What defines a good piece of writing? (2)
I reached the bottom of the original 'What defines a good piece of writing?', glanced back up at the pinhead of light that marked my entrance point, and decided it was time to start digging a new hole.
Beauty is in the eye of the beholder, as they say, and I tell people all the time. (Tis an disgruntled excuse for my shabbiness and not fitting in with the modern social perception of the attractive male figure.) But what I mean to say is, I think this applies to writing too, largely. And all kindsa stuff.
I mean! The two pieces that have been cherry-picked (meaning, particularly enjoyed,) by the editors are ones I considered amusing anecdotes from a bigger volume, jotted down in a matter of minutes, while my carefully composed fantasy/satirical fiction and epic allusionary poems creep past them unnoticed.
Now, what pleases me about this cherry-picking is that, if I understand the accompanying email correctly, it is in no way an attempt to place a mathematical value on a piece, like professional critics (oo! I hate critics!) do when they give something a two or five star review. It's only meant to guide the reader so far as, "This is what the editors liked." More like a friend recommending something to you than an authority telling you what the best stuff is. Good, good. Me like.
Where was I going? Yes. It's all very well saying we value these things about stories, but I find much of what I like is intangible. Much as I might admire character development, originality, depth of feeling, pretty form and structure and all that, I much prefer the disjointed, silly, scattered works of Kurt Vonnegut to the majestical tapestry of Dickens. So it goes!
I think our personal tastes accounts for a lot more than our sense of logic or system of values, and that is in itself summat to be much valued thank you and bye!