Prologue
Afterwards, they didn’t know what to do with me. My mother edged around me at home as if I were breakable, suddenly, a new piece of china to be dusted, polished and then put gently back upon the shelf. School was a complicated dance of avoidance; I kept a low profile, donned a hoodie, and lurked at the back of classrooms, absorbing knowledge quietly, no questions. The teachers learnt not to bother me; I met their polite, concerned enquiries with blank looks and a shut mouth. I let the school counsellor try to charm me once a week, on Fridays, but the numbness was all-consuming. Outside school was harder. The gauntlet to run between the school gates and the door of home. I stopped for nothing and no-one.
My brain had an incredible way of dealing with my extreme emotional pain. It locked it away, compartmentalised it from the rest of my mind, until my heart would be able to deal with it. Outside that security box, it left only numbness and a sense of unreality. Life moved that little bit slower, as if I was wading through honey trying to walk, going through the familiar motions of everyday as if they were a sort of therapy.
But the pressure was building; I could feel it. Eyes followed me wherever I went, holding different expectations of me, and I could not meet any of them. I knew that a change had to happen, and if I was to remain in control, my fate must be of my own making. I knew that by leaving Mum, I was causing her more pain, but she would not come where I was going, and so I planned to go alone.
But Destiny had one or two last cards to lay on my table, and the date of my leaving was fixed for me; suddenly, brutally. One great act, and then a great loss. Newfound euphoria was replaced by numbness far deeper than before, as my brain removed, packed away, tightened the boundaries of the pain I could not yet feel connected to.
Chapter One: Homecoming
The bus skidded along the motorway, scattering the thick, lying water into shards that battered the windows and drenched the cars coming in the opposite direction. I watched their windscreen wipers flick manically, the image of dogs shaking their coats after being in the river springing to mind. Although it was nearly nine o’clock in the morning, the world was dark, a heavy mist of rain shrouding the countryside around us in a deep grey cloak, blotting out the light. I could hardly see the shapes of the fields and towns as they passed, blurry, smatterings of streetlights distorted through the huge, flat rain-ridden windows that lined the bus. It made what should have been familiar difficult to recognise, as the rolling hills of Wiltshire rose to admit us, a small, white speck on a great, grey, wet snake, cutting its venomous way through the green.
I could romanticise the scene, but I was tired. Last night had not held much sleep, and it had not been difficult to rise early to catch the long distance bus that would take me… I hesitated to call it home, for I had only ever visited. But home it was to be, now that I was suddenly the responsibility of my grandmother. And yet, leaving Nottingham behind was not the wrench I had expected. A city that had been home for the last fifteen years of my life would have hurt more to leave perhaps, if so much pain had not been experienced there.
This was not my plan; I did not think that it would ease the numbness, and as I travelled, the numbness did follow me, complete and in its entirety. I pressed my clammy forehead against the clammy window, seeking its cool, hoping it would soothe. I had resolved to leave the past behind me; I had hoped the numbness would remain also, but here it was, an unwanted hitchhiker, filling the bus with its dullness, echoing deep inside me, like a sort of permanent emotional indigestion. The bus juddered, and my knuckles whitened, my left hand gripping the bar across the back of the seat in front of me; it had been weeks since I’d been inside a fast-moving vehicle, and it unnerved me deeply.
Pushing unwanted memories to one side, I concentrated on my Grandmother’s face, drawing the familiar lines around my own reflection in the condensation formed by my breath on the cold window. The tip of my index finger worked swiftly to recreate her eyes, her smile, her hair, her nose, her jaw; like looking in a mirror tainted only by age, the fluorescent overhead lights setting the dark circles under my eyes in stark contrast to the paleness of my cheeks. My grandmother was the member of my family that I most resembled. My mother had taken after my father, supposedly, but I could not tell, for I had never met the man. Like my grandfather before him, he had died before he laid eyes on his own daughter, history repeating itself cruelly, leaving both my grandmother and my mother widows only months after their wedding days.
I grimaced at my framed reflection, wiping away my whimsical drawing with the sleeve of my hooded top, replating my response to the men who had influenced my life without being present in it. I would never marry, of that I was sure. I didn’t wish for children either. From what I had seen of family, procreation only caused problems and arguments, dividing mother from daughter and a tide of recrimination. My mother had left home at the age of seventeen, running away from a life in which she had never been happy. The boundaries of a small Wiltshire village too tight to contain her, the isolation too much for a sociable person to bear.
My mother the dreamer, following the fairytales of her youth North to Nottingham, city of Danish Vikings and Robin Hood, seeking her destiny amongst the urban sprawl. As far as I knew, she had never returned to her birthplace, sending me on trips to visit my grandmother alone, only when I was old enough to be placed on a bus under the care of the driver, an underage parcel to be delivered. A modern-day refugee.
And so here I was, as the bus turned off the motorway, passing across the county border into Somerset, headed for the Roman City of Bath, where the bus station awaited our arrival. The rain was dying off now, the sky brightening as the wind gusted the clouds away. A ray of hope, of lightness if not sunshine, filled the countryside as it opened up around us, the great, green rolling hills undulating towards a more visible horizon.
She was waiting at the bus station, a diminutive figure in a pale blue mac; elegant knee-high boots guarding her feet from the wet; a peaked hat shading her eyes from the rain. Blue eyes met blue eyes and a warm ebb of recognition flowed between, filling in the intervening years and wrapping a sense of reassurance around my overtired shoulders. She stepped forwards, grinning, to take my bag from the driver as he unloaded the luggage compartment, waving away my hand. I followed her striding figure towards the line of waiting taxis at the rank, and together, we slipped inside the warmth of the car. The directions she gave to the driver were the first words she uttered. Then she turned her full attention onto me.
‘I didn’t know how to begin,’ she admitted, smiling ruefully, ‘so I thought I wouldn’t. It’s easier to just leap straight in to life after a change. No tramping over the past and muddying it.’
I sat, dumbfounded at her honesty. I hadn’t known what to expect. My Gran wasn’t like other people, I had always known that, but I had been worried about how she would ‘deal’ with me now; after all, this wasn’t a normal visit. It had been two years since I’d last visited; last summer I had been consumed with… but that way, the numbness started to peel back, and I closed the pathway, firmly.
‘Anyway,’ she continued, ‘I’ve provisionally registered you at the local school, Mandervay. They were concerned at you joining the sixth form so late; you started different boards in Nottingham but you’ve missed so much anyway… well, you’re just going to have to start again and catch up on what you’ve missed. English Literature, Maths and Biology. Plus, Drama, as long as you can keep up with the work for the others. You can always wait until the next academic year, but it’s a whole nine months until September, and how you’d occupy yourself until then, I don’t know. Besides, it’s best not to get behind.’
She stopped talking abruptly. It was clear that she’d said everything she felt she needed to, and now she let the silence grow in the car, turning slightly away from me to give me the space to absorb and settle. I didn’t know how to respond; I felt ill-equipped to deal with her thoughtfulness and her organisation of my life, now that it was in her hands. So I just sat and watched the rainy streets flow by, as the taxi ushered us ‘home’.

Comments
ScribbleScribe | February 26, 2009 - 16:02
I just wanted to say thank you so much for your helpful comment.
I'll read this piece and write constructive criticism comments on it later. I promise.
Again, thank you n_n
-Sophia Grace
NO_1 | February 26, 2009 - 16:23
The only advice I would give you at this point is the hoary old adage 'show, don't tell.'
You spend a lot of time giving us back story and descriptions of a bus journey. All perfectly good prose, as I would expect, but...
Is it a beginning that would hook me into reading the rest of your novel? Or am I willing you just to get on with it.
Well, it's the latter.
I would ditch the whole of your prologue. This datadump needs to emerge as events unfold. Plus, I would omit most of your opening paragraphs and start no earlier than 'She was waiting at the bus station...'
We are thereby thrust into events and wondering who? where? and why? Plus, we begin with some character interaction rather than an internal monologue.
Trust your reader to pick things up as s/he goes along and fill in the blanks. Concentrate on developing your scenes through action and dialogue.
Please don't be discouraged by my words. I'm looking forward to reading more. It's just that I'm the kind of shallow person who would have expected a few explosions and at least one gratuitous death by now.
NO_1 | February 26, 2009 - 20:48
I would just like to add: don't be tempted to go back and tweak your early chapters, unless you have to do a major revision of plot or character motivation. The best thing is to keep moving forwards, otherwise you lose momentum and get bogged down in minor details. The time to edit is when you reach the end and have the whole manuscript in your hands, so you can see its complete shape. Then, you can be brutal and go back and cross out all your best lines. (That's what it feels like.)
Remember, 'writing poetically' doesn't mean using lots of flowery language and pretty description. The essence of poetry is to convey something deep, subtle and complicated in a few well chosen words.
Keep going. You have a lot of popular support on this site.
ScribbleScribe | February 27, 2009 - 00:21
Instead of "lying water" you could say stagnant water.
"And yet, leaving Nottingham behind was not the wrench I had expected."
I understand what youre trying to say here but make it more clear that it wasnt the emotional wrenching of the heart that the main character expected.
Overall I thought the piece was VERY interesting. I look forward to reading more.
-Sophia Grace
hilary west | February 27, 2009 - 19:41
This is quality writing. Certainly worth continuing. I think I would read it even if the plot did not move me terribly.
jennifer | March 2, 2009 - 15:22
Thank you to everyone for their comments, especially you, No_1 with your detailed critique. My biggest problem with prose writing is that I have a tendency to 'tell' rather than 'show', in the opposite manner from my poetry!
This is the start of a very rough first draft - will post some more - keen to have comments - am at 9,000 words, so will go back and chop it all around when it takes shape, and when I have a lot more words to play with!
Thank you all - as a poet, I appreciate your support on this foray into prose!
J x
Herman | March 10, 2009 - 19:58
Hi Jennifer. I agree with NO_1 on most points - though I like the Prologue. By that I don't mean you should keep it necessarily - but that it has some strong writing in it. It's quite different to the rest of the piece in tone and style. Something's definitely working its way out of this, I feel. Good luck with it...
...and thanks for the comment on my story.
H x
PS I envy you for living on a narrowboat. I've been thinking about buying one to live on. I'll keep looking...