Guy D Toowettall

A MODE (WEB OF COINCIDENCE)

MODE

A STYLE .

The sense

Take your attention and divert it readjusting throughout the different
ways of seeing and viewing the world. Looking, thus brushing over and
eliciting the framework in the logic of the mode, an organic agenda and
the way to escape from it.

The action to be taken

Sprinkle some fine white dust upon the area by quickly darting about a
room with your attention before grabbing the most immediately placed
object either with a sense of your choice or with your entire being, an
object of meaning, e.g. (an object with text written on it) and loosely
perusing it all over. You should be projected with suggestions like
open handshakes for your mind's hands noting the surer and truer grips
it makes with the few of them.
An urge to bound to the next part of your destiny may commence
suddenly by it's own will, with the decision to stop at a certain point
in the form of a form, shape, word or story and the very first one you
encounter with your eye at this moment, the ones that grabs you in
fact, take it; and then entertain it.

The effect

The violent momentums of your actual position and time will be more
difficult for them to measure and could cause major waves in the
vicinity and thereby rock others nearby to a milder rhythm in an
inactive and immobile state.

The implications

Absolute freedom. The actor can shake off his hunter and confuse his
intentions with a smokescreen to enjoy a real moment; walking through
the boiler room between the great steaming pistons that burn the fuel
for the mode. Existing in this place stands the individual within an
invisible arena, one that does exist, but because people never look in
its direction may as well not.