The rasta man
was old, lean,
and very black
with long grey dread-locks
in a semi-affluent city
where multi-culturalism was celebrated
but at the time,
an actual black face
was a great rarity
he sat on a late Fall bench
near the front
of a vast park
filled with hundreds of trees
planted and fastiduously
labelled and described
for over a century...
the ground beneath many
was now strewn
with leaves pink, yellow,
and red
the somewhat liberal city
had been swinging reactionary
for some time
so it wasn't such a great set-up
for a "drug dealer,"
the dread appelation
the Rasta man earned
for selling generous dime bags
of pot and opium
I liked the Rasta man
not only because I broke
up my college studies with
pot and, for the first time, opium
but because I wondered
where he was from...
with his foreign accent
and the gentle "soul"
that showed through
the scary business he did
(there being well-paid
undercover cops and a vicious jail
to make sure
that drugs were only sold
behind closed doors
by the more affluent)
Did he come from a jungle
or a grasslands
or a vast city
in which somewhere
a lone Starbucks could
be found?
The Rasta man came
like a pink moon
or a scout from
some distant Bohemian civilization,
saw that the winds
were cold
and was gone within a month

Comments
maggyvaneijk | August 11, 2011 - 08:59
I like the contrasts you lay out in the opening stanza and the two final stanzas bring it to an interesting close with unique imagery.
seannelson | August 12, 2011 - 03:03
Thank you Maggyvaneijk; I'm glad you can appreciate something in this piece. I spend a fair amount of energy writing and editing it, as I often but don't always do with my poems. You mentioned the ending imagery; You're likely aware that "pink moon" is a song and album by Nick Drake, and it seemed to fit both as an image and a cultural allusion. Thanks, and nice to hear from you. <]:- )