I chose to take the hover-rail from the west side to the south. It’s safer that way. I look along the oval carriage. It’s almost overcrowded. The battered seating...the stink of stale urine...mixing with that sour, onion odour of too many people...with too many thoughts... in too smaller a place... all adds up to a difficult trip ahead.
I see a group of heavily armed metro guards keeping order; so I keep low and sit on the edge of the first seat I can find. I take the glass vial from my jacket pocket and take two shots of Phaledrine...Governor Sloat’s “magic potion”. It comes with a price to all those who share my peculiar talent’s... And, I might add, it’s the only thing that keeps me sane...It takes effect... Like...the warming sun, after a bout of ice cold October rain...the cold voices slowly leave my mind. And for a moment, the world seems a little brighter.
I look outside...the chequered lights from the bulbous buildings of New London shut out the night. I turn to see, huddled opposite, a petite middle aged afro-Caribbean woman, wearing a heavily mottled coat. She’s scared. I see the nervous tick in her square jaw. But I also feel her pain... The Phaledrine can shut out the crowds, but still some voices get through...she is trying to protect herself from the longing silent stares, directed not at her, but the food package on her lap.
Heavy cruel laughter from the metro-guards makes her jump. The paper bag falls, spilling its contents on the floor. All around me I see the longing stares, and feel the hunger. But I am close and begin to help her; putting the contents, as best as possible, back into the bag. A solitary orange rolls underneath another woman’s chair.
She is stiff, nervous and greedy, I can see she wants it and I know she’ll fight for it... I smile and put the thought of a long field of daises into her mind. She relaxes, as I bend down, pull out the orange, and hand it back.
‘I haven’t seen one of those in a while.’
‘Ahh, I know...’ she says, her voice guarded. ‘... I saved up three weeks food vouchers... it’s a party for me Venice...’
‘Venice... nice name.’
‘Ayah. She be three today. I promise her a burthday party an she ‘aving one.’
I smile gently, and feel pity; knowing that she hasn’t eaten properly, while she’s saved. There is a shudder and a whine as the break is applied. People weave, grab hold of the seats in front, but avoid each other.
She smiles gratefully. ‘We’el this is me stop.’ I help her get to her feet.
‘Funny...it’s mine too.’ I lie, as we walk off the carriage and into the bustling night. I look up as I wave her off; in time to see a holo-vert beam a picture across the clouded night sky.
I see her. Like an angel smiling down upon me “Vote Southgate and end Sloat’s injustice.” It reads. As I make my way across the crowded rain-soaked square to the grey steel tower where boss man Sloat’s little ferret hides out.
*
From the corner of my eye I see the pistol. Its plump, charcoal, double barrel is pointing directly at me... just within his reach. I sit uncomfortably in this uncomfortable chair; almost opposite Barton, as he reclines behind his sad steel-rusted desk. I still hold her picture in my hand.
‘It’s... not complicated...’ Barton reflects, as he sits back. I can tell he is trying to gauge me. “Feel me out.” as Sloat would say.
Barton’s eyes bore into mine.
‘No...’ I reply ‘...It’s not complicated at all.’
I smile tightly, as I turn away from Barton. For a moment I take in the room. I breathe in the torpid stench of stale sex. I note the crushed coke cans, and the crumpled and the empty chocolate bar wrappings littering the stained carpet...the grey, damp, greasy walls...the cracked round mirror behind him... The windows covered with a fractured mesh...The semi-constant hum of grav-cars as they speed past... Well Barton... you’ve definitely gone up in the world.
‘How much?’
Barton smiles that sallow greasy smile. He picks up a can and he swallows a huge gulp of soda. He puts it down. His fat flesh shines with droplets of sweat.
‘I’ve been ordered to offer you four.’
Four? Christ, He’s going to have to do better than that.
‘Sloat knows me...’ I say coldly. I smile icily. My white teeth glean savagely from behind my slightly parted lips in that shitty mirror. I shake my head and look about the room again, only this time it’s for show. ‘... Ten!’ I bark it out...making that little fat shit jump.
‘Mr. Sloat has given me strict instructions-‘
‘-Sloat!’ I snap. ‘Sloat knows I am the best! I CAN KILL WITH A FUCKIN’ WORD!’ I aggressively lean forward the hostile smile still on my face; before I lean back once more.
Barton is looking nervous. I know he has had strict instructions from Boss-man Sloat to make me do it for four. I know this, because I can see inside Barton’s head...I feel his fear, as his memories re-enact the call he had two hours previously; where Sloat snaps at him over the Holo-phone: “four and no more!” I look down at my brown polished shoes. I look up as I hear another grav-car speed past. I see him sideways glance at the gun. I know he longs to pick it up.
‘I...’ Barton begins nervously. ‘I...’ he coughs. ‘I...’
‘I FUCKIN WHAT?’ I bellow. I want this little shit; this errand boy, to pay.
‘Mmmm.r. S.S... Sssloat has told me to g...ggo upup to seven...’ he stutters out.
What a liar! Barton is paying me out of his take. But this is getting boring... he is getting boring... so I nod slowly.
Barton smiles once more. I can sense he feels safe, now that the offer’s been accepted. So I close my eyes, and think about Barton’s neck... his sallow fleshy neck. I think about what it would be like to put my hands about it. I think... I visualise...I feel...I can feel his flesh in my hands...
Then it happens...Barton’s face becomes taught... Red... Puffy... his eyes distend... his swollen lathered tongue lops out as spittle flies in an arc across his face...He can’t breathe...
He tries to reach for the gun but with another thought I slam him -in his chair- into the far wall. I see his fat face pleading for me to stop. But this is far too interesting. He gasps. He tries to stand. He reaches for his neck; but falls back. He turns in his chair. His legs outstretched, start to kick sideways. Then slide along that tired greasy floor; in this tired shitty office. I catch a glimpse of myself in the mirror and see a pair of glowing crystal eyes...eyes that are not mine... and an evil crooked smile that really can’t be mine... stare back at me.
*
I get home five hours later. The door whirrs as it closes behind me. There is darkness.
‘On.’
There is light as the wall-screen shines grey light into the darkness.
‘Voicemail?’
‘You have two messages.’ The server replies; before reeling off nothing that I Want to hear.
‘Billings...This is Sloat...’ His rough gravelly voice fills the room. ‘...Barton is scared shitless! He’s going to be in hospital for a week. He said you tried to kill him... And his safe’s been compromised! If I find it was you, I swear to all that’s ‘Unholy’-
‘End.’ I say sharply.
The second message cuts in and cuts deep.
‘Daniel... Its Julia...Are you there?’
‘END!’
I walk to the kitchenette, and pull myself a long scotch. I gulp it down. I shake... No stop stop stop.
The shaking stops and I gain control once more...the apartment looks tired and unkempt but I am not the best housekeeper.
I look at the wall screen. The news is the same... more food riots in Europe...more riots in Israel as the great Temple is close to completion...more tit for tat shots along the England-Scotland border...more pictures of the Mars mission. I shut my mind as her face fills the screen....Daniel are you there? Her voice again. I shake my head, trying to shut out the swings...the slides and happy smiles... Should I hear more? I walk back to the bottle and pour another large scotch. The warming fills me... soon I’ll be drunk... soon I won’t care at all....then I’ll do it... I’ll kill her...as if I have a choice... I feel the empty vial in my pocket. I grab it tight. I squeeze. It splinters and delicious pain shoots up my arm.
Then I pull the folder and her photo and hold it. There is a clatter scratch of papers that now are scattered at my feet. I look at her picture once more...How many had I killed now..? Christ...far too many to count... Mayor elect Julia Southgate...nee Julia Billings... stares up at me. Yes...Barton’s right. Killing isn’t complicated. If -of course- you see killing your sister an complicated act.
The end.

Comments
maggyvaneijk | November 22, 2010 - 20:12
I like the intimate descriptions like the clicking jaw. The narrator is interesting, very detached.
alphadog1 | November 23, 2010 - 17:40
yeah... I was playing with Genre, trying to mix noir, with sci-fi. This has only been done well by P.K. Dick in "do androids dream of electric sheep." "Sloat" being the name of a side character in the book. The name has stuck in my head, and I thought it might be cool to give him a voice... Yes the main voice is detached... looking into his world coldly. That looks coldly back. I originally had the story in three separate pieces. and chapter headed them...in the hope to create a feeling of total dislocation...however, reading it through, felt wrong. So This adaptation is the final one; two years to make... phew...
barryj1 | November 23, 2010 - 19:43
Very well written. Held my interest straight through from beginning to end. This seems like a story with a lot of potential. All the descriptive prose creates a murky, evil atmosphere. Nice job!
Cavalcaderl | November 24, 2010 - 11:35
new alphadog1
Just amaged to read,couldn't stop then,
very interesting,sinister in places,and kind
kept me on my seat,keep reading it.The places mysteries,plannings,comfor in story,person you helped.The ending.
Well deserved cherry!
Keep writing.
julie x
White Dwarf | November 24, 2010 - 11:48
Wrote out my comments but don't justified enough to post them.
Not sure if you're looking for harsh but constructive criticism.
alphadog1 | November 24, 2010 - 12:56
I know the faults in the piece are huge...apart from poor grammar, and un-rounded characters... perhaps the piece feels too much like a poor version of Blade runner, ect.
I am doing a creative writing course with the Open University and one man knocked my work, fine, then knocked me, (when I put an iron bell in a church; explaining to me in mono-syllables not only that brass was used in churches... but also that it was an alloy... caustically inferring, that I was an idiot.) I'm fine with attacks at the work, I need to hear them... as long as its not personal. (the Iron bell was specific for that universe...)being honest, as a writer, I know I need to improve, but I see my stories in my head then try my best to put down what I see.. I think this means I will be moving into stage-writing...or screen-writing you see, I am not a list man,and real writers (something I don't see myself as yet.) need to write lists...
I hope this helps you in making your comments...however savage you feel them to be... and thank you for being honest about the warning, the other guy just wrote in a patronising "oh dear..." tone so when he hit me with his vast intellect all I could do was feel intimidated by his cruelty, and threatened by his presence... back to school I went... and the depression lasted an age...
perhaps suggestions as to where the piece can be improved? what would you with it? Unless -of course you hate the style... and would bin it straight away. we are all different... I don't expect everyone to like what I write, I hate Pride and Prejudice.. as well as anything by Geoffrey Archer... both of which are used as toilet paper...
White Dwarf | November 24, 2010 - 13:18
Cool, good to hear. I'm not a great writer myself. But I've learnt a bit from my previous follies.
So
I like the genre and the story. The character is cool and I can listen to him. I have just one complaint in this regard, and it's really not about your writing. I don't like boastful kick ass characters written in the first person, specially not in present tense. You have to be a damn good writer to pull that off with out the reader (me) saying, 'Christ, get over yourself.'
I think your rewrites have put some burdon on the piece. There's some real lazy writing. Triple dots is ok in moderation, and usually works well in dialogue, but in narration you can't use it to replace punctuation. All of the dots in the following extract can be replaced with commas or semi colons. I think you're trying for a broken stream of consciousness, but this isn't the way to achieve that. I see you use them a lot when you type casually as well. I think that casual style comes out in the story and doesn't do it any favours. (I use dots a lot myself, but very rarely in fiction, and always intentionally.)
other than normal punctuation you can use the dash. -
the dash is more accepted form of joining distant but related phrases into sentences.
Example.
"...the stink of stale urine...mixing with that sour, onion odour of too many people...with too many thoughts... in too smaller a place... all adds up to a difficult trip ahead.
I see a group of heavily armed metro guards keeping order; so I keep low and sit on the edge of the first seat I can find."
Some bits are written really well, while other fall down. First person present tense is really tricky to do well, and sometimes you have nailed it, but other times I want to grab the sentence and rearrange it for you.
Two books I would recommend for you are "38 most common fiction writing mistakes Jack Bickham
and "Eats, Shoots and Leaves" by... someone. lol
Check'em out. They are easy and very informative.
Before I sign off I'll just say I dig the story. With the right tweaking I'd like it even more.
P. K. Dick is KING
So it's ok to emulate his work. I do the same thing with other writers. You write like others you like until it all merges into one and you have your own style.
alphadog1 | November 24, 2010 - 16:11
Thank you very,very much. I am grateful to hear this; and its nice to hear something positive that I can transcribe into all my work. I never thought of Billings as boastful. But if that has happened, then I need to seriously look at this piece once more. ( I have said even though this has taken 2 years to get here it still needs work.) I have to admit, the pauses come from the point where I have to turn this into a screenplay, or a radio play, so, whoops. I have a lot to do here yet. I only wish that I was getting this type of feedback from uni. I'll go and buy those books as soon as I have the cash.
Happy imaginings
White Dwarf | November 24, 2010 - 20:55
Here is just one example where a bit of tweeking can help punch things up.
"I see a group of heavily armed metro guards keeping order; so I keep low and sit on the edge of the first seat I can find."
Don't start with "I see" EVER. If you say it, we know the character has seen it.
Just say for example: "A group of armed guards bully commuters. I snatch the first seat I can, it's best to stay out of their way."
In the second sentence there, I have moved the action to the beginning of the sentence and the reason to the end. There's more motion that way, and it will come off less passive.
White Dwarf | November 24, 2010 - 21:09
The boastfulness comes out when he uses his powers.
It's going to be tricky to make sound good. I can only suggest trying to illuminate some of the "I"s in these sections.
"I know this, because I can see inside Barton’s head...I feel his fear, as his memories re-enact the call he had two hours previously; where Sloat snaps at him over the Holo-phone: “four and no more!” I look down at my brown polished shoes. I look up as I hear another grav-car speed past. I see him sideways glance at the gun. I know he longs to pick it up.
‘I...’ Barton begins nervously. ‘I...’ he coughs. ‘I...’"
WAAAAY to many I 's in there.
You can get rid of them like this for example:
"It's all in his head, in the fear that leaks from every pore. In his head Sloat snaps, "Four and no more!" over the holo-phone."
White Dwarf | November 24, 2010 - 21:25
You're welcome.
Plus check your local public library. Far cheaper than buying. Even if you interlibrary loan the books. Speak to the librarians, we are friendlier than we look.