Tripping.


from the ABC set The Brighton Line

‘You feel anything yet?’ Simon asked when they were waiting for the train.
‘Er...no,’ said Arthur, ‘not really.’ They’d taken the LSD in Simon’s Ladbroke Grove bed-sitting room not knowing what to expect. But something was happening. They’d got to Notting Hill Gate Station without incident and bought tickets from a machine that pulsated with chemical light. More so than usual Arthur thought. Colours were getting brighter, the rush of the train when it came, the swoosh of the doors which opened and sucked them in, the tube itself where everything became electric…even the multi-coloured passengers. Sitting across from Arthur was a Chelsea pensioner with the consistency of a Dali watch. There were vibrating walls, melting floors, unidentifiable lizard-headed creatures and all the other psychedelic special effects that were to render ‘Fear and Loathing in Las Vegas’ virtually unwatchable so many years later.

The train was moving through a time tunnel. That was obvious. ‘Real time has collapsed in on itself,’ said Simon, ‘seriously perhaps, who knows?’ ‘It could be a spiritual experience.’ Said Arthur. Simon seemed to agree. ‘Perhaps we’ll see God,’ he said. Then for no real reason they both started giggling and didn’t stop till they got to Tottenham Court Road.

‘UFO,’ said a hand painted poster. ‘This must be the place,’ said a disembodied voice where Simon had just been. They oozed down a flight of carpeted stairs into a dark cavernous room full of people dancing, wandering around or just standing staring at a stage. On the stage were some musicians pulsing music and behind them a backdrop of amoeba like shapes projected against the wall. They appeared to be emanating from a dark shape raised on some scaffolding.

Arthur stood taking it all in. The music seemed to be everywhere. So did the acid. People were getting hard to distinguish from each other...it was all one...patterns were starting to swirl around him. ‘It’s alright,’ someone said and it was until he became aware of a frizzy-haired head-banded black, make that chocolate-brown, girl dancing in front of him. Dancing? Swirling, writhing...like a gypsy on a beach. One hand waving free.

Jiving, stomping, twisting...didn’t matter what they called the latest gyration Arthur was hopeless at it. Most attempts at dancing were like folding a deck-chair in the wind. The best he could usually manage was a sort of embarrassed shuffle. But during a lull he felt relaxed enough to mutter something about not being much of a dancer and the girl, an American, said ‘Hey don’t worry about it man. We’re all freaks.’ An answer Arthur found less than re-assuring. There was madness in the air and only he could see it. His anxiety was blocking the road to total abandon. And he knew it. His values, his parent’s values, were a burden. ‘I’m Marsha,’ said the girl.

Simon joined them and immediately got into the groove. Simon, always comfortable in any situation. Fluid and graceful, Simon knew how to approach girls and hardly ever got rebuffed. He gave himself effortlessly over to the beat. The three of them danced together separately for a while. And for a few beautiful moments Arthur was dancing. Really dancing. Like magic. Dancing outside himself. Above the ground...free. Then he remembered something.
‘I’m off then.’ Said Arthur.
‘What!?’
‘I’ve got to sort newspapers in the morning remember?’
Suddenly out of nowhere a surge of warmth welled up inside Simon. He was almost in tears as he said, ‘You really are amazing Arthur, you know that?’
‘In what way?’
‘Oh never mind. Be careful how you go.’
Arthur bought a ticket at Goodge Street Station from an octopus in a cage. Once on the tube, nerve ends still flashing and sizzling, he narrowly avoided fusion with a group of grotesque celebrants. Somehow he arrived at Victoria in time for the last train back to the sanity of suburbia. Had he seen God? Hard to say. He’d certainly seen something. As he let himself quietly into his parent’s house he wondered what cultural undercurrent decreed that everybody should walk through Portobello Market on Saturdays wearing old military uniforms. On the kitchen table, gently throbbing, was a ham sandwich.

Simon and Marsha, meanwhile, had left UFO and taken a cab to the place where Marsha was staying. It turned out to be a Regency house on Cheyne Walk. There was a spacious bedroom on the second floor. Soft lighting, Indian bed-sheets, Moroccan cushions, joss sticks, standard hippy décor, but there were some classier, expensive-looking touches too, deep sofas, Persian rugs, a Hockney swimming pool or two. Simon asked about the owner. Not here, said Marsha rolling a joint, don’t worry about him. So he didn’t. The hash was the very best Red Leb. The acid waves kept rolling in. They surrendered to whatever it was and immersed themselves in the mysteries of human flesh.

Discuss this piece in the abctales forum


Comments

pombal | January 17, 2008 - 22:34

Excellent. I think writing about drugs is always a difficult thing as some experiences are formative and others absolutely horrible and it is sometimes hard to capture these extremes

pombal | January 17, 2008 - 22:50

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Kropotkin38 | January 18, 2008 - 07:55

I enjoyed this. Evocative and colourful. For some reason I especially enjoyed the ham sandwich throbbing on the kitchen table and the octopus selling tickets on the tube. When's this set by the way?

chuck | January 18, 2008 - 14:38

Thanks. Mid sixties...flashbacks to the Summer of Love.

blackjack-davey | January 18, 2008 - 15:33

The sound track would have probably been provided by Barrett's eyeliner Pink Floyd, maybe Interstellar Overdrive.

I would remove the line about watching Fear and Loathing years later, there must be other ways of doing the time-jump. We don't want to be pulled out of the mounting drug-high, (the panic of the collapsing perpetual moment)and also sad to think all acid trips have become standardized by Hunter S.

chuck | January 18, 2008 - 16:10

Soft Machine I think on that particular occasion. It's just a fragment of a larger work, set in the present....hence the reference to 'Fear and Loathing'. But you may be right. If it ever gets to the serious editing that may come out. Thanks for the comments.

blackjack-davey | January 18, 2008 - 18:30

My feeling is the audience need to be in on the drug-rush, the loss of control, the weird train ride and any present day commentary signals safety. We have to be on the dance-floor freaking out to The Soft Machine wondering will either of the characters make it... Can they be respectable adults? I certainly failed!

chuck | January 28, 2008 - 20:15

You've put your finger on the pulse of this novel if it ever gets finished. The elusive (and quite possibly futile) quest for adult respectability. I'm still in two minds about what happened in the Sixties.

Sooz006 | February 1, 2008 - 10:48

The tendency with writing a trip is to go into great swathes of super unrealistic description and drone on about colours and shifts, you've done this and done it well without over doing it which would have spoiled it completely. Most people reading this will not be stoned, some will have no experience to draw from of what it feels like. You've written it just right, it's enough to drag the reader in without going overboard. Enjoyed it, ta.

mykle | December 2, 2008 - 23:28

I've been thinking about this and it's interesting what people choose for their tripping music.
Like Davey, Pink Floyd would be high on my list but top would be Moody Blues In Search Of The Lost Chord.
For me, Soft Machine is more smoking music but I prefer Steppenwolf or In A Gadda Da Veda by Iron Butterfly.
Drinking music would be Songs Of Kristopherson.
I took myself down to the Tallyho tavern...

Mind you, nowadays I don't drink or smoke and I find Rod Stewart isn't that bad after all and he has a fabulous female violinist and the sax ain't bad ;O)

rainee | January 2, 2009 - 18:58

I enjoyed it too - poor Arthur aye?

Please read my second poem posted 31 dec 08 called A
Drug Phycosis. I would value an opinion, thank you.

chuck | April 13, 2009 - 14:38

I left a comment for you rainee.

Jupiter | June 15, 2009 - 19:24

Well Chuckie - hidden talents my friend ;-)
Don't normally have the patience to read stories but felt I owed you one and this definitely did not disappoint. Don't want to sound sychophantic ;-) but loved the imagery and like one earlier commenter mentioned, the line
"Arthur bought a ticket at Goodge Street Station from an octopus in a cage. is great for the piece and very well placed imo.

Having got to the end of this one without a nosebleed and with little comedown, I shall endeavour to take in more of your work. ;-). Thanks for a great read.

PS I now understand the ocd editing ;-)
(only joking Chuck - mine's locks! ha! ha!)

insertponceyfre... | July 26, 2009 - 14:04

liked this a lot. I am starting from the bottom and working my way up.

The elusive (and quite possibly futile) quest for adult respectability.

yes : )

celticman | September 19, 2009 - 20:43

really liked this.