Stephen Thom
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Aura (16)
Image attribution: Wikimedia Commons Author: Blanford, William Thomas, 1888 License: CC BY-SA 3.0
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Aura (15)
Image attribution: Wikimedia Commons Author: Blanford, William Thomas, 1888 License: CC BY-SA 3.0
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Aura (14)
Image attribution: Wikimedia Commons Author: Blanford, William Thomas, 1888 License: CC BY-SA 3.0
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Aura (13)
Image attribution: Wikimedia Commons Author: Blanford, William Thomas, 1888 License: CC BY-SA 3.0
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Aura (12)
Image attribution: Wikimedia Commons Author: Blanford, William Thomas, 1888 License: CC BY-SA 3.0
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- 1735 reads
thought this was very dark
Posted on Fri, 12 Dec 2014
thought this was very dark and atmospheric with a real,close undercurrent and a v effective final line lifting it somewhere else...the passageways of stainless steel set the tone/images, but straight, stark descriptions like 'brilliant as an...
Read full commentPosted in Name
i am really enjoying the
Posted on Fri, 12 Dec 2014
i am really enjoying the transportively descriptive nature of your poems! The fluid alliterative moments, sparky images 'fuzzy daubs' and rhythmic vivid feeling 'drizzle, mizzle, rubbed, dabbed' fit/flow together brilliantly to convey these...
Read full commentPosted in Gloom’s End
Very lovely to read, shimmers
Posted on Sat, 13 Dec 2014
Very lovely to read, shimmers with interpretive possiblity beyond the story it tells.
Lovely touches throughout, simple yet effective in moments close to ourselves like she 'delicately shined', was 'always lifted by the kindness around...
Read full commentPosted in Waiting for a Train to Remember
A really tricky balance, I
Posted on Mon, 15 Sep 2014
A really tricky balance, I appreciated the sentiments expressed here. I liked the structure and again it made me wish to know more about how poems are constructed, the technical side, I must look for a starting point today. The early repetition...
Read full commentPosted in No Ties (IP)
all coming together really
Posted on Wed, 10 Dec 2014
all coming together really well reading these recent ones the mixture of abstract/ethereal/grounding in real human stories is weaving together fluidly and makes for interesting engaging reading.
Saw this as a strong keynote sentence,for...
Read full commentPosted in Gas Mark Zero
great first part really
Posted on Tue, 09 Dec 2014
great first part really enjoyed the writing lovely descriptions and diction - Gnarling waves, heavy ceiling of grey smear, plump little black statues - good sparky dialogue too
Read full commentPosted in Look There, On The Rocks
I liked this it worked well
Posted on Sun, 07 Dec 2014
I liked this it worked well some very pretty moments and descriptions peppered across the passage of time. the beginning in particular had flashes of a chekhov short, the family, the light from the window. lovely moments eg. she hears the creak...
Read full commentPosted in “Ladies and Gentlemen. Children of All Ages.”
How excellent this is...i
Posted on Sat, 04 Oct 2014
How excellent this is...i read your recent on the cliff path and then this poem and I like how transportive they are and how you can transfer the reader into these environments with subtle arrangements of words. In short pieces every word seems...
Read full commentPosted in Ysgyryd Fawr/Skirrid …
Ah that was fantastic, i
Posted on Wed, 03 Dec 2014
Ah that was fantastic, i haven't read the others in this series but I will look forward to going through them. I liked the letter form, the only other time I think I have read such form is in Dracula but it was very transportive and evocative and...
Read full commentPosted in We Who Survived - 6 Susan Kimball and Elizabeth Sager
I really liked this. I liked
Posted on Fri, 28 Nov 2014
I really liked this. I liked the throwaway parts like 'to the cliff bit' and I though the last sentence was marvellous -one thing that catches on the corner of conversation-, repetition of feeds all back in loops. Also the dorsal fin scouring the...
Read full commentPosted in Bring the sea in
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