A Bridge, Overlooked

By sean mcnulty
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From my window I see a man
Stomping across to her, as though
Called by the NATION itself.
A staggered Ares. With his arse showing.
And all the NATION behind him.
I wonder what she stole from this man.
What brought him to throw his leg at her?
Had she stolen his underwear from him?
His name and rank? His crispy pancakes?
Her dress of many colours is not of this place
Where a singular dullness informs the fit.
Some would label the garb vulgar perhaps
but how less crude than the muddied cotton
he wears? And that glassy puffer on top.
The eye looks for more champions.
From either side of this wordless affray.
But they’ve a path and they keep to it
Or simply watch as I do from my window.
He spits. She stands. He thrusts. She falls.
Her scarf is thrown in the water.
He moves on to complete his national duties,
Presenting greater arse in departure
While she resumes her own part on the bridge.
If indeed she did steal something, perhaps
Her flung and battered scarf – now drifting
Down the Liffey – is a brilliant justice.
No, no.
I do not know.
How could I from my window?
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Comments
Sin
Sometime in the late seventies I stood on O’ Connell Bridge and looked down at the Liffey. Floating in it I saw a condom. Should I call the Guards? I thought. Should I grass up the sinners and fornicators? Would I get a reward? Would I go to heaven?
But I went for a pint instead.
Whenever I’ve told people about this their responses have always been, Was it a used condom? Apart from the fella that told me to say three Hail Marys, that is.
Turlough
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I remember standing on O
I remember standing on O'Connell Street in the 1990's looking at a statue of a woman in the river and being told by my Irish friend that, not intimidated by literature (Joyce's character Anna Livia) or mythology (being a representation of Abhainn na Life, the spirit of the river), Dubliners referred to her as 'the Floozy in the Jacuzzi'. Maybe she's not called that any more now's she's been moved to a park.
Loved the poem. I'm a grand one for the metaphors.
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