The Kitchen Door

By Caldwell
- 18 reads
It was one of those French dinners that felt less like a birthday and more like a slow, indulgent suffocation. A celebration by way of forced feeding.
The table stretched the entire room, a Frankenstein’s monster made from two dining tables, a sewing desk, a camping table, and what looked suspiciously like a child’s homework desk. Every chair in the house had been conscripted. I was wedged between a retired firefighter already three sheets to the wind and a man built like a stocky, rural Jeremy Renner - if Renner had given in early to wine, wild game and contentment. That was Serge, who had personally killed the sanglier we were about to eat.
Food in this part of France isn’t something you buy. It’s something you know.
Serge caught the boar last Tuesday. Alain brought the crab. The oysters came from someone’s cousin. The wine came from someone else’s vines. Nothing on the table lacked a backstory, and nobody at the table felt any need to be modest about it. This wasn’t pride; it was simply how life worked. Food wasn’t an interest. It was identity.
The first course was a table-sized plateau of fruits de mer: oysters sweating on crushed ice, prawns curled into commas, whelks arranged neatly like punctuation. Before I finished three bites, the second course arrived - smoked salmon with blinis that disintegrated on contact. Then the sanglier, rich and wine-dark, ladled with the fatalistic generosity of people trying to feed you into submission.
Every course demanded an accompanying wine. White, red, and of course Champagne, because of course Champagne. The Bluetooth speaker in the corner rasped out 80s French pop, distorting heartbreakingly on the bass notes. Everyone seemed to know every lyric. By the time “Voyage, Voyage” came on, they were shouting it.
The retired fireman opposite me - the most articulate man at the table, though by now his consonants were fading into mist - insisted once again on telling everyone how he had entertained my sons when they were children by letting them try on his uniform and gleaming silver helmet. “Des garçons extraordinaires,” he slurred. He had no idea the eldest now works in insurance and the younger pipes raspberry coulis at a restaurant, both back in the UK.
Then came the cheese board - which, in France, is its own universe. Six cheeses minimum. Each was carried ceremonially to the table like a newborn child. When someone urged Pierre, the birthday man, to hurry up cutting the Comté, he tapped his chest and laughed: Doucement - le cœur.
A reminder that the man had a weak heart, and that last year he would have moved more quickly.
Dessert appeared in hollowed-out fruit: lemons filled with lemon sorbet, oranges filled with orange sorbet, coconuts packed with coconut sorbet. French engineering disguised as dessert. And then, as if the human body had any capacity left, the Mon Chéri chocolates were placed at each setting.
That was my cue.
I stood to leave. Politely. Slowly. The table felt like an organism, warm and loud and insistent, wrapping itself around all of us. A roomful of people still alive enough to demand second helpings.
Pierre caught my eye and gestured with two fingers.
“Viens.”
He led me through the narrow corridor into the kitchen. The door swung shut behind us and suddenly the world went quiet - just the low hum of the fridge and the faint smell of broth cooling in the air. No music, no wine breath, no laughter bouncing off walls. All the performance of being alive had stayed at the table.
He leaned on the counter.
He told me about the doctor.
The six months.
The cancer they won’t treat.
He said it without drama. Just truth. A man reading the weather.
Two weeks earlier, when his brother died, I had sent him a real message - not a quick désolé, but a letter reminding him of all the times he’d helped us over the years, from lifting heavy furniture in our first flat to playing grandfather to my boys. I’d told him I loved him in the way one loves a good man who has quietly supported you without expectation of anything other than to see you do well.
In the kitchen, he said he’d read it three times.
“Ça m’a vraiment touché.”
Then, almost shyly, he asked if he could send me updates about his health.
“Si ça ne te dérange pas.”
I said yes, of course. Not out of duty. I felt honoured. I held back my tears as did he. We did a reasonable job with a lot of shoulder-patting and “D’accord.”
When we stepped back into the dining room, the speaker was mangling another power ballad from 1984, and Serge was demonstrating, with a fork, how to judge the weight of a boar by the width of its hooves.
The table roared with warmth and noise and life.
But all I could think about was the quiet kitchen and the man who had just shown me the truth of his dying.
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Comments
A beautifully constructed
A beautifully constructed contrast - well done C
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