Special Delivery


from the ABC set The Long and the Short of It...

The bottle hit the copper surface hard. The beer stayed in it, just. Andres turned his back on 'El Ingles'. A couple of Gitanos smoked - close as lovers - over one of the two tables in the bar. Other beers had been spilled on the green-tinged bar top. Kiss FM was playing the soundtrack to someone's life. Some electronic euro-kack from the 80's: Vic had hated them; he'd been too old for pixie boots and high-waisted pants. The clothes had been worse than the music, but only just. There'd been money though: enough to drink in better bars than this one.

'¡Gracias, hombre!' Vic said, 'cheers, geezer'.

Andres looked back over his shoulder, rattled his adenoids in true Andalucian style.

The bar was the size of someone's lounge. In fact, it had been - once. The plastic strips hanging over the entrance wafted in the breeze, the flies dodging and weaving to get out of the heat and into the bar. Vic's mobile rang:

'¡Digame!' Safer to answer in Spanish.

'Vic? It's Rhys.'

'Yeah?' Vic lipped the bottle neck and chugged.

'They're on it. It's on time, I checked.'

'Good. I'll be waiting.' Vic thumbed the button and slid the phone shut. He tossed two Euros onto the copper: they rattled long after the strips had closed behind him.

******

The 'taxistas' glared over their cab roofs as Vic double parked opposite the rank. Sodium lights punctured the dark, occasional dud tubes allowed the night more territory.

'Vic! Vic!' The voice, sharp as the sodium, pierced the hubbub.

Vic looked across the road. The tall woman and her companion were fake-baked to an orange glow. They stood in front of arrivals, designer luggage as counterfeit as their tans. Vic waved. The shorter of the two squealed like an excited pig. Vic saw Roni's eyes roll even from two lanes away. He reached them and picked up two of the lighter bags, made his way across the road to the Peugeot Partner Rancho. The luggage fit snugly, in the rear - and on the women's laps.

Traffic was backed up in front of the San Miguel brewery. Vic sighed.

'Put the fucking window up! Let's use the effing A/C, eh?'

The younger one pouted, but wound the handle anyway.

Roni stared out of her window, the alternative was Vic's bald spot.

'Fu-uck!' Roni shouted. Vic jumped forward, eardrum inconvenienced, if not perforated.

'Wha'?'

'He nearly hit us!'

'Didn't though, did he?'

The quasi-van cleared the roundabout and headed down the side street.

They passed other bars crammed into the front rooms of terraced-houses. Occasionally, double gates yawned wide offering admittance to unofficial airport parking. Vic thought it was a nice earner, people never checked the speedos when they picked their cars up. Too busy rushing for the holiday home. Perfect vehicles for moving certain commodities around the Costa.

'Have you got it?' Vic barked.

A snarl came from the passenger side:

'Like we'd be welcome without it!'

Vic's eyes slid to the young woman, his forearms bulged and knuckles cracked7 as his grip tightened on the wheel.

'Nikki, show some respect!' Roni said.

Vic saw her shoulders shrugging in the rear-view mirror. He thought about respect: how it was earned and how it felt when you no longer had it. Vic flicked the indicator stalk, pulled in, double parked in the narrow street. The horns started blaring behind him.

'Hand it over.' he said.

The young woman had it. A girl really: 18? Who knew nowadays? She reached into a huge handbag. Except for the garish colour John Wayne could have used it as a saddlebag. The girl withdrew a terracotta storage pot. Like one from a middle-class kitchen, except for the absence of 'Original Suffolk Canister' on the outside. The tape securing the lid came off easily. Vic checked the contents, re-secured the lid and handed it back.

'OK, let's go.'

Vic raised a middle finger out of the window and pulled out, the horns behind still blaring.

'Busy?' Roni asked.

'This and that.' Vic said.

'Reggie says...'

'Stuff Reggie, Roni. I'm not coming back.'

'But it's squared, safe...'

'So what?'

'So you're a dogsbody for some Spanish firm. Come on!'

'It's OK.'

But it wasn't. Vic spoke Spanish, of a sort; enough to make him useful, once: Russian, or even Romanian, was more use nowadays and didn't people know it. Besides, he was too old. A teenaged girl could mug him off without a second thought.

*********

The car-cum-van pulled off the road into Barrio Zapata. Vic skirted the potholes gracefully until he reached the end of Calle Paraiso. Vic bumped the motor into the parking space, adding damage to the cars at front and rear - without reducing their value. The house opened onto the street. It stood in a row of two-storey terraced houses. Andres' bar was further up the street. Some young people stood under a street lamp a few metres away. Vic nodded at them. The clink of bottle on glass proved that the “Bottellon” would never die, no matter what the law said. Vic helped unload the bags.

The girl looked up at the building:

'What a fuckin' dump!'

'It's my home, girly.' Vic hissed.

'It's not exactly Benalmadena, is it?' she whined.

'No, no it's not.' He shrugged.

Vic threw the front door wide, and waited. Roni and the teenager picked up a bag each.

'Upstairs. On the left.' he said.

The cigarette tasted good; someone had to stand guard outside with the rest of the bags. Vic blew a couple of rings before shouting:

'Come on, I've got things to do.'

Roni came down, stood outside, lit one up herself:

'She's in the lav.' She said.

'How old is she now?'

'How long have you been here?'

'Fifteen years, give or take.'

'There you are then.' She dropped the cigarette, ground it out with a vertiginous heel.

She picked up two of the remaining bags:

'They're all hers, you know.' Roni said.

'For a week?'

'I was hoping-'

'No way.'

'There's a boy.'

'There always is.'

'He's not one of us.'

'Good. Let them get on with it.'

'Don't be daft.'

She gave a crooked smile at the thought of it. Vic thought she was right: it was daft. It had been daft forty years ago when he'd been nineteen, and it was still daft now. He picked up the rest of the bags and motioned Roni into the lounge.

'She can take them upstairs at least.' He winked. 'Give her a shout, tell her to get a move on.'

Vic stepped outside, out of range of Roni's strident bellow.

*******

He'd lit another Ducados by the time they came out. The girl still had her pink monstrosity of a handbag. She let the door slam behind her. Vic winced.

'Give it to me.' He held his hand out. The terracotta was heavy, he hefted it, nodded once.

'Come on.'

'Where are we going?' Roni asked.

'For a drink.'

'Like, where?' the girl groaned, gaze fixed on the group under the lamp-post.

'My local.'

She rolled her eyes and followed with the slap-footed slouch of disaffected youth.

******

They followed Vic and a swarmlet of flies through the plastic strips into Andres' bar. Roni raised an eyebrow:

'Not the Hat and Beggar is it?'

'It's not so different.'

Vic gave a nod to the group huddled in the corner, the flash of high-denomination notes as eye-catching as the gold in their teeth. The girl was staring round in disbelief:

'This place is so not me.'

'Thank God for that,' said Vic

He pointed at a round wooden table in the opposite corner.

'Sit down. Voddy tonic, Roni?'

'And me,' the girl said. Vic ignored her, his mouth twisting a little.

He stood at the bar. Andres was in the back, behind another plastic-strip curtain. Andres claimed to offer tapas. Vic had never seen so much as a nut come out of the kitchen. God knew what actually happened back there. Whatever, Andres spent a long time doing it. Vic banged the copper bar top:

'Andres!'

He came out:

'Buenas Tardes! You come back.'

'Si, had to get out of the house.' Vic placed the jar on the copper, avoiding the puddles of beer.

'What you want?'

'Vodka Tonic, beer, Fanta.'

'For them, Table?'

'Yeah.'

Andres raised his eyebrows: 'Que raro!' How strange!

'Can't a man take his family out for a drink?'

Andres got the drinks. He'd never win Barista of the Year, Vic thought. The beer was placed in front of him. The big publican danced light-footed out from behind the bar and served the females with a flourish. Back behind the bar, he asked:

'Are you daughter, Veek?'

'One of them is '

'The other?'

'Her mother.'

Andres laughed: 'I knew she you wife.'

The heat had peeled the tape from the terracotta lid . Vic lifted it, showed Andres the dust and ashes:

'She's not; this is,' he said.

Discuss this piece in the abctales forum


Comments

threeleafshamrock | March 22, 2009 - 09:21

I liked this but I don't really know why! I know; that sounds really stupid! I'll leave it a while and come back to it. There is something engaging and atmospheric about it. The ending is a surprise that I wasn't expecting - I was thinking drugs - wasn't expecting daughter either! Feels like I have completed half a jigsaw and really want the other pieces to make it whole. Like I say; I'll read it again later and engage the brain cells, when they're more awake!

Chris

celticman | March 22, 2009 - 12:01

You leave enough clues for the reader to draw one conclusion and switch them around nicely at the end. What OU course?

Ewan | March 22, 2009 - 12:09

A363 Creative Writing Level 3: it is the first time it has been offered and all students have (after expending a substantial wedge) been the guinea-pigs for the course.

I enjoyed A215, which was the CW level 2 course (I would say that, having been awarded a distinction). However, I will be lucky to pass this one. If I do I will have the OU diploma in Creative Writing. They are offering a Master's in CW in 2010, but that won't be for me.

celticman | March 23, 2009 - 11:15

Interesting. A363. I've applied for that course. It's due to start in October, after the trial run with you guniea-pigs. I've only one question, is it worth doing?

Ewan | March 23, 2009 - 13:17

Hmmm... You'll probably get a lot out of it. Have you done A215?

One of the worst things, for me, about the course was adapting your own work for a screenplay...

If you're lucky with your tutor, if you're lucky with the group you're in and if they tweak some of the course, I'm sure you'll find it worthwhile.

People said A215 was no good after the first run, and it is being praised to the rafters now.

Go for it.

Ewan

celticman | March 23, 2009 - 15:18

Thanks for that Ewan. Yes I did A215 two years ago. The course book was excellent and it was by far the easiest course I've ever done. I don't know if that is a recommendation right enough. So from what your saying I need to be lucky and lucky, as in a Kylie Minogue song. Adapt a screen play of your work? You've got plenty of good work to choose from.
Cheers.

Ewan | March 23, 2009 - 20:29

Unfortunately you have to adapt assignment 01 for assignment 02, if you see what I mean... As always, work has to be original (they mean especially written for the course, or a reworking of something never seen on an OU forum etc etc).You'd better have a damn good story with cinematic/radio/theatrical possibilities or you can come unstuck. Assignment 03 is a crit of someone else's work, if your TG forums are - how shall I put it - less than lively, you are stymied yet again. Assignment 04 is a proposal for your End of Course Assignment. 5 is the only other piece of creative writing you do. Assignment 06 is a 'work-up' for the ECA.

I have found it very tough. TMA 06 is due a week on Friday.

celticman | March 24, 2009 - 12:59

Yes, I can see your problem. You are dependent on the fate of others in your group. So it's back to Kylie and lucky, lucky, lucky? A plus point for me (but, not for you obviously) would be, no poetry. Good luck with TMA 06, which is really the ECA.

righty | April 10, 2009 - 15:06

Ewan, I'm new here having found this page through an OU-related word search on Google.

Can you give me an idea of the number of hours needed for the OU's A215 each week - a rough base guess since we all vary (I'm a journo so am used to typing at the speed of light)?

I'm planning to do some creative writing courses as an adjunct to a primarily maths-based degree.

The maths is taking about 12 hours a week at the mo. I reckon I can afford another 12-16 hours a week for creative writing before the wife starts foot-tapping or looking up divorce solicitors in the Yellow Pages.

Is 16 hours likely to be enough?

Thanks in advance and apologies for the off-topic nature of the enquiry.

Righty.

Ewan | June 8, 2009 - 12:22

I think you could do it with 16 or so.