SoulFire77

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I have 145 stories published in 10 collections on the site.
My stories have been read 44489 times and 151 of my stories have been cherry picked.
12 of my 81 comments have been voted Great Feedback with a total of 19 votes

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J. Oliver Padgett

J. Oliver Padgett writes horror and dystopian fiction from the North Carolina Piedmont. His work explores economic coercion, institutional complicity, and what people become when survival demands compromise. Novels include "Lily", "The Interview", and "Escape From Room 101". His prose favors psychological dread over graphic violence, working-class authenticity over literary posturing, and endings that deny comfort. By day, he works in warehouse logistics—a background that informs his fiction's attention to the quiet machinery that grinds people down. 

My stories

Cherry

Hard Time Killing Floor - Part Two: The Bentonia Tuning

The Bentonia school was the work of a man named Henry Stuckey, who learned a guitar tuning from Black soldiers in France in 1918 — Bahamian troops,...
Cherry

The Way We Heard: Way Down

1977 The screened porch was hotter than the kitchen but at least it was hers. Wanda sat on the metal rocker that didn't rock anymore and worked...
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Gold cherry

Hard Time Killing Floor - Part One: The Auction

Skip James was sixty-seven when he died. The cause was cancer, but the body had been failing for years before that — diabetes, blood pressure, the...
Cherry

The Less Miserables Lose a Friend (3)

Christmas Day, Wesley stayed at Dusty's house. He didn't want to at first. Had tried to leave that morning, mumbling something about not wanting to...
Cherry

The Less Miserables Lose a Friend (2)

On Christmas Eve, the something that changed was the temperature. The radio had warned about it—winter storm coming, temperatures dropping into the...

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12 of my comments have received 19 Great Feedback votes

1 Vote

A tightly focused theme!

Posted on Tue, 25 Nov 2025

The central paradox here really works - the speaker claims memory is "false," yet still cannot help but forget. That tension drives the whole piece! I especially appreciate how you ground the abstract through concrete imagery (dust, broken galss...

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Posted in Memory

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