Carl MacDougall (1989) Stone Over Water.

This is an old book in that Carl McDougall received a bursary from the Scottish Arts Council to write his debut novel. How quaint that sounds now. It’s like having a governess or a government that valued literature.  I ripped through the book quickly. The story pays homage to Jane Eyre. The hero and narrator of the novel is Angus McPhail. ‘Give me the child until and I will give you the man’ is the maxim of Aristotle, or Ignatius Loyola and the Jesuits and the documentary series 7UP tested that idea. Here Angus is a foundling at Greenbank House, the next minute he’s told to pack his stuff, he’s to be adopted. He’s twelve, the couple adopting him wanted a child with blue eyes. Angus has blue eyes, his new mother and father are quite happy with him. His brother Cameron and sister Euphemia (Phammie) treat him as if he’s one of the family. Cameron takes Angus to school and introduces him to everyone as his long-lost brother. Angus felt wanted.

His new father works in a bank writes a diary and might be working on a novel of what it means to be Scottish. Angus works in a bank writes a diary and is working on a novel of what it means to be Angus McPhail. His mother takes wee white pills and can be forgetful. It’s the 1960s. Phammie goes to find herself, but gets a bit lost. Cameron embraces Marxist dialectic and the working class. He proves himself to be less bourgeoisie than others might think by robbing banks for the cause.     

Part One, Part Two and Part Three, or the beginning, the middle and the end are prefaced by a different kind of Marx, Groucho. ‘The party in the first part will be known as the party in the first part.’

The party of the third part takes us up to Thatcherism and the rewriting of history and it seems vaguely familiar. Take, for example, the film Darkest Hour. And listen to what Angus is telling his bit on the side Miranda.

Fiction is so pessimistic, which obviously has the effect of making people like me feel powerless, which is what it’s supposed to do. We’ve been told we’re powerless and now we feel powerless. The bourgeoisie have taken over everything.

…They even won the war.

Churchill won the war. He had a little help from his generals and their officers, but the soldiers merely did what they were told, the men and women who did the fighting and died for fuck-all simply responded to good leadership. So how can you compete with that, how can you come to terms with, far less survive in, a system where everything is subject to reassessment and that revision is adopted and fed back as propaganda?

Amen to that. Angus McPhail is a prophet. I’ve been saying that for the last ten years. Here it is in print from 1980 before we had ever second programme on Channel 4 and 5 with the tag Benefit and the unwritten script - scum. And here we have the latest tale of Churchill saving Britain by writing a speech about Never, Never, Never. I guess like the recent hokum about the King learning not to stutter Britain would have lost the war if it wasn’t for wordpower. Dream on. I’m a McPhail. 1% own more than the bottom 50% in Scotland is not a headline that shocks, it’s something that passes largely unnoticed. That’s the power of propaganda.   Stone Over Water, aye

Comments

'robbing banks for the cause' hey that brings back memories. Um slight exaggeration...Might give it a go. I like The Lights Below.

worth a look Elsie. 

 

Scotland used to have a touring theatre company called 7:84 The name flagged up the fact that 7 per cent of people owned 84 per cent of the land in Scotland. They were very good. I saw one play about the women strikers at Lee Jeans factory in Greenock in the 70s at the Stirling MacRobert centre and one about the NHS in London in 1981. They used drama and music to 'put the world to rights' or thereabouts. In London plays like this used to be listed in the Theatre section of Time Out as 'Agitprop'

How quaint that sounds.

yep. the cheviot, the stag and the black black oil. I only saw them on video.