on a couch. The PSYCHIATRIST looks ordinary he
wears glasses and glances at his notes, nonchalantly.

KETRIN: The more evil you are, the more people admire you. All people
want their children to be evil, and win by evil. Weakness, inadequacy
are detested. The ideal men are evil bullying murdering thugs, they're
seen as real men warriors. If you're not that you're hated as bland,
pointless. Why was I brought up to be good when women only want evil
men? Everyone treats it as whimsical fun to love evil men who wreck
lives, and think it's brave to say they hate good men.
PSYCHIATRIST: (reassuring, condescending, pulls off glasses calmly for
an informal tone) Ketrin. You know that isn't true. You're warped. How
did you get like this?
KETRIN: (more frustrated, breathing difficulty due to shyness) Men only
get married once they've killed. We've psychopathic ways of choosing
men. The one who wins the fight, wins. That's like wild animals. All
they want is a strong dominating man, that's it. Wimps lose, no
morality, it's ruthless. Look at those world's sexiest men polls, it's
always serial killers, rapists, gangsters, bullies, who women find
cute.
PSYCHIATRIST: Nonsense. (shocked forced hilarity).
KETRIN: How did you get your wife? The only way people get married is
death fight.
PSYCHIATRIST: How else would we pick the ultimate race? It's natural
selection.
KETRIN: Every generation the most evil men win. Good men hated,
rejected. It hasn't always been like this, once good people won.
PSYCHIATRIST: (pompously, angry, confused) Shut up.

PSYCHIATRIST gets up and opens door to reception.

PSYCHIATRIST: (shouts to nurse) Nurse, get some sedative.

KETRIN gets up, opens hospital window and jumps out. PSYCHIATRIST looks
to window.

PSYCHIATRIST: Get security.

Scene 3 Beach

A bland cold cloudy day. A beach of sand and pebbles. Grassy dunes
stretch out in distance from beach. Two men EBRIE and PADOUR arrive on
small boat. They get off boat as it stops off shore. They are strong
looking, adventurous like clich?d heroes from action adventures. EBRIE
and PADOUR wade ashore.

NARRATOR: Two men arrive on the shore of the state, they are
adventurers seeking more battles and fights to win.
EBRIE: What is this new world? I've not seen it on maps. What new
delights meet us?
PADOUR: More adventure, fights against evil.
EBRIE: I enjoyed our last battle. But friend, I heard this is a world
where women are held as slaves. Forced to marry evil men. They're
oppressed we must liberate them.
PADOUR: And perhaps we'll gain from this? perhaps women will reward
us.

EBRIE and PADOUR laugh joyfully.

Scene 4. Harem Chamber

A beautiful luxurious bath chamber, like from Greek antiquity. Everyone
wears white. A pool fresh glistening takes up much room. Eunuchs serve
fruit and wine.
A harp occasionally plays. In the harem are EMTSY Chief wife of the HIS
MAJESTY SATAN'S harem, SALO another wife of HIS MAJESTY SATAN. Three
HAREM EXTRAS and the stage must indicate there are many wives in the
harem with perhaps wives and eunuchs drawn on stage background and
sound affects of women talking and laughing. EUNUCH can serve drinks
and grapes etc: to the women.

NARRATOR: In the harem palace the emperors wives relax. Emsty is chief
wife of the harem of the ruler of the Empire Lord His Majesty Satan.
She is one of his 758 wives and has given birth to two of his 2723
children. Lord His Majesty Satan is an evil bully, the harem adore him
seeing him as a genetic winner

EMTSY takes grapes from EUNUCH. EMTSY is talking to SALO.

EMTSY: My husband shall fight this week to win another wife.
SALO: Don't forget, he's my husband too. He's the husband of all of
us.
EMTSY: What a man, my children inherit his evil power.
SALO: We're lucky to have a great man for a husband. He's killed over
25000 men with his bare hands, raped over 17000 women. He's the
ultimate man, unstoppable, a beast.
EMTSY: Our children inherit his manly genes.
SALO: He is very manly as the more evil you are the more manly you are.
Murdering paedophile rapists are the most manly men possible how
erotic. One day our sons will fight to death. I'm eager to see which
one wins. Our Lord Satan is a worthy leader, a real man, so powerful
strong so terrifyingly ferocious. We feel pleasure to know our children
will inherit his evil power. All men desire to be him, all women desire
to have him. Last week I saw him kill a disabled man with his bare
hands. He's a great sense of humour, laughing as he tortures people. I
don't judge men by looks what matters is the personality. That their
personality is ruthlessly evil.
EMTSY: Terrifying strong, powerful, he is evolution, the perfect man,
Satan. How romantic that we love him so much.
SALO: But we have power too. We pick the ultimate man. You know what is
it about bad guys that makes us find them irresistible.
EMTSY: No man can defeat him he's pure sexual urges. All women desire
him. He's evolutionary perfection. We select the most evil men. In
primitive times women who survived were those picking the most
psychopathic, evil, bullying men, rapists, who bullied people with
learning disabilities. Only those women would survive. What chance
would you have if you picked some nice guy. Only the most ruthless men
survive, killing the weak. Kill your parents when they're weak and can
no longer hunt, kill weak children, kill rival's children and eat them
up, destroy, humiliate burdens, obliterate them. Make snide bullying
remarks about vulnerable people.
We cannot resist such men. It's our job, as women to select the most
ruthless and unbeatable. We slowly evolve to an ultimate species. His
Lord Satan, unbeatable, eternal, what bliss. Immortality. The more they
beat us the more ruthless they are the more we desire their evil
powers.

Scene 5 Ketrin's House

KETRIN's AUNT and UNCLE have received a phone call. UNCLE OF KETRIN is
annoyed at his nephew. He doesn't understand why he argues against
society. His aunt and uncle are relatively good people. They are good
but they follow the government line.

UNCLE: You treat that boy too warmly. You molly coddle him. You brought
him up like a woman. He tries to be nice.

KETRIN returns home. Door of room opens and in walks KETRIN. KETRIN
prepares to go upstairs to his bedroom.

UNCLE OF KETRIN: Come here.
AUNT OF KETRIN: The hospital phoned, Ketrin. They said you were talking
about those ideas.
KETRIN: I'm not mad. I've found something wrong with society.
UNCLE OF KETRIN: Stop that rubbish.
KETRIN: You don't understand. Society's more evil than it was. Women
only like evil bullies now. They hate good men. They want to breed evil
demons.
AUNT OF KETRIN: Go out and find yourself a girlfriend.
KETRIN: But women don't like nice men. They only like evil men. They
all want to breed Satan and the more men beat them the more they find
them more irresistible as they want to have children who inherit the
evil man's personality. No woman would want me. You must kill another
man before you mate.
UNCLE OF KETRIN: Well get into training.
KETRIN: I don't want to. I want to marry a nice women who doesn't fancy
rapists and bullies.
AUNT OF KETRIN: Ketrin. You're not one of those sad weak men. Ketrin,
you're like a son to me.
KETIRN: Aunt, Uncle, what's wrong with you? Can't you see this is
awful? The most bullying men regarded as sex gods.

KETRIN's sister CURSLE comes in, she has sympathy with KETRIN.

CURSLE: What's this? You're arguing about Ketrin.
UNCLE OF KETRIN: Stay out Cursle, this isn't your business.
AUNT OF KETRIN: Ketrin, why can't you be normal like the other men. Why
can't you just accept to fight, or accept your place?
KETRIN: My place in society is to die childless because I'm not evil
enough to deserve children while bullies and murderers are regarded as
real men. I don't accept my place in society. Men like me get hated for
not being evil.
This harem system means we don't get children. It's only the evil elite
who get sex and children. Only the bullies, thugs, the most dangerous
psychopathic men, and they tell us we're meant to accept that.
Why can't you see your bullying elite men aren't cute, novelty acts,
they're evil, they're bullies, I hate them. I've every right to hate
them and they've no right to hate me.
CURSLE: Ketrin's right, I don't want to marry some bully, you brought
us up good.
UNCLE OF KETRIN (furious) Stop this talk. Don't you realise what
trouble you could cause us by saying this.
KETRIN: We can't live like this. We can't bring up people to be good
and make them watch as bullies, thugs are regarded as sexy.
AUNT OF KETRIN: Ketrin, I care about you. I just want you to be happy
to be normal.
KETRIN: If I accept this, all I'll get is broken more. They don't pick
men like me. I can't be happy in this society. I've got to change it.
I've no choice.

KETRIN walks to sofa. KETRIN stares down as if to admit something
shameful.

KETRIN: Aunt I've a confession.
AUNT OF KETRIN: You're not G?
KETRIN: (interrupts) Yes Aunt, I'm Good.

AUNT OF KETRIN Screams in horror and UNCLE OF KETRIN stands up.

KETRIN: I hate evil. I hate evil men and I hate women who love evil men
and I want to change society. I want to make people good.
UNCLE OF KETRIN: Don't say such things.

KETRIN leaves house.

Scene 6 A Path Beside A Loch

Mountainess area of empire, like Scottish highlands, a path,
maintained, but narrow, stretches along an inland loch as high brooding
mountains stand on other side of loch and to other side on the side of
the path is a plateau of heather. EBRIE and PADOUR walk down the path
singing songs, of war, carrying swords.

EBRIE: We've walked for hours. Yet see nothing.
PADOUR: (urgently) Look in the distance, burning houses.
EBRIE: Trouble. That means people to save.

PADOUR and EBRIE run towards hamlet.

Scene 7 Hamlet

Stage background may display burning houses with sound affects of
soldier shouting to burn more houses round up of men and boys for
death. Screaming may occur as stage is empty of people. Although there
only needs to be at most 6 soldiers on stage of hamlet scenes at any
time, the play must try to indicate there are up to 18 soldiers in
hamlet by sound affects or just the language of the stage
participants.

NARRATOR: Ketrin's hamlet is being burnt as punishment for his
comments. Lord Chartour, his deputy and 17 soldiers take part in the
burning of the settlement.

Two soldiers walk onto stage. It is his majesty's chief soldier LORD
CHARTOUR and his deputy LORD SIR TEREFORE. Both are powerful looking
men. LORD CHARTOUR talks in deep terrifying voice. Performance focusing
on deliberate fear.

LORD SIR TEREFORE: Lord Chartour, chief of Lord Satan's army of
normality and strength, we searched the hamlet for our traitor.
LORD CHARTOUR: We'll take the women, kill the men and their children
they're weak. Where's the infidel?
LORD SIR TEREFORE: He escaped, but we have his family. We'll use them
to bring him back. His name was Ketrin, he told one of our agents
remarks against our society.
LORD CHARTOUR: (shouts in fury) We must make an example of him, we must
show what people like this are, weak. Women must hate them. All women
must desire the ultimate Lord, our destroyer, our vanquisher of
weakness, and difference, our supreme evil ruler our lord His Majesty
Satan.

SOLDIER ONE brings UNCLE OF KETRIN to LORD CHAROUR and LORD SIR
TEREFORE for interrogation.

SOLDIER ONE: Kneel to your betters. Uncle of Ketrin kneels before the
lords.
UNCLE OF KETRIN: Lord Chartour, forgive my family for my nephew's
errors. We apologise most humbly lord. I beg mercy your honour.
LORD CHARTOUR: (arrogance) You're weak. You bring shame on our ruler.
You bring shame on our world. You bring shame on your family.

LORD CHARTOUR spits on UNCLE OF KETRIN.

LORD CHARTOUR: You'll be taken with your family and imprisoned. Your
wife and niece married to our Lord Satan. You'll be forced to fight for
your wife against a fine Soldier. We'll hunt your nephew and execute
him publicly, you shall watch from prison cells his death. All your
village's men will die for your family's weakness. You weak creature
and your nephew who lurks in shadows like a coward shall be brought
into light and shown a fire of punishment so strong he may shrivel up
like the worm he is.

LORD CHARTOUR lifts head up, and shouts out, but keeping dignity.

LORD CHARTOUR: Do you hear me Ketrin? Wherever you are we'll find you.
If you don't surrender within 3 days we'll kill your family.
(talks to deputy, calmly). Lord Terefore I place you in control. I'll
take 5 Soldiers and this traitor's family. You'll have 11 soldiers
under your command. Kill the men and children, take the women they seem
useful stock. Good wives for brave soldiers. .

Scene 8 Hamlet After Lord Chartour Has Left

On stage three HAMLET WIDOW EXTRAS and three SOLDIERS EXTRAS FOR HAMLET
BURNING sit and talk they seem to laugh. LORD SIR TERFORE talks to
HARON another widow of the hamlet burning. In the front of the stage
SOILDER TWO walks over to URIOP.

NARRATOR: An hour after Lord Chartour left. Houses still burn as twelve
of the hamlet's men were lined up in front of their dead children and
killed. The soldiers had tied the men to posts, then slit their
throats. The widows are happy at that their new superior husbands,
except one widow Uriop who cries. A solider walks to her.
SOLDIER TWO: You'll be my wife.
URIOP: You're a murderer. You killed my child.
SOLDIER TWO: The other soldiers have won their victims wives. Now you
will be mine.
URIOP: I loved my son and husband. Why did you kill them?

SOLDIER TWO shouts to other soldiers who seem to get on well with other
widows.

SOLDIER TWO: This one's good, kill her.

Three SOLDIER EXTRAS AT HAMLET BURNING get up away from three HAMLET
WIDOW EXTRAS and walk over to walk to URIOP to prepare rape.

URIOP screams in horror.

PADOUR and EBRIE arrive after in hamlet. SOLDIER TWO, three SOLDIER
EXTRAS AT HAMLET BURNING see them PADOUR and EBRIE have only seen the
carnage of the dead men. LORD SIR TEREFORE sees the two men and calls
to soldiers.

LORD SIR TEREFORE: Intruders.

LORD SIR TEREFORE moves towards the two men. He pulls out sword.

LORD SIR TEREFORE: (arrogance, superiority) We must kill all male
occupants of traitor's town. You will be blooded. I honour you.
PADOUR: You leave me no choice.

PADOUR slings sword into LORD SIR TEREFORE'S body cutting the man
straight through.

LORD SIR TEREFORE: (agony) Insolence?

LORD SIR TEREFORE falls to ground, as sword remains in him, as he
dies.
PADOUR runs over to regain sword, as LORD SIR TEREFORE is dead.
Three SOLDIER EXTRAS AT HAMLET BURNING watch in horror, they left their
swords on the other side of the hamlet as they prepared for rape of
URIOP.
PADOUR and EBRIE run over to help URIOP. Padour stabs SOLDIER TWO. Then
pores sword into the Three SOLDIER EXTRAS AT HAMLET BURNING. PADOUR,
EBRIE and URIOP stand as they look across stage, while the HAMLET
WIDOWS seem shocked and annoyed at their loss of husbands.

PADOUR: There's more soldiers. Let's get out of here were outnumbered.
Save this woman and take those three horses the soldiers have
left.

EBRIE: (to hamlet widows) Other's of the village, run, we'll draw the
soldiers away.

Scene 9 Hamlet After Soldiers Have Left

KETRIN returns to hamlet. Now the hamlet contains three HAMLET WIDOW
EXTRAS and HARON.

NARRATOR: An hour later Ketrin returns to the hamlet. Where he is met
by the sight of the men and children's dead bodies and the hamlets
widows.

HARON: (expression of horror, disgust) Oh, god don't look now it's that
sad loser.

The three HAMLET WIDOW EXTRAS moan dissatisfaction at such an inferior
man.
HARON looks at KETRIN and smiles sneeringly with snobby
superiority.

HARON: Hello Ketrin, are you wondering where your family are?

KETRIN runs to them.

KETRIN: (upset, distressed but shy) Where's my family?
HARON: Our leaders took them because of your blabbing.

The HAMLET WIDOWS laugh sneeringly.

KETRIN looks over at the stakes of the men on the poles on the
background scene and the dead children beside them. He collapses on
floor.

KETRIN: (pleading emotional desperate pity) They killed your husbands.
They killed your children.
HARON: We've better men now. The soldiers took us as brides. They're
superior men. Our children were genetic mistakes of weakness. We'll
give birth to stronger children.

KETRIN holds his head in hands.

HARON: Some of us were upset some sexy men came and killed some
soldiers killing our future husbands. I don't know how many they
killed. It was distressing, heart breaking to discover those soldiers
were weak. They took one woman. Uriop. She's strange she didn't like
her husband's murderer.
KETRIN: (Shyly) Don't say that.
HARON: There's no point being bitter. You make yourself unhappy.
KETRIN: They killed your children you should hate them.
HARON: No. I hate men like you. We always beat you. There's no point
hating winners.
KETRIN: (distressed) Where's my sister, aunt, uncle?
HARON: They say they're going to kill them if you don't give yourself
up. Why don't you everything was OK until.
KETRIN: (interrupts, almost crying) You're right it's my fault. I
shouldn't have told the Psychiatrist.
HARON: We don't forgive you.

KETRIN is dumbstruck expressionless.

HARON: Not about this. We don't need weak husbands. We mean for being
weak.
If you hadn't ranted to your uncle and aunt about how unfair you find
society. I wouldn't have had to inform on you. This wouldn't have
happened. Creep.
KETRIN: You're evil.

Sound of many horses galloping towards settlement from distance

HARON: Please stay.
KETRIN: (crying) What what that's them? The soldiers on horses you want
to give them me up to them.

KETRIN runs, the three HAMLET WIDOWS try to catch him, they pick up
wooden sticks to throw at him.

HARON: (shouts) Weirdo.

KETRIN runs from hamlet.

HARON: (snobbish, disdainful) What an awful strange man.

Scene 10 Hillside Camp

A fireside in pitch black at night except for a zone of firelight where
Padour, Ebrie and Uriop sit.

NARRATOR: Padour, Ebrie and Uriop sit round a fire on the hills, after
escaping the soldiers.

PADOUR: That was a great battle.
URIOP: You killed people. I don't see how you 're pleased?
EBRIE: You're a good lady. You don't admire men for murder
PADOUR: All women are like that. We're here to liberate you from
terrible men. We've heard how awful your men are. They murder, abuse,
rape, bully and make murderers, rapists, bullies leaders.
URIOP: It isn't like that. It's more horrible. The women admire the men
who murder. The men who rape are admired as real men, strong men,
exciting, brave. You don't see how evil this world is. It's men and
women.
EBRIE: There can't be women like that.
URIOP: But in our land evil men are admired. The men hated are the
weak, the good, the different, the inadequate. They're seen as weak.
Vulnerable men and women are hated as disgusting, burdens they're used
as slaves in the camps like that one down there. Goodness is seen as
feminine weakness.

URIOP points, but it is too dark too see.

URIOP: Down there is a camp where 15,000 men work for the regime. Slave
labour. They're rejects hated for being good, nice, weird in the sense
of being shy or disabled, or merciful, good. You don't see what an
awful world this is. The nicer people are the more they're hated as
weak, genetic mistakes, evolutionary burdens. Men get power as serial
rapists, murderers, every evil imaginable bullying to excruciating
extents.
Women love them. They find them more sexually appealing than you could
imagine they find evil irresistible. They see evil as strength. Good is
the most horrific weakness to them. This isn't a male dominated
society. Women have control. The most powerful person in the land is
Emtsy chief wife of the Emperor's harem. The society was set up decades
ago by an evil dictator. The more evil a man is the more manly he seen
as.
EBRIE: Who was he what dictator would do this?
URIOP: She believed all men were meant to be evil it turned her on. She
hated good men as weak, sad, bland, trivial creatures, a burden. She
had a vision, that one day a great creature would evolve so ruthless
that nothing else would survive, and she made her aim that we evolve to
that. The creature we call Satan.
The most evil man would win and she loved the idea of producing
children that were ancestors of the everlasting evil that will never be
defeated. Good men are a bizarre strange race to Satan's harem.
The leader is known as Satan but he is only in line of evolution to
Satan. Satan makes the decisions but the harem can order him to fight
to death to prove he is the ultimate man. The unstoppable, most
ruthless, evil man of his generation.
In your world perhaps women find violence, murder, bullying as
unattractive but in this world they are musts for sex.
EBRIE: This is awful. What an evil basis for sexual attraction. Why
were you attacked?
URIOP: A young man in the hamlet was heard complaining of the regime.
He escaped but his aunt, uncle and sister are captured.
EBRIE: Why are you different?
URIOP: There are those of us who still keep good, we worship in
secret.
Out there's another slave camp where 10000 women who support good are
enslaved.
EBRIE: Of all the worlds I've been to. This is the most distressing, a
world where women admire evil. It's impossible to comprehend. No woman
in my world would love evil. What kind of men would obey these
rules?
URIOP: It's insane to speak out. The regime's ruthless with
subjects.
To question our leaders, regime's laws, is suicide. One move and he'll
destroy your family, your settlement. An entire city of 3 million
people was wiped out because one young woman claimed society shouldn't
be like this. Weak people are tolerated for a while but when they seem
too weak, or good they're sent to the camp if they speak out they'll
die with their family and relatives.
EBRIE: (spirited) This is it, Padour. The challenge we've waited for, a
chance to kill an evil foe that seemed unbeatable.
PADOUR: I accept.
URIOP: For every one you kill, another's anxious to take the mantel.
Besides killing our leader's impossible. You can't imagine how strong
he is. It would take 10 of you to take him on and stand a bare chance
of hurting him. He is stronger quicker, more ruthless than you
imagine.

PADOUR and EBRIE laugh.

EBRIE: Don't say anymore. It merely increases our thirst for
battle.

Scene 11 Harem

CURSLE is tied up and is led into the harem. EMTSY walks over to
her.

EMTSY: After the fight you'll be another of our majesty's brides.
CURSLE: But I don't want to marry that evil bully.

EMTSY slaps Cursle across the face.

EMTSY: How dare you insult our leader. You'll soon fall for his
majesty's charm. He is strong, a winner, a fighter, no man or beast can
defeat. No woman can resist such strength, ability, evil power. In time
you'll learn to adore him. No woman can resist evil. No matter how hard
we try. You come here thinking you'll resist him that you're different,
idealistic, innocent, but all women seek only one thing their children
will carry on, they'll have descendants who evolve to the ultimate
creature, the supreme species, the one creature, the ultimate power his
ruthless holly might Satan.
CURSLE: You're evil! He's an evil man a rapist, a murderer.
EMTSY: You'll learn to adore those traits, as lovable strength.
Occasionally you'll feel sympathy with victims but only a dizzy
childish laughter at pain they suffer, a loving whimsy admiration of
Satan's power at his victim's hopelessness. Then you realise your
children will be as strong as Satan is and you'll be proud to have his
children, proud of immortality. Good men don't see the decisions we
women must make, they see life so simply, good v evil, love, they don't
spend life agonising over what mate will produce the most potent tox of
supremacy. Who will father their child? Calculate who's the best chance
of survival, that good is weakness that pulls your child back. What
kind of mothers would we be to give our children, the weakness of
good?
CURSLE: I'd rather die than marry your evil majesty. I want good to
win, I don't want to have children who murder, rape.
EMTSY: Take her to her cell, she'll be taught to adore our leader. A
real man will show her the true manliness of evil.

Scene 12 The Pub

In the Pub Three men sit in the pub , they are PUB MAN ONE, PUB MAN
TWO, and PUB MAN THREE while a radio broadcasts a warning. RADIO
PRESENTER and RADIO COMMETATOR cannot be seen on stage their voices are
heard as coming from radio.

RADIO PRESENTER: Government forces extracted revenge on a traitor's
settlement. The men and children of his settlement were punished
appropriately. The women will be married to worthy men. Our government
requests sightings of this man called Ketrin be reported that you
capture him and hand him over to the authorities for punishment his
majesty feels fit.

Three men chat in pub. They discuss radio as radio returns to footage
of sporting match of two elite men fighting.

RADIO PRESENTER: We now return you to our fight to the death broadcast
live on His Majesties radios.

RADIO COMMENTATOR: He's talking out his sword he's going to go for the
head chop.

Play focuses on conversation between the men in Pub.

PUB MAN ONE: What a fight. You got'a admire these elite men.
PUB MAN TWO: They're stronger, ruthless, merciless, evil. Both are
rapists, murderers, bullies, the most evil men of all. Real men, no
conscience, weakness holding them back, free, liberated to commit evil
and enjoy others suffering. No wonder women find them irresistible.
They've evil strength they can inherit for their children. We're scum
to our lords.
PUB MAN THREE: But the greatest man of all's Satan. My youngest has a
thing about him, can't get him out of her mind. Drives her crazy
thinking of the bullying, abuse, evil he commits, so manly. She's a
poster of him on her bedroom wall.
PUB MAN ONE: What do you think of that Ketrin?
PUB MAN TWO: I don't know what the hell they're on. Strange creatures,
weirdoes. I enjoy killing them. They've no respect for superiors. They
regard themselves as equal. They believe in this thing good where men
should be nice. They want us to be women and women don't want that.
Women want real men. It's natural. There's no species where women
desire good men. It would be creepy. What benefit would women gain from
good. Their descendents would not be bale to kill, rape, murder, abuse
to power. We're too tolerant of inferiors they must be eliminated
before they infect weakness in our race.
PUB MAN ONE: I knew a women who fell in love with a good man. We had to
lock her up in the slave camp, sad weirdo. I hated my sister.
PUB MAN THREE: If we left it up to them we'd evolve to blandness. Women
love evil why can't good guys accept that? Last night my wife asked me
to pretend to be Satan, kinky fun. So we pretended I was slitting her
throat, she was ecstatic. I even chopped of one her fingers and broke
her arm. She loved that. We must admire Satan. He killed 70 men last
night, raped their wives. I wish I was him or my son was to spread my
genes.
PUB MAN ONE: I want to punch Ketrin in the face like you punch all weak
vulnerable people. All that needy grovelling personality makes me sick.
All normal people hate weakness it insults us. I cry with anger or fear
when I see weak, weird people other times I laugh at them to sneer at
their inferiority like I laughed when I killed my daughter, or I ignore
them in disdain, but I ensure they know I'm ignoring them in disdain,
to make them feel small. When I found out my daughter was ill I punched
her fucking face in, hard, so she'd die a long painful death
deliberately to make her suffer. She died, dumb, weak, bitch, served
her right, being weak.
PUB MAN TWO: Strange fruits. We want real men.

Through the Pub window PUB MAN ONE sees a crowd gathering it seems to
move down the street. People shout and scream the three men run from
pub to see the commotion.

PUB MAN ONE: Let's go outside there a fight on.

Scene 14 Street Outside Pub

Streets look modern fine looking buildings, except instead of concrete,
muddy tracks.
Ketrin is being beaten by thugs in middle of street. POLICEMAN turn up
followed by TV crew. POLICEMAN blows whistle to break crowd up. Three
THUG EXTRAS and THUG ONE are beating hold up Ketrin, who they are
beating, he is cut.

THUG ONE: We caught the traitor we kept him alive. A mild beating as
asked for from our Lord.
POLICEMAN: You'll be rewarded for this bravery.

A TV CAMERAMAN and CHIEF REPORTER arrive on stage. The TV CAMERAMAN
holds up a camera while CHIEF REPORTER performs the reporting. CHIEF
REPORTER asks KETRIN why he betrayed His Majesty. CHIEF REPORTER is one
of the His Majesty's brides.

CHIEF REPORTER: (snobbish, bitter, disdainful) Why have you caused this
problem?

KETRIN is normally shy, more so after being beaten up. He stays
silent.

THUG ONE: Tell her.

THUG ONE hits KETRIN, lightly in stomach, but KETRIN keels over
winded.

THUG ONE: (laughs) Hardly touched him.
CHIEF REPORTER: (utter disgust) Pitiful scum. They expect us to feel
sympathy but we hate them. They insult us with weakness they annoy our
normality why do weak pathetic creeps get created. They're diseases
we've no feeling for.
KETRIN: (crying, struggling to talk) You're evil. Why do you reward
evil men why do you admire evil men.
CHIEF REPORTER: (confused dismayed) He makes no sense.

CHIEF REPORTER kicks KETRIN in stomach

KETRIN: (groans from hurt)
CHIEF REPORTER: (sneers, smiling at his pain) He can't even take
punches from a woman.

The Three THUG EXTRAS laugh, a deep throttled short deliberate snide
sneering laugh of arrogance. Deep condescending arrogant superior
laugh. One laughing at cruelty almost ecstasy for that reason to laugh
at weakness, a sombre sinister tone, a buzzing sound, as if practiced,
deliberately to strike chilling humiliation to the victim.

CHIEF REPORTER: How did you escape the slave camp?

CHIEF REPORTER spits on KETRIN. KETRIN looks angry bitter, he struggles
but thugs hold him.

KETRIN: I shouldn't be hated for being weak. I'm not evil. You put
strength above morality. How can you love evil men? Men have emotions.
It's not just women with emotions. Just because you're turned on by
psychopath bullies with no concern, empathy that doesn't mean all men
are that. Even if we seem empty it's cause we're broken, deeply
emotional. No one should want evil to win.

Thugs laugh and CHIEF REPORTER laughs with them.

CHIEF REPORTER: (sneering manner, as an insult) This man sounds in
terrible pain, such agony.

Scene 15 Mountain Overlooking Slave Camp

Mountain side overlooks large slave camp. Background could show picture
of slave camp they are looking at.

PADOUR: There is the slave camp below. We must save the slaves.
URIOP: But there are guards everywhere.
PADOUR: Kill some guards then free the slaves. We'll crawl down the
stream to the quarry.
EBRIE: I'll follow.
PADOUR: Both of you.

Scene 15 Slave Camp Quarry

Two guards SLAVE GUARD ONE, and SLAVE GUARD TWO and one of the guard's
wives SLAVE GUARD WIFE talk as they watch slaves SLAVE CAMP SLAVE ONE,
and SLAVE CAMP SLAVE TWO in their command cracking rocks to find
material.

SLAVE GUARD ONE: I hear you went out last night and got off with some
bitch.
SLAVE GUARD TWO: Yeah I killed her husband. She was really turned on. I
tortured the man for hours. Women love that they like a bit of
rough.
SLAVE CAMP SLAVE ONE runs up to the guards.
SLAVE CAMP SLAVE ONE: Free me from this place. How can you worship such
evil ideas?
SLAVE GUARD ONE: (ignores man) Yeah right.
SLAVE GUARD WIFE: Don't talk to these people they're sad.
SLAVE CAMP SLAVE ONE: He abused me as a child. He's a paedophile,
he forced sex on me, he bullied me. He's evil how can you love such
men?

SLAVE GUARD ONE nonchalantly looks away. Looking like he's going to
walk off. SLAVE GUARD WIFE looks disgusted by SLAVE CAMP SLAVE ONE.
SLAVE GUARD WIFE tries to pull guard away.

SLAVE GUARD WIFE: (superior angry to shocking upstart.) For god's sake
man grow up. It happened as a child, get over it. It's harmless fun.
Everyone knows you can smash children's faces in, humiliate them as
dehumanised hated scum and they don't care, it's part of growing up.
Especially when it's other children doing it. It should build you up
being humiliated and broken. Anyway scum like you doesn't matter only
the fun of bullies matters.
I was involved in bullying, it had no affect on me it's trivial. It's
the same with paedophilia, rape, murder. Victim's always complain, they
don't realise how trivial it is to people doing it, how victims of
bullying are worthless scum who've no emotions.
Why do victim's take it out on us as if it's our fault that we hated
them. We must break vulnerable children down, bully them. When they
complain tell them they're creepy, scary for complaining, in fact we
find them creepy and scary all the time anyway so that won't make any
difference.
You think my husbands scary but to me you're so weak, broken you're
scary.
I think that's fear, or is it the snobbish hatred towards inferiors,
not physical fear like I fear my husband that all women should feel to
lovers, no, the fear as you walk past a sad person, and don't want
friends to see you near, because it might damage my reputation, so I
must show how much I hate the person to ensure everyone knows I'm
superior.
SLAVE CAMP SLAVE ONE: You did something wrong, you broke me down that
isn't fair. I still feel inferior. I still find it difficult to talk
because I've the snobs disdain drummed into me. You either ignore me,
or laugh at me, or get angry with me, or sneer at me, why can't you
accept you did something wrong. Why not apologise, accept victims
aren't the ones with something be ashamed of. Don't defend yourself by
hating me for being weak, different, or pretending it was trivial.
Please god accept you did something wrong. I can't cope with
this.

SLAVE GUARD ONE and SLAVE GUARD WIFE walk away.

SLAVE GUARD WIFE: Why take this job working with inadequate broken
scum? Why can't you get a job dealing with normal men?
SLAVE GUARD ONE: Don't worry about him. I feel sorry for him I'll kill
him. Like I do to people I feel sorry for. Don't go near him he's
scary.
SLAVE GUARD WIFE: You're so caring.
SLAVE GUARD TWO: (laughs).
SLAVE GUARD TWO: What a guy he bullies, abuses and they never get him
back.
SLAVE CAMP SLAVE ONE: This isn't fair it's evil.
SLAVE GUARD TWO: You don't realise how much women are scared of men
like you.
SLAVE CAMP SLAVE TWO: Maybe he's right. They tell us we're scum,
inferiors we don't matter, we're worthless scum. We deserve to be
bullied, broken, picked on to suicide and they shouldn't feel guilt
when their victims die. But if one of us feels hatred back, for them
bullying us, that's really unreasonable because we're scary
creeps.
And they should write plays, novels detailing they're right to abuse
vulnerable people, because being weak and pathetic is a crime against
normality and strength.
SLAVE GUARD TWO: I'm writing a play on how I bullied sad people at
school. How it was brave, strong and amusing and how all women admire
me for that, how all weak bullied people deserve to be miserable and
it's their fault. I will do grotesquely bullying characterisations of
how I see victims.
SLAVE CAMP SLAVE ONE: This isn't right were better than them.
SLAVE GUARD WIFE: (cackling, sneering, laughing) Sad.

PADOUR appears behind SLAVE GUARD WIFE and stabs sword in her back. She
falls over bleeding. Then PADOUR stabs SLAVE GUARD ONE dead

SLAVE GUARD WIFE: What powerful man could've committed such act?
Pleasure to be touched by him.

SLAVE GUARD WIFE dies. Two other guards run at PADOUR. He stabs SLABVE
GUARD TWO dead. SLAVE CAMP SLAVE ONE and SLAVE CAMP SLAVE TWO look
shocked they sit down shaking in fear.

PADOUR: I'm here to free prisoners.

SLAVE CAMP SLAVE ONE: (shock) You killed them.
PADOUR: They admire evil. They deserve death. Don't feel pity at
evil.

URIOP and EBRIE run from quarry to help, as they there are sound
affects of horses and soldiers as camp gates open.

EBRIE: Look there are soldiers we have to get out of there. This was
too risky, run.

The five run towards hillside. Lights go out on stage. Sound affects of
sword fighting.

EBRIE: No they 've caught us all except Padour.
URIOP: Escape Padour they'll take you as a prisoner too
PADOUR: I will find your prison and save you all. I'll kill the evil
people and then I'll save you from your prison. I promise.

Slave 16 Emtsy's Bedroom.

EMTSY sits in her bed. A MAID is in the room tidying.

EMTSY: Did you see that new report on that weirdo Ketrin on the telly
what a strange bizarre lunatic. He's creepy. He make's my skin
crawl.

EMTSY shivers grotesque shiver of a snob.

MAID: His Majesty Lord Satan must see you.
EMTSY: Go. We'll not need assistance with sex.

MAID walks out of room. In walks HIS MAJESTY SATAN. SATAN is muscular,
tall, aggressive, bullying believes himself to be real (evil) man. He
is charming warm but a tone of confident superior warmth. Like a
seducer smiling his great smile his white teeth.

HIS MAJESTY SATAN: (charming) Good evening Emtsy you wanted me.
EMTSY: In bed.
HIS MAJESTY SATAN: Very well.
EMTSY: It isn't that. A wife wants you to kill Ketrin.
HIS MAJESTY SATAN: I heard about him he's weird. He's harmless, if he
gets near you I'll break his bones.
EMTSY: (gleefully) I'm not scared of him but he makes me shiver, he's
creepy, like the slaves. I don't care about him. I don't see why we
don't just do a public execution.
Your wife number 32 desires you make an example of him. It'll turn her
on to see a man of her choice die at her husband's hands.

HIS MAJESTY SATAN is in bed.

HIS MAJESTY SATAN: What do you mean an example? We'll have him
executed. We burned his village, killed the men and children of his
village and their women have been married. He's weak he's nothing. Like
beating a baby. Fun.
EMTSY: What an awful man he is. Well don't worry, sad men like that,
just make themselves angry. I've nothing but vague disdain for him. Why
would she interview such an awful man? He so boring. I like a man with
excitement who spends his time wrecking other people's lives so I can
inherit his evil power for my children.
HIS MAJESTY SATAN: Most men are normal. They realise only the real evil
men deserve women. That weak men, good men must die it's natural
selection, and what do you mean interview?
EMTSY: Chief Reporter wants to make a career from this. Just fit him as
one of your fights. Your wife wants to show why men think like
him.
HIS MAJESTY SATAN: Lets have sex.
EMTSY: I just thought I'd tell you.

Scene 16. Prison Cell

KETRIN sits in white cushioned solitary cell. He is upset. A glass
window opens and the face of CHIEF REPORTER appears at window. CHIEF
REPORTER talks to KETRIN as if talking to idiot who she hates. She sees
KETRIN as grotesque failure. She talks to him in a wary tone as if she
is scared of what he will do next but not out of danger but a snob
wondering what grotesque weakness it's victim will portray next to make
her skin crawl. She hates it for this, a pained, bitter, snobbish
hated.

CHIEF REPORTER: I'm here to interview you.
KETRIN: You kicked me.
CHIEF REPORTER: You insult men.
KETRIN: I haven't done anything.
CHIEF REPORTER: I've placed you to fight His Majesty to death for your
sister. If you don't fight him you'll die and your sister will be
married to His Majesty. If you lose your sister will be married to His
Majesty.
KETRIN:(stutters) I can't fight him. He's impossible.
CHIEF REPORTER: (confused, disgusted) You're male you're meant to enjoy
killing.
KETRIN: Why do you hate me?
CHIEF REPORTER: You'll find most women have no opinion of you. Except a
burdensome hate at weak creatures existing insulting our brave Satan's
name. Pretending to be men.
I'm interviewing for my show to discover why men like you think as you
do.
Why you want to be good it's so effeminate? Why you expect women to
like good men?
KETRIN: I'm not wrong.

CHIEF REPORTER shivers.

CHIEF REPORTER: Do you see what you do to women?
You make us sick. We don't want good men. We want an evil world where
people are abused. We don't see men like you as emotional. You're
empty, bland. All that matters are bullying men. I've worked out how
you think. You think women are supposed to feel sorry you. Well
sometimes we do but we hate you more for that.
Just realise we don't think in terms of good, evil. We think in terms
of strength.
KETRIN: You make evil bullies win. Why?
CHIEF REPORTER: I'm feminist.
KETRIN: You're not. Feminism's about equality it's not about women
fancying evil men.
CHIEF REPORTER: Decades ago women liked good men. Evolutionary wise it
was insane. A great leader told us it was wrong. Instead of one woman
getting the perfect man we all should. No woman should be left with
weakness and good's weakness.
KETRIN: But this is evil.
CHIEF REPORTER: I'm a good person. Don't you see? I don't murder, rape,
abuse it's my husband who does. That's the difference between men and
women. Women are good, sweet. Men are evil rapists who murder, abuse so
the more evil you are the more sexy you are and the more good you are
we find you repulsive.
We just want to encourage our lovers to abuse people so we can enjoy
the victims pain and pretend we are innocent and have nothing to do
with evil. It's ingenious and no one ever blames us for the
abuse.
KETRIN: This is an evil society. I knew this as a child. When the other
boys bullied me. You can't be good and think loving evil men's
harmless. You make them win. You're a tool for evil men to mock good
men.
CHIEF REPORTER: I know how you feel. As a child I loved a good boy he
was shy we never went out together. I was so simple and pathetic then.
I'm ashamed now. When you're young you've childish desires for good
men. Weak desires, based on puny ideas of worshiping weak goodness of
thinking men have emotions but as you grow older, more sophisticated,
ruthless, intelligent in the choice of mate who will continue your
line. You realise men have no emotions. They're emotionless robots so
men can't be evil as without emotions, how can you be evil?
KETRIN: Once you loved good men. Maybe you've potential to be
good.
CHIEF REPORTER: (interrupts) Satan visited my school and liked me he
noticed the weak boy I fancied so they fought to death.
KETRIN: But Satan's 20 years older than you. That's a grown adult
killing a boy.
CHIEF REPORTER: There's nothing worse than weakness.

SALO walks into view of window.

SALO: Don't give this impression. He thinks women are forced to love
evil against our will.
KETRIN: Maybe she could have loved good. They're bullied to love evil
men. Just cause you love evil men it doesn't mean all women do.
SALO: (laughs) (joyful sneering) Women aren't bullied to love evil men.
The bully threatens us to love men we despise. It's logic. What do you
think women want from men? Men who produce evil ruthless descendants.
For centuries we didn't face this but the leader told us what we are,
to hate good men, to hate sons when they're weak, how right to feel
pride at sons who bully, kill. We shouldn't feel guilt for loving evil
men it's our duty. Too ruthlessly select the perfect creature.
KETRIN: But that's not romance that's sick. Nothing else matters a set
of criteria for ruthless survival. So mechanical, so contrived, so
lacking compassion, emotion, love.
SALO: You're wrong I feel deep emotions. I love my husband as strongly
as anyone loves. (pauses) I love the power, the strength, my children
shall inherit.
(becomes, impassioned) It's love of weakness that never lasts. You grow
tired, resentful as it holds you back. You yearn for power a ruthless
evil. As I felt with my first weak husband and our weak children the
type we despise. So I asked Satan to save me. He killed my weak
children and husband and married me.
CHIEF REPORTER: All men are evil. I want you to die, to feel pain.
Teach you how evil you are, punish you for letting us down.
KETRIN: I'm not the man who forced you to marry and killed your friend.
Don't think when you punish me you're getting back at wrongs of evil
men. They want me to lose.

CHIEF REPORTER and SALO laugh.

SALO: (frustrated angry laughter) We know you're not evil. It's why we
hate you. We love evil men they're real men. We've no evolutionary
reason to back good.
You've no idea what it is to be female. The power of choice, who to
select as father of children and what would you choose strength or
weakness.
This isn't some fairy tale world for men with women as rewards for good
behaviour. We're conscious beings with desires, ambitions, dreams. We
want to win.
I bring my children up well. I do no crime but when it comes to it I
pick my mate ruthlessly a powerful man who dominates, terrifies, so my
children inherit power.
I find bullying, murder, rape in a man cute, that psychopathic lack of
empathy, deep passionate hatred for weakness, difference.
KETRIN: She sees a bully smashing an innocent person's face in and
thinks if she says he's cute for committing evil. It means she's beaten
him it makes him feel small so they can fuck, but she's in power. She's
got her evil beast on a leash under her thumb. She's the power to bully
with protection. The same clich?d evil logic evil woman use.
Well he thinks he's cute. You support him. He probably beats you and
has affairs and you still think you control well you're not. You're
just in it so your children end up evil.
SALO: (defensive anger) I bring my sons up well. I brought them up good
it's just there's something about bad men, something exciting, wild
they can do anything. Things you'd never imagine. Last night my husband
did excruciating torture on animals. So clever, original.
KETRIN: So what if he's exciting. He's evil, that's what matters. You
say you teach your sons to be good. Well how would you feel if they
never had children because women hated good men so they end up broken,
hated by women for being bland, weak, inadequate. The men who bully
called real men.
SALO: I made that up. I'm not bringing up my son's to be good. I'd rip
my son's head off if he was good. I'd kill myself.

Scene 17 Harem Play Pen

In the harem some wives look at a play pen of their children. Sound
affects of children playing could be played. SALO and EMTSY watch
smugly. As well as TREFERI, one of Satan's wives.

NARRATOR: In the Harem Salo, Emtsy and Treferi watch the harem children
playing. Yet they are upset at Treferi's son who seems not to be like
them.

TREFERI: It's sweet.
EMTSY: Yes.
TREFERI: Look at all our boys, it's funny the way they try to be good,
not wanting to bully. What happens when they grow up? They become
psychopaths, bullies.

EMTSY smiles sneeringly.

EMTSY: Thank God.
TREFERI: Yes.
SALO: The last thing we need's nice men. Imagine what a bland, tedious,
world we'd inhabit. Sex would be awful. Sickening pathetic men all nice
and grovelling and weak. Look at your son, woosy. What a tedious child.
I want to punch his fucking face in.
EMTSY: I meant to have a word Treferi. It's your son. Look at him. He's
nearly ten yet acts good like a woman.
TREFERI: I need more time. He's slow to pick this up. He's simple. He
cries in confusion.
EMTSY: He's pathetic. We know what he'll grow to. We have to do this.
It's OK we'll get a man to do it. Probably our husband if he's the time
so there's no reason to feel guilt.
SALO: Your son's one of those faces you want to punch.

SALO walk off stage but is heard to hit continually TREFERI's son.
Sound affects indicate someone being hit.

SALO: (shouts) Take that you pathetic wimp. You make me sick, all weak
weak men I think you're disgusting grosse pathetic. I hate weakness,
you're like a women the way you try to be nice.

Sound affects of child crying is heard.

SALO returns onto stage.

EMSTY: (smiles and laughs) Well done that'll teach him.
SALO: He was asking for it. Why do weak men like him live and poison
the ideal of men as strong heroic, brave, ruthless, evil warriors? Why
can't I kill your son? He gets on my nerves. He'll grow into one of
those creepy weirdoes. The other boys'll bully him make him sad. They
expect people to feel sorry for them. I hate them. If our husband
doesn't come soon I'll strangle it. It's like when I was a teacher and
there were weak kids you must kill for annoying you by being
weak.

Off stage on side of stage is heard sound of LITTLE BOY this can be
played by an adult actor putting on child's voice.

LITTLE BOY: Mother, please tell Salo to stop hitting me.
TERFERI: She's just a different opinion.
LITTLE BOY: But she wants to kill me for being weak.
SALO: Is this son of yours for real?

HIS MAJESTY SATAN walks into harem. Harem in awe.

HIS MAJESTY SATAN: Have you done as I asked?
EMTSY: I was getting to it.
HIS MAJESTY SATAN: We can't produce weakness.

HIS MAJESTY SATAN turns to face off stage towards Little Boy. Sneers
disgusted.

HIS MAJESTY SATAN: You there they say your a son of mine. I can't
remember your name. You humiliate me by weakness.
You had a chance. Yet fail to portray manly instincts to kill, rape,
bully. Like you inherited feminize weakness. (Turns to Treferi) Should
we kill him in front of the others or on his own?

SALO starts to act as if she doesn't want to kill the LITTLE BOY. This
is an act to give the impression to her husband she is supposedly
feminine and good. Act is insincere she's laughing as she talks almost
sexually ecstatic.

SALO: No. Don't do it. No. It's too bad. (continues laugh)
TREFERI: I don't care. Such weakness, so harmless, kind. Just don't let
me see it alive.
HIS MAJESTY SATAN: I don't want him.

HIS MAJESTY SATAN, SALO, TREFERI, EMTSY laugh like sneering bullies at
a victim.

TREFERI: Leave him in the wild to starve.
EMTSY: But what if someone finds and saves him?
SALO: This is awful. As a woman I really don't like this but I suppose
being a big strong ruthless man you can't help it.
HIS MAJESTY SATAN: To shed blood's my duty.

HIS MAJESTY SATAN pulls out sword and walks off stage towards LITTLE
BOY and sound affect of sword hitting body is heard.

LITTLE BOY: Screams.

HIS MAJESTY SATAN walks back onto stage. Preferably red stains should
be on his sword and his clothes.

HIS MAJESTY SATAN: I have done the deed. Remember to put your sons
skull in the chamber. The women look in awe at violence. HIS MAJESTY
SATAN walks from room.

SALO:(heavy ecstatic breath) What a man.
EMTSY: You realise Treferi this means you're weak you produced weak
children so must die.
TREFERI: That's my duty.
EMTSY: I'll miss your company. But I can't say you don't deserve this.
You are genetic burden to have created such a weak boy.
SALO: Who'll clean this up? We'll put the head in Satan's skull chamber
as a display of manliness. It's one of his younger ones.
TREFERI: I owe it to his majesty to clean this up. I'll wash my child's
head for his skull to be placed in the chamber. A last honour.
SALO: I wish I'd killed your son. I could place his head in my
chamber.
EMTSY: Yes. You're a strong woman, you showed Treferi's child how much
you hated his weakness. Seeing him crying was hilarious.
SALO: I don't suffer fools gladly. I hate them. I hate weak women.
That's why I hate you. Treferi you made that fucking creep. I'll kill
you.
TREFERI: All harem women adore you. Men are evil bullies. You must show
women can be evil.
SALO: I'll train myself. I'll learn how to fight and slit throats. I'll
show all men. I can be as evil as them. They'll admire women then as
equals.
TREFERI: That's the thing about you. You're strong. You've no sympathy,
empathy you're ruthless. You say how it is. If you see weakness you say
the things we want to say.
CURSLE: No we don't. This is awful, how can you kill your own son for
being weak.

SALO punches CURSLE.

TREFERI: Strange. Anyway, I'll clean my dead son's skull and put it in
the skull chamber. I'm sure it's what my son would've wanted. The man
who killed him lives joyfully, forgiven by his mother, admired as a
real man.

EUNUCH walks up to Salo.

EUNUCH: Madam, one of your son's has raped and murdered a girl from the
capital.
SALO: (laughs sneering) My twelve year old son, Dertho. Boys will be
boys.
CURSLE: He's killed and raped someone aren't you going to stop
him
SALO: What kind of sicko are you. Punishing kids for doing what kids
do. What'll you be like when your older, probably like those scary sad
old women we like to smash the face in for complaining about us
bullying them. It's kids having fun. You know wrecking other kid's
lives. The victims don't matter what matters is the bully's
enjoyment.
CURSLE: But you just killed someone for being weak. You just insulted
him and made his life hell for being weak and good.
SALO: He was weak. I only care about bullies.

Scene 18 Street Of Capital

PADOUR alone in urban area of city. Then he walks into a sparse street
but a crowd of men they are two MEN IN STREET EXTRAS and MAN IN STREET
ONE sitting on steps of a bank. PADOUR is bitter as he walks past
men.

PADOUR: You men are evil. How can you support this evil society?

MAN IN STREET ONE and two MEN IN STREET EXTRAS grow angry.

MAN IN STREET ONE: Kill him.

PADOUR kills the two MEN IN STREET EXTRAS, he stabs MAN IN STREET ONE
who is left dying on floor.

MAN IN STREET ONE: (dying in agony) Pain is my reward for weakness. I
owe you apology, great man. You have my wife.
PADOUR: (anger, horror) Tell me where your leader's place is.
MAN IN STREET ONE: The tall building.
PADOUR: I will kill your evil leader.
MAN IN STREET ONE: Traitor.

MAN IN STREET ONE dies.

Scene 19 The Cells

EBRIE, URIOP are in adjourning cells to the one of KETRIN.
CHIEF REPORTER arrives to interview them. CHIEF REPORTER talks too,
EBRIE

CHIEF REPORTER: Uriop told me of your world. A world of wimps,
do-gooders where good men rule to suit their weak needs. Women forced
to marry good. While real men, murders, rapists, bullies are punished.
How do you expect to evolve to perfection?
EBRIE: Men don't rule it. People are equal. We want good to win. Women
aren't forced to marry good men. Women love good men. They want good to
win. They hate bullies. If they found out their husband was a bully,
they'd hate him. They see evil as an enemy.
CHIEF REPORTER: (laughs) That's what they tell you. But I'm sure they
fantasise about bad boys. They can't resist we all do. I fancy
paedophile raping murders so all women must do to.
EBRIE: This world's sick. Your men aren't real men they're evil. Evil
doesn't define manliness.
CHIEF REPORTER: Everyone knows good men can't do sex.
EBRIE: What?
CHIEF REPORTER: The more evil you are the better you are at sex. A
serial killer, rapist, paedophile is more sexually sophisticated than
any man. Good men are incapable of sex. Testosterone makes you
evil.
EBRIE: That's not true you. It's nothing to do with testosterone making
people evil. Testosterone has no affect on how evil you decide to be.
There are women who commit evil. You're evil that isn't testosterone.
Testosterone has no direct affect on how evil you'll be.
CHIEF REPORTER: The more evil you are the more testosterone you have
the more testosterone you have the more you desire sex. So a murderer
is the most demanding of all.
EBRIE: (anger) Rubbish, it's not to testosterone making you evil. Maybe
people with testosterone are more intense, or more likely suffer from
emotional intensity including depression and not having depression, but
that doesn't mean testosterone is what makes people evil. There are
good people with high levels of testosterone, there are evil people
with high levels of testosterone evil people and there are evil people
with low testosterone levels and vice versa.
This testosterone makes you evil idea is just a myth as part of an evil
agenda, by evil people to glamorise evil as manly which is something
almost all evil societies do. There are loads of rapists and murderers,
bullies with low testosterone levels. I got bullied at school and there
were men with lower testosterone than me than me and women who bullied
me. It wasn't like there was anything to do with testosterone making
people snide snobby bullies.
I would expect more murder to be committed by people with more
testosterone but only because stronger people are more likely to be
able to abuse people, if they have that mindset while they would be
less able to if they weaker even if they wanted to. It isn't
testosterone actually making them abuse people. In the same way taller
people and able bodied people are more likely to do more murder than
shorter or disabled people, it's just it makes you stronger, but no one
would ever say it's being taller or more able bodied makes you more
murdering. Just as many women bully as men it's nothing to do with
manliness or testosterone making people evil. There are hooligans male
and female with low testosterone levels. Testosterone levels can change
according to how much exercise you do, what you're doing, what you eat,
where you are, how people treat you, what mood you're in, and many
other things, then there are relative levels for how big you are, it's
nothing to with how evil you are. Stop glamorising evil as manly.
Good guys can be more sexually demanding but you don't want us cause
you're evil and search for excuses on why you love evil. All you're
doing is deciding the sexual attraction you feel to evil men is
something chemical in all evil men. All it is is you feel attracted to
evil men because you want evil kids it's nothing to with testosterone
or some chemical energy, or manliness. It's just you find evil men
sexier it's something in you not them.
CHIEF REPORTER: You can't imagine the sensation when bad boys fuck you
knowing your children will be as ruthless and evil.
EBRIE: You're evil that's all this is. You shouldn't love them. Don't
make them win.
CHIEF REPORTER: There's something extra about bad boys something wild,
free, liberated.
EBRIE: You think evil's a positive skill to pass down. You're
evil.
CHIEF REPORTER: Your opinion isn't important. What is, is you'll fight
our lord Satan on fight night. Your skull will be placed in the
chamber.
CHIEF REPORTER: You'll be taken to the amphitheatre cells. There you'll
wait to fight Satan in the amphitheatre. A fight to death. Eight others
will fight. Satan will show his manly power.

Scene 20 Overlooking Palace

PADOUR walks up to palace walls. He climbs wall. On stage background
the picture of massive palace appears. Palace is far larger than he
imagined. From outside it looked 100 m high a few hundred metres within
walls of palace but on top of wall he looks upon a cavern 600m deep.
Only the top of palace could be seen from outside. It rises 700m above
cavern floor. Palace is huge yet light still gets in to show green
gardens on different layers of palace. People can be seen walking on
different layers of palace. Mote surrounds palace. Then gardens. Walls
at bottom are met by caves. Cavern stretches off for mile to reveal
sea. Birds glide over palace. Padour looks for how to get down palace
walls. Then sees a few hundred metres away one of the cliffs are
interrupted by forest, steep hillside leads down from walls.
An OLD WOMAN in her eighties walks past and sees PADOUR sitting on the
walls
No one else is near. She is on the non-palace side of walls.

PADOUR: What is this?
OLD WOMAN: It's Satan's palace.
PADOUR: It's beautiful.
OLD WOMAN: It was built before Satan came to power in the days of our
dictator.
PADOUR: It could be destroyed by water coming in.
OLD WOMAN: I wish.
PADOUR: Do you support Satan?
OLD WOMAN: Certainly not and I don't care what anyone thinks of me for
that he's an evil ruler.
PADOUR: I must kill him.

Lights go off.

NARRATOR: Padour runs down the cavern to the palace. He enters the
palace over a mote and enters the palace corridors.

Scene 21 Palace Corridor.

PADOUR walks through palace corridors where he meets a MAID.

PADOUR: Are you Satan's wife?
MAID: No, but I'm one of his mistresses.

PADOUR stabs MAID with long sword.

PADOUR: (angry) That's your punishment for loving evil men. You think
we should forgive you, admire you for forgiving evil using that logic
you'd expect women to love me for killing you.

MAID falls over half dead.

PADOUR walks up some more steps of the palace further up. There he sees
MAID TWO. MAID TWO look at him suspiciously.

MAID TWO: Are you a guard or a weak man?
PADOUR: (angry) Are you one of Satan's?
MAID TWO: (screams) Impostor. (She smiles).

Two CORRIDOR GUARD EXTRAS run into corridor

MAID TWO: A slave.
PADOUR: I'm no slave.

PADOUR two CORRIDOR GUARD EXTRAS they fall dead.

MAID TWO: (anxious) You're mad what've you done?

PADOUR stabs MAID TWO in her stomach.

PADOUR: You love evil men even if they cause you pain as it means
they're ruthless. You want to inherit their evil power for your
children.
You want to reward them make them win. You encourage them to commit
evil. You love them for wrecking lives because you want your children
to be as such. All the time creating more evil men encouraging,
rewarding, persuading them to be evil then you sneer in pride at pain
they cause.
We never pay attention to how evil you are.
Pretending you're innocent bystanders pretend you can't help but love
evil men
because of your evil excuse that they're more masculine for being evil
so you can't resist them. An evil lie. It's just you want evil to win
so you choose evil men.
You sneer at good men telling us how bland, trivial we are, you want
real men. Excruciating remarks on how exciting you find it when they
torture. This is torture. You're feeling the pain, fear your evil men
cause. Y you think this is manly sexy exciting, it turns you on to
breed more evil. You admire them when they do to others. You think I
should let you off to breed more evil. So you benefit but no
punishment. You encourage evil, pretend you can't help it that you're
some poor little woman who can't help falling for bad boys but you're
the root of all evil. (more intense anger) Face punishment.
MAID TWO: Have mercy.
PADOUR: (venomous)You can't reward evil and expect me to think evil's
nothing to do with you. Where's Satan's harem?
MAID 2: (whispers) Never betray Satan.
PADOUR: (desperate pleading anger) Loyal to evil. Who cares I'll kill
him anyway.

PADOUR stabs MAID TWO in face killing her. PADOUR runs on down
corridor

Scene 22 Palace Corridors

In the scene of first MAID killing CORRIDOR GUARD ONE finds her. MAID
is still clinging to life.

CORRIDOR GUARD ONE: Who did this?
MAID: He wants to attack Satan's wives.
CORRDOR GUARD: A mad man. Where is he?

MAID turns her head to where he ran then dies. CORRIDOR GUARD ONE runs
in direction.

Scene 23 Palace Guard HQ

CORRIDOR GUARD ONE arrives in Palace Guard HQ where LORD CHARTOUR sits.
Room is lavished with three MAID EXTRAS helping LORD CHARTOUR. Two
PALACE GUARD EXTRAS are in chamber guarding chamber. Sound affects must
indicate more people in room. LORD CHARTOUR sits with three women
pruning him as he feeds on meat.

CORRDIDOR GUARD ONE: Sir I must report there is and man in the palace
he wants to kill all of Satan's wives.
LORD CHARTOUR: Guards to action.

Scene 24 Palace Garden

Two women HERET and HERET'S SISTER are talking in a Palace garden

HERET: So I suppose I'll be attending Satan's poetry reading
today.
HERET SISTER: Oh yes I hear about that apparently Wer Ipol the top
rapist pop star will be attending. He's so manly the way he slits
people's throats apart.

PADOUR walks into garden from Palace Corridor.

PADOUR: Tell me where the harem is?
HERET: Why are you interested?
PADOUR: I've a message from Satan for his brides.
HERET: I'm one of his wives. This is my sister.

PADOUR walks over to the two.

PADOUR: You married an evil man you reward him. You love the pain they
cause.
HERET: (interrupts) Yes.

PALACE GUARD ONE and two PALACE GUARD EXTRAS arrive at entrance to
garden.

PALACE GUARD ONE: Identify yourself.

Padour stabs PALACE GUARD ONE and quickly stabs two PALACE GUARD
EXTRAS. HERET looks on in awe.

HERET: He killed with ease.
HERET SISTER: I know one was my husband.

The sound of more guards running down the corridor can be heard on
sound affects. PADOUR runs to edge of garden and jumps off garden to
garden below.

Scene 25 Lower Palace Garden

PADOUR reaches lower garden which he runs through back into Palace
Corridor

Scene 26 Palace Corridor

PADOUR runs out of garden where he is met by HERET.

HERET: Follow me.

HERET leads him of to her bedroom.

Scene 27. Heret Bedroom

Bedroom is small but warm, sandy glossy coloured walls.

HERET: Hide under my bed

PADOUR hides under bed. PALACE GUARD TWO knocks on door. HERET opens
door.

PALACE GUARD TWO: Keep your room locked there's a mad man here. You
must stay away from him. He may be more dangerous than Satan.
HERET: I'll watch for him.

HERET closes door on PALACE GUARD TWO.

HERET: Come out know.
PADOUR: You're Satan's bride.
HERET: He protects me. But you're strong. Fuck me.
PADOUR: Where's the harem.
HERET: A tower above the garden.

HERET walks to window and points outside.

PADOUR: I'll kill his evil women.
HERET: You're ruthless.
PADOUR: (desperate tired frustration) You women of this world are evil.
You worship evil men. I must kill his evil brides.
HERET: Calm down. I love you.
PADOUR: All you've seen me do is kill.
HERET: I love you.
PADOUR: What about the tower defences.
HERET: Too much but you can attack his skull chamber where his wives
put his victim's skulls.
PADOUR(tired angry) Where's is it?
HERET: There.

HERET points to other side of cavern a smaller building.

HERET: I'll get you past the guards.
PADOUR: You'd betray me for a stronger man.
HERET: Please have sex with me. You're so bad.

HERET is stabbed in heart by PADOUR.

PADOUR: I can't reward evil.

PADOUR climbs through window. He jumps.

Scene 28 Outside Skull Chamber

PADOUR arrives at chamber. Three SKULL CHAMBER GUARDS guard entrance.
PADOUR runs up to guards the three SKULL CHAMBER GUARDS look at him
running towards them then run at him PADOUR stabs the three SKULL
CHAMBER GUARDS dead. PADOUR then runs into Skull Chamber.

Scene 29 Skull Chamber

PADOUR walks into chamber. It is full of thousands of skulls in rows,
with photos. The skulls are put on the shelves of cases like bookcases
in libraries. PADOUR looks horrified. Then PADOUR hears people talking
he hides behind a bookcase as TREFERI and SALO walk onto stage but they
are unable to see PADOUR. TERFERI is holding the small skull of a
child.

TREFERI: Maybe we should do it in the amphitheatre before Satan kills
other men
SALO: We'd be jokes. No I want them to know how impressive I am as a
fighter that I could slit any throat. We must show I'm as bad as men.
Make their spines tingle in fear then they shall admire us.

PADOUR walks out from his hiding place.

SALO: (grotesque anger) Men aren't aloud here. It's for us to admire
our husband success.
PADOUR: Are you Satan's wife?
SALO: Yes. Now go or'll call the guards.
PADOUR: I'm Satan's guard. Why are you here?
SALO: (aggressive) Idiot. It's so when we're fed up with Satan we can
be reminded of what a real, bullying, powerful man he is and hope our
children inherit his power. This is his victim.
PADOUR: It's small!
TREFERI: It was my child. My child was weak. Satan killed him to remove
weakness.

PADOUR is overcome by anger he pulls out his sword then stabs TREFERI
in stomach.

TREFERI: (screams in agony but quiet scream too weak to shout) Satan
why has this man shamed you?

TREFERI falls to ground dead.

SALO: You look a bit of rough.
PADOUR: How can you love such evil?
SALO: If we don't we'll produce a weak blandness.
PADOUR: But that's paradise everyone leading a wonderful happy carefree
life.
SALO: You're weak.

PADOUR grabs SALO by throat lifts her up, looks at her with venom, and
throws her far across floor.

SALO: (screams) My ankle, help!
PADOUR: You said you liked pain.
SALO: Only to others, not to me. Get off me. You mad man. Men aren't
meant to hurt women. Just to make my life more entertaining I like to
make other people's lives a misery, and decide to enjoy their
suffering.
PADOUR: You didn't mind with your friend.
SALO: Mad.

PADOUR stabs SALO in stomach.

SALO: (screams in pain) Let me live.
PADOUR: Tell me where you keep prisoners where's my friend Ebrie?
SALO: Who?
PADOUR: The men to be killed by Satan.
SALO: Prisoners are kept in amphitheatre cells.
PADOUR: How can you love me hurting you?
SALO: (confused, whispers, in pain) My children will be as ruthless. We
can breed evil beats how erotic. How can you not find that
erotic?
PADOUR: I hear evil people love evil as it excites them, it makes their
lives more fun. This is how your excitement feels to your victims.
(anger) Agony.

PADOUR stabs SALO again three more times in her stomach.

PADOUR: Does this excite you or would you prefer contentment as your
victims would instead of the horror you cause them. You talk as if when
you hurt victims you think they enjoy hurt. They don't this is how it
feels.

PADOUR stabs SALO in stomach continually time after time.

EMTSY: Stop.

EMTSY puts her hand on the arm of her lover.

PADOUR: It's over.
EMTSY: You've struck terror in the palace. When they see us together
they'll fear us like no two before.
PADOUR: I killed the ones you told me too. They were weak. I brought
the weak man I told you of.
EMTSY: His Majesty's weak. He hasn't much longer and too many children
who may take my title. You must kill him. You're my love more ruthless
than His Majesty. How was the other world?
PADOUR: Weak men were worshiped for good. Evil men punished for murder,
rape. Women forced to love good. Even bullies were hated something as
trivial as bullying.
EMTSY: They're weak. But many of the women find you irresistible. Many
of their men would follow you to death. They desire liberation from
their tedious lives.
PADOUR: In prison I received letters. Women wanted me to love them. The
more I raped the more they wanted me. Beneath the superficial shimmer
of goodness lies a deep yearning for evil. The people can't avoid it
when they see pain they love what causes it.
They're women desire to tame me, make me their beast on their leash
that they may let off on their beck and call. A dangerous creature
their children inherit power from.
They desire a warrior. To liberate them from tedium. Their men are like
women weak, merciful, unblooded they've not tasted blood on battlefield
or pleasure of rape.
Their women hate them for their weakness but fear consequence if they
admit.
They'll quiver before our might, our ferocious majestic strength they
desire like beasts. The ability to kill for their children is all they
seek from men.
We'll conquer their land with ease. We'll kill their weak men and
children. Their women will cheer losing burdens.
Even their strongest warriors will die like flies upon our swords. The
more they know of us the more they'll desire us.
The women may protest at first but like all women will succumb to manly
ways.
They watch films of warriors, men of death, murder. Yet fantasize their
tedious lives are nirvana. Yet no human resists his beastly desire to
rape and murder. Every man's dream is to be Satan, every women's dream
to have Satan's children. I feel sympathy for women never to have felt
evil strength on them, power of real men. What strange men are they to
create such weak a world of good?
EMTSY: It's worse some of their women desire weakness, goodness.
You'll kill your father. You'll be lord. In the fight His Majesty
expects to win but you'll take his wives the public will love you. The
rogue winning the crown is romantic.
PADOUR: Did the security cameras see my murders?
EMTSY: The act of saying you murdered as punishment for evil'll work to
our hands.
PADOUR: I must fight Ebrie. I want the honour of de-throating him. You
don't understand how nauseating it can be too spend two years with such
pious men.
EMTSY: I will ensure he fights you.
PADOUR: I admire my father Satan. A man of wisdom, ruthless power but
it's my destiny to kill him to kill his children take his wives.
EMTSY: You must be captured to fight Satan. I'll leave through the
tunnel. You leave by the front you'll be captured at Satan's poetry
reading. I ask you to kill the first guard but run to the palace and be
captured while they think you're rescuing prisoners.

PADOUR looks down at the dead SALO.

PADOUR: It's funny how she never recognised me. My mother looks so weak
now doesn't she. Now she will not be able to breed more rivals. She was
strong material with Satan she bred a new leader in me, to let her
breed again would have risked more stronger men than me to rival my
power.

Scene 30 Harem

HERET SISTER: Rumour says he's killed more guards. He killed Salo and
Treferi in the skull chamber. The men are terrified.
ANROE: He's causing havoc he's a danger to Satan. He's so exciting what
an incredible man. It makes me feel glad to be alive with such exciting
rough men ready to strike death and bloodshed at any moment. I heard he
could garrotte men with his hand.
(stokes hand to throat like having an orgasm). We're honoured to live
in such psychopathic times. These sexually satisfying men. Can you
imagine such men having you with their manly hands, hands he used for
murder, rape, knowing your children will be as evil.
HERET SISTER: Let's face it they're the men we love. We all love a
little badness.
ANROE: We know in a way that men who abuse us aren't good for us but we
can't resist, it's just something about something extra that ability to
be evil. We must choose genes that breed evil hell.

HIS MAJESTY SATAN walks into the harem walks to HERET SISTER.

HIS MAJESTY SATAN : You saw the man who killed your sister. What did he
say?
HERET SISTER: (sneering) Why are you scared?

HIS MAJESY SATAN lifts up HERET SISTER by neck and throws her down onto
floor.

HIS MAJESTY SATAN: Tell me?
HERET SISTER: He didn't speak. He ran past us.

HIS MAJESTY SATAN kicks HERET SISTER then pulls out his sword and puts
it to her face.

HIS MAJESTY SATAN: (angry) Some guards saw he talked to you. Tell me
what he said? You're nothing to me, you bitch.
HERET SISTER: Your Majesty I forgot how strong, ruthless you are. He
asked where your harem is. Then he told us we're evil for marrying
you.

HIS MAJESTY SATAN stabs his sword into HERET SISTER's heart killing
her.

HIS MAJESTY SATAN: Then he's mad he believes in good. He thinks women
can love good, weakness, the disease of morality. Let this woman warn
you. Of who is power. Let me make you wet with desire knowing how evil
I am and how powerful your children will be. I do things other men
would faint like woman in horror at sight of sickening grotesque
horror. I excite. Make you cry in fear. Tonight I kill more of you. Who
will it be? Does that strike fear to you? How ruthless. I'll not
remember you. That makes you desire me more?

ANROE strokes her throat sensually.

ANROE: Your Majesty we chose you as leader we love you. You're
powerful, ruthless. You're bad. Seeing you murder turns me on Please
fuck me.
HIS MAJESTY SATAN: I can't resist after such a virile experience. (He
puts on a pretentious pose).

HIS MAJESTY SATAN: (poetically) Sweet parting of fine soul. Thy love
may thy dance before the fires of thy eternal flame. What am I but a
tool for Satan's creation.

Harem applause HIS MAJESTY SATAN.

FEROE: You've made us cum. You're so bad and ruthless no woman can
resist.
HIS MAJESTY SATAN: I'll be reading my poetry on death and love and
fighting. It's called the fight for the love of a lady. Death to the
burden of good.
FEROE: It would be an honour if we may attend. You ferocious man of
power but you have the poetic depth of killers that gives you deep
intense freedom to kill. Emotions weaker men flee from behind
superficial goodness.

Scene 31 Amphitheatre Cells

KETRIN, EBRIE and URIOP are chained up but in the same cell now in the
amphitheatre cells.
The room is bare water drops down the sides of the walls.

KETRIN: (Shyly, almost crying) We don't have a chance His Majesty Satan
has won every fight he's fought.
EBRIE: If I hurt him it'll give you a chance.
KETRIN: (Shyly) You won't get to hurt him. You can't understand how
unbeatable he is no man can compete. He'd beat me tied up.
URIOP: He's right the only way we can stop is by escaping. Fighting
him's impossible.
KETRIN: I can't beat this man. This is torture.

The sound of swords Smashing from outside the cell. Cell door opens. It
is PADOUR.

PADOUR: Hurry escape.

PADOUR breaks chains using sword.

EBRIE: This world doesn't look so difficult.
URIOP: How did you pass the guards?
PADOUR: That isn't important hurry.

Scene 32 Harem
CURSLE: I don't want to marry Satan he's evil.
CHIEF REPORTER: You'll learn to admire Satan. All women do.
ANROE: I must tell you I'll be fighting tomorrow.
CHIEF REPORTER: What!
ANROE: Salo wanted to fight Treferi but as she's dead I'll take her
place and fight a boy.
CURSLE: This is evil. It isn't admirable.
ANROE: You see Satan as some ogre but when you meet him you'll be
surprised at his charm.
CURSLE: Who cares he's still evil that's what matters.

HIS MAJESTY SATAN walks into harem.

HIS MAJESTY SATAN: Cursle, I heard about you from Emtsy, you'll be my
wife after I kill your brother.
CURSLE: You're a psychopath.
HIS MAJESTY SATAN: Emtsy was telling me you seem disturbed. You think
I'm a two-headed monster that breathes fire that I'm some creepy little
man. Look I'm a normal healthy strong man.
CURSLE: I don't think you're a monster. You're an evil murdering
psychopath.
HIS MAJESTY SATAN: You'll learn to love.
CURSLE: So what if superficially you're normal, you're evil.
HIS MAJESTY SATAN: This one's odd.

HIS MAJESTY SATAN leaves with ANROE.

Scene 33 Harem Corridors

HIS MAJESTY SATAN and ANROE walk down the corridor

ANROE: Good start. Once they realise you're not a scary monster. You're
very charming but aggressive. They love you.

HIS MAJESTY SATAN: I know I've such extraordinary reputation among
women, seeing I exist in normal form's a start but if she continues
I'll slit her to bloody shreds.
ANROE: (laughs) You're so manly.

Scene 34 Satan's Chamber.

Large chamber. One end two regal chairs high on steps leading above
floor behind them large crimson curtains for occupants of chairs to
walk out behind. Steps take up tiny proportion of chamber but
everything directed towards viewing regal chair occupants.
On opposite side of the chamber is a large exit with crimson curtains.
Many guests attend the meeting for Satan's poetry and background could
show pictures of people as well as sound affects indicating large
crowd. On stage there should be LORD CHARTOUR, one MAID EXTRA, Two MALE
POETRY READING DIGNATRY EXTRAS. Large crowd should be indicated.

COMPERE stands on middle step on the steps up to chairs.

COMPERE: Your honour, ladies, gentleman, Lord Chartour supreme
commander of His Majesty's army. His Majesty called you here for his
poetry reading. I'm sure you'll love it's witty infectious gravitas
articulating the horror of goodness. It's erotic fantasies of murder
and rape. It's powerful ability to induce terror and multiple orgasms
in women and admiration and terror in men. A startling insight into one
of the great minds of our time. Critics described his work as the most
moving, erotic, and terrifying ever but pray let me not waste time. I
introduce the warm up act. Let us first have performances from top
stand up comedians Sir Irky Hole and Carotle and performances from
chart toppers Wer Irpol and Nuclear Babes.

LORD CHARTOUR: (says to one of MALE POETRY READING DIGNATRY EXTRAS)
They're good my kids have all their albums.

CAROTLE and SIR IRKY HOLE move out of crowd onto the middle steps and
begin act.

SIR IRKY HOLE: It's a pleasure being here for his majesty's poetry. I'm
a fan. I hear the Nuclear Babes would like to have a few words with his
majesty after the show to share artistic notes.

Audience applaud.

SIR IRKY HOLE: Did you see that Ketrin on telly, fucking weirdo, sort
of wimp you want to punch.

Audience applaud.

CAROTLE: (impersonates KETRIN) Please don't laugh. I'm trying to be
nice don't hurt me I'm tragic. Bullying's wrong.

Audience moan in frustration thinking he means it seriously.

LORD CHARTOUR: (ferocious) How dare you mention scum in this chamber. A
place of worship.
CAROTLE: I'm impersonating him
LORD CHARTOUR: Don't mention him.
CAROLTLE: I apologise excellency.
LORD CHARTOUR: I'll send you to the camps if you disobey.
SIR IRKY HOLE: Oh great war leader. We admire your bravery don't think
we mean insult. (returns to act) Don't you hate it when some disabled,
shy, or nice bland guy's walking down the street.

Audience laugh in agreement. CAROLTE impersonates the way sad people
walk.
LORD CHARTOUR walks toward CAROLTE.

LORD CHARTOUR: I warned you not to bring disgusting people to the
chamber, diseases, for eradication.

LORD CHARTOUR pulls out sword.

CAROLTE: We want to make them look stupid and make you hate them
more.
LORD CHARTOUR: I see. This is wise, dehumanise scum so we've no pity
for them. Continue your act. (forced laugh)

Scene 35 Palace Corridors

PADOUR, EBRIE, KETRIN and URIOP walk through wide corridors.

PADOUR: I lead you to the harem. Here we'll find your sister and free
her.

Scene 36 Satan's Chamber

WER IRPOL performs. WER IRPOL is a tough looking evil man who sings
snide evil songs.

WER IRPOL: I'll rape you then cut your throat then kill your parents. I
hate weakness, sad scum die. I hate weakness. I like sexually abusing
children and murdering old ages pensioners. Women who find me
irresistible seek to breed an evil demon lord and think they're really
funny, sexy exciting and interesting for being evil.

Song finishes Audiences applauses.

COMPERE: Well done Wer Ipol. Now next welcome the Nuclear Babes.

Scene 37 Harem

PADOUR, KETRIN, EBRIE, and URIOP enter through secret tunnel into
harem

EBRIE: How did you know about the tunnel.
PADOUR: I was told by a women.
KETRIN: Cursle. We're here to save you.

The other harem women see and call for help from guards. CURSLE runs
toward KETRIN as guards run to harem. PADOUR, EBRIE, URIOP, KETRIN and
CURSLE run down tunnel to escape.

Scene 38 Satan's Chamber.

Nuclear Babes prepare to sing song. The Nuclear Babes are NULEAR BABE
ONE, NUCLEAR BABE TWO and NUCLEAR BABE THREE.

NUCLEAR BABE ONE: First can I say we admire Wer Irpol he's so cute,
charming. I want his babies.

Audience laugh warmly some saying how cute.

WER IRPOL: Fuck you I'll rape you and your mother.

Audience laugh.

NUCLEAR BABE 1: Wow, he's sexy. I would love to breed evil children
with him. My first song is I dream of man who slits men's
throats.

Scene 39 Palace Corridors

PADOUR: Go this way.
EBRIE: But this leads further into the palace.
PADOUR: It leads somewhere we must see.

Scene 40 Satan's Chamber

COMPERE: Thank you Nuclear Babes. Especially the bit about how you
loved Satan because he's a real man and how you're fed up with weak
pathetic men and how you want them to die.
NUCLEAR BABE ONE: (desperate spoilt anger) It's true what's happened to
the warriors, you keep them in the palace. We want men like Wer Irpol
outside. Men nowadays they agree with you but they're weak. Where are
the warriors, cowboys, rapists the real men who can breed evil children
from.
COMPERE: Now for the moment we're here for. Satan.

HIS MAJESTY SATAN and EMTSY walk out from behind curtains to loud fan
fare, cameras flicker. SATAN carries a thick book. SATAN sits on regal
chair as EMTSY sits on other chair.

COMPERE: I bade farewell.

COMPERE walks into crowd.

HIS MAJESTY SATAN: I congratulate Wer Irpol and Nuclear Babes. I'm keen
to see the babes in my bedchamber after my reading.

HIS MAJESTY SATAN sits and opens book up. Turns to audience. Takes
pompous breath.

HIS MAJESTY SATAN: What's love, a sexual feeling in admiration of
strength, power, to kill, murder. I supreme being are here to be loved,
feared as god of hell, god to fear in sexual awe among women, worship
from men.

Audience applaud.

HIS MAJESTY SATAN: Fuck your wife, daughter, kill you, execute weak.
Every women pity good, hate weak. Once it said women could love by
pity. It's cruel to ask people to love weakness you call good. They
want to win survive not be dragged down. No woman loves goodness but
find evil irresistible. Evolution.

Audience applaud.

Scene 41. Palace Corridors

In a secret passage next to Satan's chamber PADOUR, EBRIE, KETRIN,
URIOP and CURSLE look through whole in wall on chamber.

EBRIE: This is horrific he worships evil men and thinks women do.
PADOUR: But you must admire the poetry's beauty?
EBRIE: What beauty? It's evil. They're terrifying.
PADOUR: Coward. We must seek evil and destroy.

PADOUR stands up and cuts rope hanging from roof of corridors. Wall
falls apart and the four fall into the Satan chamber as floor tips up
pushing them into room. PADOUR had cut a rope that caused this to
happen. As the five fall into the chamber a board rushes up to block
the exit back into the tunnel.

HIS MAJESTY SATAN: (fury) Insolence. What is this interruption.
PADOUR: Good evening. I hope you don't mind us interrupting with our
own repertoire?

Crowd SHOUTING outrage.

LORD CHARTOUR: I arrest you.
PADOUR: Well done, Chartour.
EBRIE: Padour, you've killed us.

KETRIN tries to run off but sees the board. HIS MAJESTY SATAN gets up
to walk towards the five to kill them with his sword.

HIS MAJESTY SATAN: Clear the way. These are my fight.

PADOUR: Excuse my interrupting your poetry great ruler, but you see. I
couldn't help notice problems with your syntax, grammar, content,
lacked that subtle something needed in the finest poetry, can I place
it, ah yes. It's mind numbing crap.

HIS MAJESTY SATAN stands up.

EMSTY: (restrained smirking) This man must be killed in the
amphitheatre. It's more fitting he die before a crowd.
HIS MAJESTY SATAN: You'll fight me in the amphitheatre. Ketrin. Ebrie.
I'll marry your women and kill you.

The five are led away by soldiers out of chamber.

HIS MAJESTY SATAN: See how they run. Five of them. One of me.

NUCLEAR BABE ONE: What a man he can threaten to kill five people at
once and try to kill them for no reason. I admire such evil men so my
children inherit their evil. I am so romantic and womanly. I am all
wet. I get so sexually excited when I see people's throats slit. I
suppose everybody does don't they we can't resist evil.

Scene 42 Amphitheatre Cells

PADOUR, KETRIN, EBRIE, CURSLE, URIOP are chained in cells.

EBRIE: Why did you do this? We could've escape.
PADOUR: We needed to show opposition.
URIOP: Escaping would've shown that.

CHIEF REPORTER opens door of cell to enter.

CHIEF REPORTER: Good evening scum. I hope you're happy you ruined a
good night. Mongish, weirdoes.
EBRIE: You're the evil thug.

CHIEF REPORTER walks too KETRIN.

CHIEF REPORTER: I thought about what you said. I decided I love you.
I'll help you escape.
KETRIN: Really.
CHIEF REPORTER: Of course not. I hate you. I wanted to see your face
react to disappointment. All women hate weak men. (laughs) You're weak.
You want to be Satan, but you can't so pretend you support good. Stop
worrying about good. You've chained yourself in moral prison. Liberate
yourself from intolerable guilt. If I had your guilt I couldn't live
all that murdering, bullying.
EBRIE: But we don't murder and bully that's how you get round guilt
don't do evil.
It isn't a prison anyway. So what if that's restrictive you shouldn't
wreck good people's lives. You shouldn't enjoy causing pain to good
people. There should be. Freedom to be evil isn't idealistic or good
it's evil.
CHIEF REPORTER: (groans in pain) Pathetic.
EBRIE: I know what it is when bullies moan in agony at people they
regard as inferior. It's suppressing sympathy, compassion. When you
moan in agony, sneering at weak people. It's not moaning in disgust at
weak, difference. It's feelings of regret guilt showing through you
don't recognise you're conditioned to feel you should hurt them so you
hit but the feelings don't go.
CHIEF REPORTER: (laughs) I know what guilt is I feel guilt when I hurt
my husband or child. I understand guilt and I don't feel it to weak
people or inferiors. I feel hatred to them before I hurt them.
EBRIE: I gave you a chance but you're evil.
CHIEF REPORTER: There's no such thing as good and evil. Goody two
shoes.
PADOUR: Your husband will die. His blood spills from my crimson sword,
fresh regal river.
CHIEF REPORTER: I saw how he treated you in the chamber you ran from
him. No man can stand his power. You're jealous of His Majesty's
power.
EBRIE: He's no real man. It isn't anything to with real men. He's
evil.
CHIEF REPORTER: You Ketrin. I wonder how you'll fair tomorrow I'm sure
he'll find you difficult. (laughs) Always the quiet ones.
EBRIE: Why do you bully?
CHIEF REPORTER: Padour, I admire your bravery but you'll die tomorrow.
The others have no bravery, strength, normality. They're burdens.
EBRIE: How can you feel pride in committing evil?
CHIEF REPORTER: This is cute it's like when you bully school children.
I was a school bully so adult bullying's cute. Satan and I just haven't
grown up still kids raping, murdering. (laughs, reminiscing)
EBRIE: Bullying's never cute.
CHIEF REPORTER: Oh come on not one of these like you pull someone's
pony tales and they start crying.
EBRIE: (angry) That's traumatic. It's sounds trivial but it's
humiliating bullying. If someone did that to you as an adult in hatred
to humiliate you. You'd feel humiliated and you couldn't fight back
cause they picked on you cause they knew you wouldn't fight back. They
know you're vulnerable. Stop pretending it's trivial.
Children have the same pride, emotions as adults. You know if someone
did that too you it wouldn't be trivial. You bullies hurt people even
if you're skilful at bullying and make it look trivial or one of those
bullies who do clear bullying social humiliation, taunting and pretend
it isn't bullying cause your victim's dehumanised scum to you.
URIOP: Yeah same old thing bullies hurting people, pretending it's
trivial or it doesn't matter well it does matter and you knew it. You
cause life long depression suicide in victims.
CHIEF REPORTEER: When I see people like you you make my skin crawl in
grotesque horror, at such sickening revolting weird weakness. How do
you not kill yourselves rather than live in such pain..
EBRIE: You seem to have this idea that the hate filled snobby evil
merciless, dehumanising evil contempt you have for your victims is how
your victims feel about themselves. I only feel like that about myself
when I'm being bullied and some evil bully who is making you believe
you are a piece of slimy scum. Like most people would if people treated
them like that. I don't see myself naturally like that it is just when
some horrible bully who bullies you to feel like that and then seems to
have this idea you would look on yourself like that, even if they left
you alone. Even when they do manage to bully you to feel like that you
end up feeling you are the good person being victimised by an evil
bully who if they want you to die, should die instead. You're the evil
person can't you see that.
CHIEF REPORTER: Awful sad little people.

CHIEF REPORTER leaves and closes door behind her.

EBRIE: We've no chance.
PADOUR: No we do. I'll fight Satan. I'll weaken him. Maybe you Ketrin
will stand a chance?

PADOUR smiles sneeringly almost laughing. Then does

EBRIE: What's the matter?
PADOUR: I feel strong. Tomorrow is my creation.

Scene 43 Satan's War Room

The room is a like a company board room. A war office room. Charts of
the territory adorn walls. SATAN talks to LORD CHARTOUR and
EMTSY.

HIS MAJESTY SATAN: Tomorrow will be a simple battle.
How will the entrainment go?
LORD CHARTOUR: First a wild animal to fight. It's killed 3 of our best
soldiers we'll televise that on amphitheatre and TV screens before you
fight the creature then after you've killed that we've 3 men from slave
camps found working for the resistance. You'll kill them easily. Then a
solider who volunteered to fight. He's typically strong but you'll kill
him with ease then another slave. Then Padour then two guards. Then
Ebrie and Ketrin.
HIS MAJESTY SATAN: Sounds fun. Ketrin's death's what people want. He's
weak and good. His psychiatrist and Haron will be given good
views.
EMTSY: Don't forget some women'll be fighting too. Anroe was saddened
by the loss of Salo and we asked her to fight.
HIS MAJESTY SATAN: I like the idea. I don't agree with women having the
same jobs as men but why select the best male fighters if we don't
select the best female fighters I may inherit weakness from weak women
for my children.
EMTSY: Most women should be good but all men should be evil but some
evil women's erotic.
HIS MAJESTY SATAN: Bring Anroe and her blood soaked victim to my
quarters after. I've some fantasies to do. What a woman. If you've any
inadequacy Anroe'll tear you apart, torture you dead remember the time
she found a disabled child and we didn't see her for three months she
was off torturing. So refreshing.
LORD CHARTOUR: Lord. I leave for the city for women to rape. Men of the
capital support you but you get the odd one who think rape's
wrong.
HIS MAJESTY SATAN: Yes. Bring some guards.

Scene 44 Amphitheatre

The stage background shows a view of the stage being set in the giant
amphitheatre as a background showing a Roman style epic Gladiatorial
theatre. The background canvass and the sound affects should attempt to
give impression of a crowd of thousands watching the amphitheatre is so
huge that you cannot see the crowd's faces. A TV audience watches glued
to events. Dusty soil. A tree is on the stage that EBRIE will climb
during part of the play.

COMPERE speaks to the crowd.

COMPERE: Tonight we see our leader fight to death not once but 9 times.
First I introduce a new event. Women fighting children to death.

Crowd cheer.

COMPERE: One of out Satan's wives. Shall fight to death with this boy.
He's weak. She'll show her ruthless, merciless, power. She'll destroy
this weakness humiliate his family.

Crowd cheer.

Scene 45 Amphitheatre Cells

Cells are full of those preparing to fight. All are tied to chains.
Satan will fight. amphitheatre cells are revealed like executive boxes
they look out on amphitheatre as part of crowd as a window opens.
COMPERE can be heard.

COMPERE: Anroe is chasing after the boy it looks like he's going to get
away, no, she's got him she's stabbed him. What a lady. I wish I'd a
woman like that.

ANROE: Die weakness.

Crowd cheer.

Scene 46 Pub

In the pub the PUIB MAN ONE, PUB MAN TWO and PUB MAN THREE are sitting
in the pub as they listen to the fight on the radio as the COMPERE
speaks out the fight commentary.

COMPERE: So Anroe kills the boy. Well what a fantastic lady.

Crowd can be heard cheering on radio.

PUB MAN ONE: There's one fine lady. Why can't all ladies be evil? Must
we put up with nice women. I'll dump my wife. Beat her, Kill her. Our
children inherit her weakness.
PUB MAN TWO: I like my wife to be nice.
PUB MAN THREE: I agree. But some women are so wimpy they couldn't even
beat kids up. Our son's inherit weakness why would we want them.
They're useless. There must be a point where women are removed.
PUB MAN ONE: That's why I'll kill my wife she's weak. We need real
women real fighters. Survival of the fittest. They should fight to
death. How do weak women expect us to find them sexually attractive?
Sex is an emotion for selecting ruthless bullies.
PUB MAN THREE: That Ketrin'll up fighting at the end. I really hate
that weak piece of scum. I'd punch his face. Oh by the way. Lord
Chartour's sending me videos of the time Chartour raped my wife.
PUB MAN ONE: Ketrin reminds me of guys we bullied at school. Remember
Lord Chartour at school. What a guy he once broke my arm. He still
hates me as I'm weak. What a man.
PUB MAN TWO: Ketrin's the type of guy who hates people who bullied him
more than inferiors. They make me sick why do weak pathetic men live.
Oh I do love Satan.

Scene 47 Amphitheatre

COMPERE: Now we got our next fighter would you know welcome His Majesty
Satan.

Crowd cheer. Powerful heavy metal terrifying fanfare starts. Lights in
amphitheatre go out. A pause of silence. Then a dramatic entrance for
HIS MAJESTY SATAN like for a fight. Powerful dramatic, rabble rousing
music plays as HIS MAJESTY SATAN enters through wide entrance. Crowd
cheer. A pretentious pompous over the top entrance dramatic,
terrifying. Crowd cheer loudly ecstatically like a goal has been
scored.

COMPERE: Our supreme ruler, strongest, greatest fighter the world's
ever known. The most evil ruthless man in history. His supreme being.
Man of our dreams. His Majesty Satan.

Music plays, audience cheer HIS MAJESTY SATAN still entering
amphitheatre to fanfare often touching people in the audience as he
walks through the entrance. Music reaches crescendo with sound of loud
bangs. Crowd cheer even louder. HIS MAJESTY SATAN is seen on pitch,
uniformed. He waves sword acknowledging crowd. Music changes to upbeat
stirring but ferocious tune. Crowd start Chanting Satan in unison as
music is drowned off.

COMPERE: His Majesty Satan will fight the beast.

Scene 48 Amphitheatre Cells

EBRIE: Incredible. He executed that horse for no reason what was that
all about.

PRISON GUARD ONE opens cell door. Then releases AMPITHEATRE SLAVE ONE
to fight. AMPITHEATRE SLAVE ONE is taken out. From inside cells is
heard crowd and COMPERE.

COMPERE: His Majesty Satan will fight a slave.

Scene 49 Amphitheatre

AMPITHEATRE SLAVE ONE brought to pitch.

HIS MAJESTY SATAN: Throw the spear.

Crowd cheer Satan's bravery.

AMPITHEATRE SLAVE ONE: I'll not hurt another. Good must defeat evil,
but if I harm you I destroy my humanity. He stabs himself in chest with
spear.

Crowd laugh.

Scene 50 Amphitheatre Cells

EBRIE: That won't work these people don't understand they just think
he's lost.

PRISON GUARD ONE takes another AMPITHEATRE SLAVE TWO out of cells for a
new fight against Satan.

Scene 51 Amphitheatre

COMPERE: After that comedy moment of the year. Our hero of the
resistance. Our sanctimonious pious friend lord saviour what will he
do.
AMPITHATRE SLAVE TWO: This I say a moment to saviour for good. Let me
not give you a show for I'll only die I follow my friend. God I trust
forgive me.

AMPITHATRE SLAVE TWO stabs himself. Crowd reaction more mixed. Some
laugh aloud sound of boos heard.

COMPERE: It looks like this won't take much time. Next a soldier from
the finest regiment of his majesty's army and what finer honour than to
fight his majesty to death.

Crowd cheer.

Scene 52 Amphitheatre Cells

PRISON GUARD ONE takes AMPITHEATRE SOLIDER ONE from cells

EBRIE: Listen slaves. Don't kill yourself they don't see you as
martyrs.

Scene 53 Amphitheatre

AMPITHEATRE SOLDIER ONE and HIS MAJESTY SATAN far on stage stand from
each other.

HIS MAJESTY SATAN: Throw your spear, scum.
AMPITHEATRE SOLDIER ONE: An honour to fight.

Spear thrown high. HIS MAJESTY SATAN watches as it flies up then down
towards him he does not flinch. He flicks spear away with sword. HIS
MAJESTY SATAN puts hand to ear as he hears crowd cheering. HIS MAJESTY
SATAN rushes to AMPITHEATRE SOLDIER ONE. Sword battle takes place but
HIS MAJESTY SATAN is playing with AMPITHEATRE SOLDIER ONE. HIS MAJESTY
SATAN flicks AMPITHEATRE SOLDIER ONE's sword away then cuts uniform to
shreds. HIS MAJESTY SATAN kicks AMPITHEATRE SOLDIER ONE to
ground.

HIS MAJESTY SATAN: Take this with honour die in ecstasy.

HIS MAJESTY SATAN stabs sword into AMPITHEATRE SOLDIER ONE's chest.
Crowd cheer.

Scene 54 Amphitheatre Cells

EBRIE: How can they enjoy murder?

Can still hear COMPERE from inside Amphitheatre cells due to
broadcasting of his comments.

COMPERE: Now two slaves will fight his majesty.

AMPITHEATRE SLAVE THREE and AMPITHEATRE SLAVE FOUR are brought from
cells by PRISON GUARD ONE for next fight.

EBRIE: Beyond comprehension no one seems to care how evil this
is.

Scene 55 Amphitheatre Cells

HIS MAJESTY SATAN: Cowards, will you fight like men?

AMPITHEATRE SLAVE THREE and AMPITHEATRE SLAVE FOUR stab themselves.
Crowd boo they expected a fight.

HIS MAJESTY SATAN: I cause such fear no man fights me.
COMPERE : Now a commercial break for the TV audience but while they're
off we'll hold the kiddies challenge. Who can kill the slave.

Scene 56 Amphitheatre Cells

COMPERE: Boys. Throw knives at him. If you hit, you win free signed
replica skulls of Satan. Children throw knives at slave as crowd cheers
them.

EBRIE: This society's barbaric. People tortured for fun. They see it as
entertainment.

PRISON GUARD ONE: Another sexually dissatisfied loser with no life gets
worked up about stuff with nothing to do with him. Why don't they get a
life.

COMPERE: Our viewers join us from the break. Children you had your
chance. You missed out so back to your seats. Next we've his great
pompous, prattling, self-proclaimed messiah. Padour.

PADOUR released from his chain then grabbed by PRISON GUARD ONE.

EBRIE: Good luck. I don't know how to say this but.

EBRIE loses emotional control puts head down fights to hold back
tears
as PADOUR is led out.

URIOP: What a brave man. He nearly saved us.

Scene 57 Amphitheatre

AMPITHEATRE SLAVE FIVE is tied up on stake after children did not mange
to kill him.

PADOUR arrives on amphitheatre. Crowd boo him for hurting his majesty's
wives.

COMPERE: This coward couldn't fight men so killed his Majesty's
wives.
HIS MAJESTY SATAN: Throw your spear or do you kill yourself like the
others.

PADOUR lifts his sword up and cuts across his arm.

HIS MAJESTY SATAN: With ease another flees.

PADOUR throws his sword. It darts through air quickly and HIS MAJESTY
SATAN has to move out of way. Crowd make noises articulating amazement
at near miss.

PADOUR: You were lucky.
HIS MAJESTY SATAN: You've no sword.

PADOUR runs to slave man who was tied to a rack.

Scene 58 Amphitheatre Cells

EBRIE: He'll save him.

Suddenly loud crunch is heard. EBRIE's face turns to shock.

Crowd start to laugh.

AMPITHEATRE GUARD: Your friend's just beheaded the slave with his hand.
He's pulling out the spine. He's using it as a weapon. EBRIE stares in
shock.

EBIRE: (crying) What is that he just killed someone how can they laugh
at such evil how evil can they be so evil.

Scene 59 Amphitheatre

PADOUR: Now die before your eyes.
HIS MAJESTY SATAN: (sneers) At last a fight between real men.

PADOUR and HIS MAJESTY SATAN draw together.

EMTSY: A fine couple of men we have. True warriors brave to fight to
the death what man shall we be rewarded with what an honour to have
such evil men.

PADOUR and HIS MAJESTY SATAN draw close. HIS MAJESTY SATAN tries to
strike but as he lunges PADOUR pokes the spine into HIS MAJESTY SATAN's
head. The spines shatters but HIS MAJESTY SATAN falls back. PADOUR
rushes and grabs hold of HIS MAJESTY SATAN's sword. Pulling of HIS
MAJESTY SATAN's arm then ripping the sword out of the arm. The pulling
off of the arm will obviously be done by special effects, by a false
arm being given to the actor playing HIS MAJESTY SATAN.

EMTSY: Strong merciless men. What torture they perform. No woman can
resist.

PADOUR runs a few metres away. Then holds sword aloft. Crowd silent for
first time in the fight. HIS MAJESTY SATAN tries to get up but PADOUR
runs over and chops HIS MAJESTY SATAN's other arm off. HIS MAJESTY
SATAN stands up.

PADOUR: I'm your ruler I'll kill your children, kill many of your wives
but marry the others, I'm your destroyer. I rule Satan's empire.
HIS MAJESTY SATAN: No, Show mercy.
PADOUR: I command all Satan's children be executed.
SATAN: But all my children are here.
PADOUR: All women hate you for you're weak. They loved you before now
they detest you.
COMPERE: To further humiliate old Satan. Lord Chartour is now having
sex with two of the old Satan's wives. They've been specifically
selected not be married to Padour but simply to be used to humiliate
old Satan as they are still married to him as he now lies injured on
the amphitheatre. Your only wives are having affairs.
PADOUR: Your final moment. All your women mine. Your children dead.
Humiliated in front of your worshipers. Such detestable pity.

PADOUR runs to HIS MAJESTY SATAN and stabs his stomach. HIS MAJESTY
SATAN falls flat on face but alive. PADOUR lifts HIS MAJESTY SATAN's
head up pulling him up to stand.

PADOUR: Run, Satan, run.

HIS MAJESTY SATAN runs on a few feet. Crowd cheer and laugh as they see
loser running crying. Emtsy walks onto stage. HIS MAJESTY SATAN sees
her smiling as he falls to his knees. He smiles at her.

HIS MAJESTY SATAN: Majesty, you love me.

EMTSY shivers.

EMTSY: What did I see in him. Kill him Padour he's creepy and
weak.

HIS MAJESTY SATAN's face turns shocked. PADOUR walks to EMTSY and in
front of HIS MAJESTY SATAN snogs her. Crowd cheer as he grabs
her.

PADOUR: I am Satan now.

Loud bang of drums.

HIS MAJESTY SATAN: Surely someone loves me?

CHIEF REPORTER rushes to stage.

CHIEF REPORTER: I do. To me you'll always be powerful.

Scene 60 Amphitheatre Cells

EBRIE: He's a serial killing psychopath how do they still love
him?
PRISON GUARD ONE: Its disgraceful the way she still loves him he has
lost the fight he is weak and pathetic how can any women love such
weakness although he was once strong maybe that is why she still seeks
to breed with him.
COMPERE: We'll have a commercial break to weigh up new
possibilities.
PRISON GUARD ONE: I'll be next. An honour to die fir an Emperor.
EBRIE: I used to think women were romantic. Then you find out it's a
ruthless selection of the most ruthless evil guy. Always fancying
bullies and thugs wanting some evil thug for a breeder. Breeding demons
all the time. Pretending that's romantic.
URIOP: You went around with this guy for years didn't you work out
there was something wrong? He said you saved his life.
EBRIE: I didn't he's been carrying me. He's the murderer. I always
wondered why women adored him. All they see him do is kill.
COMPERE: The show will continue as planned.

Scene 61 Amphitheatre

In Amphitheatre HIS MAJESTY SATAN still is held up by CHIEF REPORTER.
He is alive but bleeding.

COMPERE: As you can see old Satan's still alive. Fighting rules allow
his survival until the end of the show when our ruler will kill him in
front of his ex-wives. I'm getting news all old Satan's children have
been killed.

Crowd cheer.

COMPERE: Now our next fight. As he would like to be called Supreme
ruler, emperor, conqueror of weakness, terror of good, emperor of evil,
Padour the incredible, Padour the monster, His Lord His Majesty Emperor
Satan.

Crowd cheer. Fanfare starts again as new ruler enters amphitheatre.
PADOUR copies his father's entrance.

COMPERE: Welcome his first defence to fight one of our most feared
guards. He's killed 200.

PRISON GUARD ONE appears on stage. Crowd cheer. PRISON GUARD ONE walks
to PADOUR in defensively, aggressive he cuts his sword through remnants
of victims. PADOUR runs to him in what seems a flash stabs straight
through PRISON GUARD ONE.

CROWD Cheer

COMPERE: Even the Old Satan wouldn't manage that.

HIS MAJESTY SATAN looks sorrowful at this loss of his title as he still
lies on pitch.

COMPERE: Now another of his finest Majesties guards. A guard of such
fearsome reputation. He was voted world's second sexiest man.

Crowd Cheer. WER IPOL appears on stage.

COMPERE: Wer Irpol may have a reputation as a bit of a rebel but he
worships our evil emperor and will give his life for him.

Crowd cheer.

Scene 62 Amphitheatre Cells

EBRIE: That means all he rebels against is good.

Scene 63 Amphitheatre

WER IRPOL interviewed by CHIEF REPORTER before fight.

CHIEF REPORTER: Can I have one kiss before you die?

WER IRPOL kisses her then punches her. She falls over. Then he cuts her
foot off.

WER IRPOL: Treat'em mean. Keep'em keen, as then they know they can
breed evil power from you
CHIEF REPORTER: I love you Wer Irpol.
PADOUR: How dare you hurt my wife. That's my job.

Crowd laugh.

WER IRPOL: I die for thee. I adore thy every move that lights fire
inside thy twith no end. Hence honour thee with pain. No empty death
that shouts before thee twence I cease exist vuth like rose pluckit
from bush beauty ridden death awaked in thy moment capture sweet yonder
at Satan's sword.
PADOUR: You're the word on the street. But mind you. You don't write
your own stuff we write it at evil records and we'll find another evil
kid and pretend he's a genius.
WER IRPOL: How dare you.

WER IRPOL lunges at PADOUR. As he does PADOUR flicks his sword out of
WER IRPOL's hands. PADOUR throws sword away then punches WER IRPOL
continually until he falls to floor then PADOUR kicks him in head
several times until broken and cracked.

PADOUR: He's dead. Bring on Ebrie.

Crowd cheer.

Scene 64 Amphitheatre

EBRIE dragged onto amphitheatre by PRISON GUARD TWO and PRISON GUARD
THREE then pushed on floor with a sword thrown bedside him. PRISON
GUARD TWO and PRISON GUARD THREE then leave the stage. EBRIE stands up
to see PADOUR running at him. He runs away. Crowd laugh. EBRIE runs to
one of the trees to climb. A stage tree must be on the stage for EBRIE
to climb. It is preferable it is at the back of the stage and EBIRE
climbs high up it so that PADOUR can stand at the base and look up the
tree. Crowd cheer.

EBRIE: All of you in the crowd how can you admire this man he's
evil?

Crowd cheer.

COMPERE: We've no reason to listen to rants
EBRIE: You do. What about compassion, empathy? Good should defeat
evil.
COMPERE: Men should be evil.
EBRIE: Padour you've been to my world tell them. There men aren't seen
as more manly the more evil they are. Evil's hated we want a good
world. Goodness is loved, admired.

PADOUR starts to chop down tree with sword.

EBRIE: What?

EBRIE: God please stop. I can't win. Please stop.

Crowd cheer. EMTSY stands up in crowd.

Scene 65 Harem Enclosure

In the harem enclosure EMTSY TOGDEF, ANROE, and three HAREM EXTRAs sit,
aswell as an indication by stage affects of more wives of Satan in the
harem.

NARRATOR: In the harem enclosure Satan's evil wives sit and watch the
fight.
EMTSY: I visited your world as I told Padour to. A strange world where
weakness is tolerated even loved. Women forced to suppress natural
desires for evil. The best men locked in camps while weak men are
treated as heroes. It's called good. Men taught to behave like weak
pitiful grovelling worms.

Crowd makes noises of shock.

EMTSY: A man was found guilty of raping 14 women. His wife loved him
but the others locked him up in fear, fearing strength, jealous of
power, of manliness.
EBRIE: He was evil. He'd hurt women.
EMTSY: Padour received love letters from fans but they're seen as wrong
for giving in to desires no women can suppress
EBRIE. Your world's barbaric because weakness has conquered your
world.

Crowd boo at EBRIE.

EBRIE: That's not all. In our world we hate bullying, snobbery. Women
aren't forced to hate evil they do that because they more than men hate
evil. You can't understand. This sounds barbaric this sounds base. I
shouldn't need to say it. If women desired evil then so would men I'd
desire evil and I don't so it can't be true. You decided what to love.
Padour appears from behind tree. Padour runs at Ebrie. Ebrie runs round
tree. He forces his way under branches for protection.

PADOUR: Bring fire.

Crowd Cheer.

PRISON GUARD TWO brings on a stick with a glowing end to indicate
fire.

EBRIE: Why do you want to kill me?

PADOUR walks towards the PRISON GUARD ONE to collect the stick. EBRIE
runs off the tree. Then PADOUR sees him leaving tree.

PADOUR: (shouts to PRISON GUARD TWO) I will handle this with my sword
now off the pitch.

PRISON GUARD ONE Leaves stage while carrying fire stick.

PADOUR walks towards EBRIE

EBRIE: Please don't kill me what have I done to deserve this.

EBRIE then sees HIS MAJESTY SATAN still lies on the stage being
comforted by CHIEF REPORTER. EBRIE runs toward HIS MAJESTY SATAN. Now
lying on floor still alive with CHIEF REPORTER. EBRIE runs to HIS
MAJESTY SATAN pushes CHIEF REPORTER off, grabs HIS MAJESTY SATAN by
neck and shouts at PADOUR.

EBRIE: (passionate realisation, spitting words). If I kill him. I
become ruler. I'll change things. Stop this evil.
PADOUR: It doesn't matter if you kill my father. I've defeated him I'm
the new Satan.

PADOUR closes on EBRIE.

EBRIE : Please have pity on me. I don't want death.
PADOUR: Your grovelling won't save you.
EBRIE: (sudden realisation) But if he's your father, you're his
son?
PADOUR: I'd guessed that.
EBRIE: That means if I kill him you must die. As the children of
defeated men must die for they inherited the weakness of the defeated
man.
PADOUR: Not if I kill him.
EBRIE: I shall kill him.
HIS MAJESTY SATAN: (to PADOUR) Son, kill me.

EBRIE pull's on HIS MAJESTY SATAN'S head breaking his neck.

PADOUR: (crying anger) No
HIS MAJESTY SATAN: (last dying words) Now all my children are
dead.
HIS MAJESTY SATAN dies.

PADOUR draws his sword into HIS MAJESTY SATAN'S face. EBRIE walks back
running backwards as if he is falling upwards.

EBRIE: I've killed him I'm the ruler.

PADOUR draws sword into EBRIE. PADOUR pulls his own sword into
himself.

PADOUR: I child of weakness, must die.

PADOUR and EBRIE fall to knees.

PADOUR: I die by my brave warrior. Two great battlers rulers of a great
empire die by my sword. What sweet death.
EBRIE: Psychopath.

Scene 65 Harem Enclosure

EMTSY sits while LORD CHAROUR stands behind her chair over her
shoulder. As well as THREE HAREM EXTRAS, ANROE and TOGDEF.

EMTSY: If our emperor's died who's the emperor?
LORD CHARTOUR: Who ever was next in line for the throne.
EMSTY: All Satan's children were killed.
LORD CHARTOUR: I'll consult our expert.

LORD FRIER walks onto the stage to talk to LORD CHARTOUR

LORD CHARTOUR: (to Lord Frier) What's the constitutional
situation?
LORD FRIER: Who ever is next to fight win's the throne.
LORD CHARTOUR: But there's only one fighter left.
EMTSY: (desperate pleading from embarrassment) No. Not him.

Scene 66 Amphitheatre

KETRIN walks onto the stage.

COMPERE: Hail our new emperor.

Crowd muted. Off stage CROWD PERSON is heard shouting abuse

CROWD PERSON: What the hell's this? He can't lead us.

Scene 67 Harem Enclosure

EMTSY: We can't have him he's weak he's not killed.

Look of disgust entrenches EMTSY'S face.

LORD CHARTOUR: We must kill him he's weak, good.

Other wives look disgusted at sight of such a man.

Scene 68 Amphitheatre

CHIEF REPORTER: Why would we want you? You're weak and good. You're a
woman. Have you killed?
KETRIN: No. I'm proud of that.
CHIEF REPORTER: Have you raped?
KETRIN: No I find that beneath any evil imaginable.
CHIEF REPORTER: Tell me you've beaten vulnerable people from manly
desires to cause suffering. Tell me you bullied people at school.
KETRIN: No. Although I've been a victim of such attacks from snide
bullying thugs.

CHIEF REPORTER shakes.

CHIEF REPORTER: You make my skin crawl. I can't marry you I can't have
sex with you the idea of sex with good men's sick. It is shame such
great men as Satan die childless. Yet weak men live.
KETRIN: Why can't good men be fathers?
CHIEF REPORTER: (laughs hysterically) You a father! What kind of father
would you be? Father's must be terrifying they should kill children if
they're weak. You'd be pitiful and would pass on weakness. I can
understand concern at great evil men not continuing their line but
weakness like you. No one expects you to have children no woman would
want weakness.
COMPERE: A resolution's been passed. The harem's ordered a new
fight.

Crowd roars.

KETRIN: This isn't fair. Stop this evil.
COMPERE: His leader of his majesty's army, supreme leader, imperial
protectorate, his lord supreme excellency Lord Chartour.

Crowd cheer wildly.

KETRIN: He's bound to win.
EMTSY: (from offstage) That's the idea.
KETRIN: I know you want an unhappy ending to this as you're evil. Don't
pretend it's artistic novelty it's cause you're evil. You want the bad
guy to win cause you're the bad guy.

LORD CHARTOUR appears on amphitheatre pitch, dressed in armour.

LORD CHARTOUR : Die. Like so many others on my sword.
EMTSY : He's so brave to our ideals.
KETRIN: I'm a good, why support him?
EMTSY: Die, weakness.
KETRIN: Why can't you learn to love good, be turned on by it. I know
good's a weakness and someone once said it impossible to love men out
of sympathy but why can't you.

Crowd groan in agony.

KETRIN: (almost crying) Why do you want to kill me what have I done to
deserve this?
LORD CHARTOUR: It's a dog eat dog world.
KETRIN: I can't be a martyr you don't understand martyrs. I wouldn't
want to die anyway for you lot anyway. This is just a story it can make
good win.
LORD CHARTOUR: I'll catch you. You'll die if it takes all night.
KETRIN: Follow me people. Follow me to a new world where good wins
where evil is punished, follow me.
EMTSY: Get on with it Lord Chartour.
LORD CHARTOUR: One fatal blow is all I need to sweep your sodden blood
drench your face. Drink fresh red juice from a dead body of a conquered
victim. No man resists such pleasure.
KETRIN: I'm proud to be weak it's part of my identity I'm proud to be
good. Maybe I'm scum but I'm good scum. I'm not the one with something
to be ashamed of. Evil's the only sin. Everything else's good or
superficial.

KETRIN runs into harem enclosure

Scene 69 Harem Enclosure

Ketrin runs behind some of the women in the harem. The harem enclosure
is filed with Lord Frier who is standing up, EMTSY, Three HAREM EXTRAS,
TOGDEF and. ANROE.

EMTSY: Get out of here you piece of scum we want Lord Chartour to kill
you.

Crowd throw things at KETRIN coins, fruits, knives.

KETRIN: (crying) Why support evil?

COMPERE walks into harem enclosure.

COMPERE: We hate weakness. We must punch it.
EMTSY: You don't realise how annoying good men like you are. You keep
seeing life in terms of good v evil. See it as normal v sad, winners v
losers, cool v sad, popular v unpopular. Then you'll see why we hate
you. Why people like you annoy us. You insult us with your grovelling
weakness.
KETRIN: But you shouldn't hate people for being losers, creepy, sad
ugly that's all superficial that isn't how to judge.
EMTSY: What are these weird views? Kill him.

LORD CHARTOUR: (shouts out from amphitheatre) I did not want to do this
but I must offend this sacred womanly place and kill you in the harem
enclosure.

Suddenly LORD CHARTOUR walks into the harem enclosure. KETRIN turns
back out of the enclosure onto the pitch of the amphitheatre. LORD
CHARTOUR looks on horrified, as this shameful show of fear and
cowardice.

LORD CHARTOUR: There's nothing more sinful than cowardice. What am I
without bravery. Why not lie and take my sword as man of honour.

Scene 70 Amphitheatre

KETRIN: (fearful) Please help me. Please don't make me fight him he's
to strong why do you want me to die.

Crowd laugh

LORD CHARTOUR: (from harem enclosure) You know this is most
entertaining, Watching this grovelling wreck die, maybe I shall let him
squirm for a few more minutes.

KETRIN: (shaking in terror and horror) Oh if I'm going to die then at
least let me release Cursle my sister. I release my aunt and uncle. I
release Uriop release slaves and imprison all evil people. I disown my
title.

LORD CHARTOUR walks onto the amphitheatre. He walks towards him slowly
to make KETRIN freeze in fear. KETRIN falls to his knees.

LORD CHARTOUR: Hoe can such scum have the will to live.

KETRIN: (crying) Please no. Why did you choose me for this. Why can't
someone else do this? I don't want to fight I'm not a murderer I'm not
a warrior, what are you doing this for. Why did you choose me you could
have chosen anyone else, but it had to be me, Why did have to be me of
all the people?

Crowd noise becomes more powerful

COMPERE: Do you realise what he's just said?

LORD CHARTOUR: You've just called fro the ultimate battle. The moment
when all men fight to the death when only one man lives and all women
will adore him as the ultimate being.

Sound of fighting is heard as people are being killed.

KETRIN: No way this is mad. Stop this you've got to stop this. I don't
want to be emperor now just stop this.

LORD CHARTOUR: It's to late now you've rejected your title you can't
change it now. We will fight to the death my heroes.

KETRIN runs from pitch to harem enclosure.

KETRIN runs to harem enclosure.

Scene 71 Harem Enclosure

KETRIN runs through harem enclosure, but he turns round to look at
pitch which is now not shown on stage instead a huge noise of the crowd
is heard, fighting and shouting, death blood, murder.

Harem watch on towards amphitheatre.

NARRATOR: Ketrin ran from the Harem Enclosure to the cells.

EMTSY: What an erotic site. This is the sexiest event I have ever seen
in history.

TOGDEF: I will love to have sex with which ever man wins.

Scene 72 Prison cells

KETRIN into cells AUNT OF KETRIN, UNCLE OF KETRIN, CURSLE, URIOP still
lie alone on cells, as they were rewards for the death of KETRIN. Sound
of fighting is still powerful over the noise.

UNCLE OF KIETRIN: Untie these chains boy, we have to get out of this
place.

Scene 73 Pub

PUB MAN ONE: You know we really ought to get down there and join the
fight you know the fight to death.
PUB MAN TWO: Yeah oh by the way.

PUB MAN TWO gets up and then stabs PUB MAN ONE and then stabs PUB MAN
THREE.

PUB MAN TWO: You're children shall all die and I will kill your weak
wives.

Scene 73 Overlooking Palace

KETRIN, AUNT OF KETRIN, UNCLE OF KETRIN, CURSLE and URIOP reach up the
palace walls to look over palace. They look down and this time the
palace is smoking.

KETRIN: We should leave this place.
URIOP: Yes let's go to where Ebrie was from