SoulFire77

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I have 143 stories published in 10 collections on the site.
My stories have been read 43438 times and 148 of my stories have been cherry picked.
12 of my 80 comments have been voted Great Feedback with a total of 19 votes

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J. Oliver Padgett

J. Oliver Padgett writes horror and dystopian fiction from the North Carolina Piedmont. His work explores economic coercion, institutional complicity, and what people become when survival demands compromise. Novels include "Lily", "The Interview", and "Escape From Room 101". His prose favors psychological dread over graphic violence, working-class authenticity over literary posturing, and endings that deny comfort. By day, he works in warehouse logistics—a background that informs his fiction's attention to the quiet machinery that grinds people down. 

My stories

Gold cherry

Hard Time Killing Floor - Part One: The Auction

Skip James was sixty-seven when he died. The cause was cancer, but the body had been failing for years before that — diabetes, blood pressure, the...
Cherry

The Less Miserables Lose a Friend (3)

Christmas Day, Wesley stayed at Dusty's house. He didn't want to at first. Had tried to leave that morning, mumbling something about not wanting to...
Cherry

The Less Miserables Lose a Friend (2)

On Christmas Eve, the something that changed was the temperature. The radio had warned about it—winter storm coming, temperatures dropping into the...
Gold cherry
Story of the week

The Less Miserables Lose a Friend (1)

The bottle was in the truck when Wesley woke up. He didn't remember putting it there. Didn't remember much of last night at all, actually—just...
Cherry

Ridgeline: Part Eighteen: What She Carries

Fragments. Scott's face in the hospital hallway — not the 6:30 face, not the flat emptied face of a man who'd driven a truck for twelve hours. A...

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12 of my comments have received 19 Great Feedback votes

1 Vote

A tightly focused theme!

Posted on Tue, 25 Nov 2025

The central paradox here really works - the speaker claims memory is "false," yet still cannot help but forget. That tension drives the whole piece! I especially appreciate how you ground the abstract through concrete imagery (dust, broken galss...

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Posted in Memory

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